The La Vern Frank-Rush papers regarding the WPA Art Center in Sioux City, Iowa, measure 0.2 linear feet and 0.277 GB and date from 1936 to 2007 with the bulk dated 1936 to 1942. Two scrapbooks compiled by Frank-Rush between 1936 and 1942 contain introductory and concluding statements added by her in 2006. A memoir, circa 2007, documents activities, achievements, staff, and participants of the WPA Art Center in Sioux City, Iowa. Also included are digital images of the scrapbooks and memoir, along with seven images of Frank-Rush's artwork.

The Dorothea Gilder papers regarding Cecilia Beaux date from 1897 to 1920 and include correspondence between Beaux and Gilder, scattered printed materials, and two photographs of Beaux with Gilder and other friends. The papers are comprised primarily of correspondence between Cecilia Beaux and her close, life-long friend and intimate companion Dorothea Gilder between 1897 and 1920. The letters recount daily activities, travels, work, social life, attitudes, and aspects of their intimate relationship.

This small collection measures 0.2 linear feet and comprises 13 letters written by renowned Hudson River School landscape painter Albert Bierstadt between 1860 and 1900. The majority of the letters were penned in the last two decades of his life and discuss his painting, the inspiration he found in nature, his studio, and concerns relating to commissions and finances.

The Sylvester Rosa Koehler papers measure 5.4 linear feet and date from 1833 to 1904, with the bulk of the material dating from 1870 to 1890. The collection consists primarily of Koehler's extensive correspondence to and from many notable artists and printmakers such as Jean F. Harfin, John M. Falconer, Frederick Juengling, and James D. Smillie, as well as friends, and family members and professional correspondence concerning Koehler's activities as a writer, curator, and editor of the American Art Review. The collection also contains financial records and other miscellaneous items.

The Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson measures 3.4 linear feet and dates from 1902-1990. The collection consists of copied biographical papers, recordings, correspondence, and printed material related to O'Keeffe, and 97 recorded interviews related to the life of Louise Nevelson. The outcome of Lisle's research on O'Keeffe resulted in her book, Portrait of an Artist: A Biography of Georgia O'Keeffe (1980); and on Nevelson, Lisle authored, Louise Nevelson: A Passionate Life (1990).

The records of the Marilyn Pearl Gallery are dated 1925-2000, with the bulk of the ematerial from the period 1976-1993. The collection measures 7.4 linear feet and consists of artists' files, exhibition files, and business records documenting affiliated artists and gallery activities.

The Molly Saltman "Art and Artists" interviews measure 2.4 linear feet and contain 62 sound recording interviews and lectures with art collectors, teachers, actors, and artists. The interviews were conducted by Molly Saltman from 1966-1967 as part of the "Art and Artists" radio series broadcast on the KPAL radio station in Palm Springs, California. Additional recordings of KPAL content and nonbroadcast content were discovered upon digitization, including a Los Angeles Art Association anniversary event and a Charles White slide lecture.

The Janet Kardon papers measures 6.7 linear feet and date from 1905, and circa 1950-1995, with the bulk of the records dating from 1975-1991. Papers include exhibition files, professional records, legal records, photographs, printed material, and some audiovisual material. The collection primarily documents Kardon's work on various exhibitions during her time at the Philadelphia College of Art (PCA) and the Institute of Contemporary Art (ICA), University of Pennsylvania.

The Dodie Kazanjian and Calvin Tomkins research materials on Alexander Liberman measures 7.8 linear feet and date from 1927-1999. The collection contains sound recordings of interviews, interview transcripts, correspondence, biographical material, clippings, and some photographs. The papers and recordings were predominantly compiled during Kazanjian and Tomkin's preparation for their book, Alex: The Life of Alexander Liberman (1993).

The Donald H. Karshan papers relating to Alexander Achipenko measure 1.8 linear feet and date from 1920 to 1973, (bulk dates 1966-1970). Karshan, a print expert and collector, served as Curator of the Archipenko Collection and Director of the Archipenko Archive from circa 1966 until circa 1973. Exhibition files include records concerning University of California, Los Angeles's Alexander Archipenko Memorial Exhibition, 1967-1969, that traveled throughout the United States; an expanded version of the show was circulated in Europe by the Smithsonian Institution. The collection also contains general correspondence relating to the administration of the Archipenko Collection and Archipenko Archive, Leopold Survage, and writings on Archipenko's work and life by Karshan with related correspondence.