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Creators:
Smithsonian Institution. Anacostia Community Museum
Walker Art Center
Dates:
1994-04-01 - 1994-06-01
Size:
1 Linear foot (1 box)
Collection ID:
ACMA.03-035
Repository:
Anacostia Community Museum Archives

An exhibition exploring the representation of Malcolm X in American visual culture. The show was organized by the Walker Art Center and exhibited at the Anacostia Museum from April 1 --June 1, 1994. Kellie Jones served as the curator. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, press coverage, education packets, loan agreements, floor plans, and catalogues.

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Creators:
National Museum of African Art. Department of Education and Research
Dates:
1967-1987
Size:
5 cu. ft. (5 records storage boxes)
Collection ID:
Accession 05-033
Repository:
Smithsonian Institution Archives

This accession includes records documenting public educational programs in African art, history, and culture. Materials include correspondence and memoranda; grant proposals; workshop and symposium information; budget summaries; contractual agreements; press kits; reports; evaluation forms; teacher's guides; docent training information; a...

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Creators:
National Museum of African Art. Office of Education and Public Programs
Dates:
1973-2007
Size:
13 cu. ft. (13 record storage boxes)
Collection ID:
Accession 10-006
Repository:
Smithsonian Institution Archives

This accession consists of files created and maintained primarily by Edward Lifschitz and Veronika Jenke. These records document public education programs in African art, history, and culture. Materials include correspondence and memoranda; workshop and program information; docent training information; docent newsletters; photographs, neg...

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Creators:
National Museum of African Art. Office of External Affairs
Dates:
1983-2006
Size:
3.5 cu. ft. (3 record storage boxes) (1 document box)
Collection ID:
Accession 11-005
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the publicity of exhibitions and special events at the National Museum of African Art. Also included are materials relating to the opening of the museum in its mall location, the building's 10th anniversary celebration, and biographical information for Roslyn A. Walker (Director, 1997-2002) and ...

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Creators:
Gilliam, Sam, 1933-
Forgey, Benjamin, art critic
Dates:
1989 Nov. 4-11
Size:
4 Items (Sound recording, sound cassettes)
54 Pages (Transcript)
Collection ID:
AAA.gillia89
Repository:
Archives of American Art

An interview of Sam Gilliam conducted 1989 Nov. 4-11, by Ben Forgey for the Archives of American Art. Gilliam speaks of his decision to come to Washington, D.C., from Louisville, Ky.; his shift from figurative painting to abstract painting; meeting Washington painters Robert Gates and Tom Downing; the "stature" of Tom Downing in the Washington art ...

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Creators:
Pemberton, John, 1928-2016
Dates:
1982-1986
Size:
769 slides (color; 35 mm)
Collection ID:
EEPA.2015-010
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection is comprised of 769 35mm color slides, dates from 1982 to 1986 and documents various Agemo festivals, a performing art of the Yoruba religion. More specifically, Pemberton photographed Agemo funeral rites at the Asu Aluwa house in Olosiwonade, Ijebu, various Agemo priests and their stools, the Odun Agemo festival, Chief Sherafusi's Odun Agemo festival in Igbile, and Egungun dancing at the palace in Oru, Ijebu.

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Creators:
National Museum of African Art. Office of Education and Public Programs
Dates:
1978-2005
Size:
9.5 cu. ft. (9 record storage boxes) (1 document box)
Collection ID:
Accession 07-174
Repository:
Smithsonian Institution Archives

This accession consists of files created and maintained by Edward Lifschitz. These records document public education programs in African art, history, and culture. Materials include correspondence and memoranda; workshop and symposium information; contractual agreements; reports; evaluation forms; docent training information; docent newsl...

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Creators:
Houlberg, Marilyn
Dates:
1961-circa 2005
Size:
6567 slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
Collection ID:
EEPA.2005-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.

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Creators:
Piper, Adrian, 1948-
Dates:
1966-1990
Size:
10 Linear feet
Collection ID:
AAA.pipeadri
Repository:
Archives of American Art

Papers related to Piper's dual careers as conceptual artist and philosophy instructor. Personal letters and financial material are also included.

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Creators:
Dawson, William, 1901-1990
Blum, Betty
Dates:
1990 April 11-23
Size:
173 Pages (Transcript)
Collection ID:
AAA.dawson90
Repository:
Archives of American Art

An interview of William Dawson conducted 1990 April 11-23, by Betty Blum, for the Archives of American Art.

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