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Creators:
Jones, Jean Ellen, 1942-
Dates:
1978-1984
Size:
0.2 Linear feet
Collection ID:
AAA.jonejean
Repository:
Archives of American Art

The Jean Ellen Jones research material on African American artist Lizzie Wilkerson measures 0.2 linear feet and date from 1978 to 1984. The collection includes printed material, photographic material, and a video recording, Everything That Grows and Moves: The Art of Lizzie Wilkerson.

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Creators:
National Museum of American Art. Department of Twentieth Century Painting and Sculpture
Dates:
circa 1961-1980
Size:
29 cu. ft. (29 record storage boxes)
Collection ID:
Record Unit 458
Repository:
Smithsonian Institution Archives

These records document the work of the Department and its curators in the late 1960s and in the 1970s, with some material dated as early as 1961. The files include correspondence concerning proposed and rejected works of art, some administrative actions, and the Department's relationship with other museums. The majority of the records con...

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Creators:
Anacostia Community Museum
Dates:
2007 - 2008
Size:
2.75 Linear feet (4 boxes)
Collection ID:
ACMA.03-052
Repository:
Anacostia Community Museum Archives

An exhibition to commemorate the 40th anniversary of the founding of the Anacostia Community Museum, formerly known as the Anacostia Neighborhood Museum, organized by the museum and held there September 15, 2007 through November 9, 2008. The exhibit explored the development of community life of neighborhoods east of the Anacostia River, beginning with the original inhabitation by Native Americans up to the present.

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Creators:
Horn, Walter William, 1908-1995
Dates:
1908-1992
bulk 1943-1950
Size:
2.7 Linear feet
Collection ID:
AAA.hornwalt
Repository:
Archives of American Art

The papers of art historian and World War II Monuments Man Walter W. Horn measure 2.7 linear feet and date from 1908 to 1992, with the bulk of material dating from 1943 to 1950. Walter Horn taught art history at the University of California, Berkeley from 1938 to his retirement in 1974. During World War II, Horn served as Head of the U. S. Army Intelligence Unit of the Monuments, Fine Arts, and Archives Section (MFAA.) The papers contain biographical materials; professional correspondence; records documenting his service in the MFAA; administrative files relating to his work at the University of California, Berkeley; and scattered photographs.

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Creators:
Gerson, Otto
Gerson, Ilse, 1901-1980
Dates:
1933-1980
Size:
3 Linear feet
Collection ID:
AAA.gersotto
Repository:
Archives of American Art

The papers of New York art dealers and gallery owners Otto and Ilse Gerson measure 3 linear feet and date from 1933 to 1980. This collection includes biographical materials, correspondence, exhibition files, artists' files, collectors' files, business records, inventory and stock records, printed materials, and photographs.

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Creators:
North Carolina Museum of Art in Raleigh
Dates:
circa 1978
Size:
dupe prints (black & white, 8 x 10 in. or smaller)
Collection ID:
EEPA.1986-011
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection includes photographs of art objects owned by Lee Bronson, his wife, Dona Bronson, and his brother, Robert Bronson, for publication in the exhibit catalog entitled, "Joseph Cornet. A Survey of Zairian Art: The Bronson Collection," (Raleigh, NC: North Carolina Museum of Art, 1978). The photographs document Zairian art objects owned by the Lee Bronson Family. There are images of figures from the Bembe, Hemba, and Songye peoples. Also included in the collection is a draft of the exhibit catalog.

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Creators:
Dugmore, Edward, 1915-
Dates:
1937-1993
Size:
2 Linear feet
Collection ID:
AAA.dugmedwa
Repository:
Archives of American Art

The papers of painter and instructor Edward Dugmore measure 2.0 linear feet and date from 1937-1993. Found within this small collection are biographical materials, scattered business and financial records, notes, a file concerning the Drake University Summer Session, printed material, and photographs. The bulk of the papers consist of correspondence exchanged with art critic Hubert Crehan and artist colleagues including George Abend, Ernie Briggs, Herman Cherry, Lucien Day, Harvey Harris, Reuben Kadish, Mary Fuller McChesney, and Clyfford Still.

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Creators:
Cano, Margarita, 1932-
Dates:
1982-1985
Size:
0.2 Linear feet
Collection ID:
AAA.canomarg
Repository:
Archives of American Art

Margarita Cano's papers measure 0.2 linear feet and date from 1983-1985. The collection primarily concerns the 1983 exhibition The Miami Generation, 9 Cuban-American Artists, an exhibition organized by The Cuban Museum of Art in Culture in cooperation with the Miami-Dade Public Library System and for which Cano served as Project Director. Curated by Guilio V. Blanc, the exhibition included work by Mario Bencomo, Maria Brito-Avellana, Humberto Calzada, Pablo Cano, Emilio Falero, Fernando Garcia, Juan Gonzalez, Carlos Macia, and Cesar Trasobares. The exhibition traveled to Meridian House International in Washington, DC and later to Philadelphia at the Balch Institute for Ethnic Studies in 1985. Found are two files of correspondence, exhibition planning and publicity files, a catalog, checklist, and photocopied news clippings. Most of the documents are photocopies. There is also one folder of slides and photographs of works of art in the exhibition.

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Creators:
Madsen, Loren, 1943-
Dates:
1969-2019
Size:
5.2 Linear feet
45.82 Gigabytes
Collection ID:
AAA.madslore
Repository:
Archives of American Art

The papers of artist Loren Madsen measure 5.2 linear feet and 45.82 GB and date from 1969 to 2019. The collection primarily consists of project and exhibition files, and also includes personal business records, correspondence, writings, photographic material, and artwork. There are materials in physical and digital format.

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Creators:
Cleff, Bernie, b. 1927
Dates:
1975-1976
Size:
0.5 Linear feet ((ca. 1300 photonegatives))
Collection ID:
SAAM.Photo.CLE
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The collection is comprised of approximately 1,300 photonegatives taken by noted Philadelphia photographer Bernie Cleff (b. 1927) documenting the work of American sculptor Daniel Chester French.

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