394 records — Page 26 of 40
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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 24-July 5, 1998
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1998
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Clark, Edward, 1926-2019
Dates:
1923-2017
Size:
8.9 Linear feet
Collection ID:
AAA.clarked
Repository:
Archives of American Art

The papers of African American abstract expressionist painter Ed Clark measure 8.9 linear feet and date from 1923 to 2017. The collection documents Clark's work as a professional artist through biographical material; correspondence with family, galleries, and friends, most notably Cinque Gallery, Herbert Gentry, Bill Hutson, and Ted Joans; writings, including documentation for the book Edward Clark: For the Sake of the Search; personal business records, including consignment and sales records; and material related to professional activities, including files on significant exhibitions and projects, gallery files, and teaching records. Also in the collection are exhibition announcements, catalogs, news clippings, and other printed material documenting Clark's work; photographic material depicting Ed Clark, his artwork, and other individuals; and a small amount of original artwork by Clark and others.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 24-July 5, 1987
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1987
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Hopkins, Budd, 1931-2011
Kingsley, April
Dates:
circa 1945-2017
Size:
11 Linear feet
0.209 Gigabytes
Collection ID:
AAA.kingapri
Repository:
Archives of American Art

The papers of art critic, curator, and educator April Kingsley and painter, sculptor, writer, and educator Budd Hopkins measure 11 feet and 0.209 Gigabytes, and date from circa 1945-2017. Kingsley's papers are comprised primarily of artist files for figures that April had a significant engagement with, project files, interviews with artists, subject file index cards, biographical materials, and miscellaneous correspondence. Hopkins' papers are comprised of biographical material, as well as correspondence with various prominent art world figures including Richard Diebenkorn, Robert Motherwell, Carl Andre, Howardena Pindell, and Robert Rosenblum. Hopkins' personal business records include correspondence and sale and consignment information. Also found are writings, printed material, including exhibition invitations and catalogs and press clippings, and photographic material depicting Hopkins and his artwork.

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Creators:
Louis, Morris, 1912-1962
Dates:
circa 1910s-2007
bulk 1965-2000
Size:
17.8 Linear feet
Collection ID:
AAA.louimorr
Repository:
Archives of American Art

The Morris Louis and Morris Louis Estate papers measure 17.8 linear feet and date from circa 1912-2007, with the bulk of the material dating from 1965-2000. The collection documents Morris Louis' career as a Color Field painter and founding participant in the Washington Color School, as well as the subsequent administration of his estate by his wife Marcella Brenner. Found within Morris Louis' papers are biographical materials, correspondence, photographs, scattered financial records, notes, writings, printed materials, and a canvas sample. The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis' artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, documentation of PBS documentaries, video recordings of the exhibition "Morris Louis Now", and numerous sound recordings of interviews with artists discussing Morris Louis conducted by Anita Faatz.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 26-July 7, 2013
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2013
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Cornell, Joseph
Dates:
1750-1980, bulk 1930-1972
Size:
196.8 Linear feet
186 Nitrate negatives
Collection ID:
SAAM.JCSC.1
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The Joseph Cornell Study Center collection measures 196.8 linear feet and dates from 1750 to 1980, with the bulk of the material dating from 1930 to 1972. Documenting the artistic career and personal life of assemblage artist Joseph Cornell (1903-1972), the collection is primarily made up of two- and three-dimensional source material, the contents of the artists' studio, his record album collection, and his book collection and personal library. The collection also includes diaries and notes, financial and estate papers, exhibition materials, collected artifacts and ephemera, photographs, correspondence, and the papers of Robert Cornell (1910-1965) and Helen Storms Cornell (1882-1966), the artist's brother and mother.

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Creators:
Halasz, Piri
Dates:
circa 1950-2017
Size:
1.6 Linear feet
0.179 Gigabytes
Collection ID:
AAA.halapiri
Repository:
Archives of American Art

The papers of Piri Halasz are dated circa 1950-2017, and measure 1.6 linear feet and 0.179 GB. The collection consists of correspondence with Clement Greenberg and a number of well-known artists; writings including article and book manuscripts, drafts of lectures, talks, and born-digital presentations; interview transcripts and sound recordings; exhibition reviews; research; biographical material; photographs; and printed material documenting Halasz's activities as an art critic, writer and curator.

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Creators:
Graciela, 1915-2010
Dates:
1934-2013
Size:
10 Cubic feet (33 boxes)
Collection ID:
NMAH.AC.1425
Repository:
Archives Center, National Museum of American History

Collection documents the personal life and professional career of Graciela Perez-Gutierrez, a well known Afro-Cuban singer. Born in Havana, she performed for over thirty years, first with the all-female Orquesta Anacaona and El Trio Garcia and then with her brother Machito before a solo career.

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Creators:
Williams, Ralph William
Breck Company.
Dial Corporation.
American Cyanamid Company
More …
Dates:
circa 1936-1995
Size:
6.5 Cubic feet (16 boxes, 188 pieces of original artwork)
Collection ID:
NMAH.AC.0651
Repository:
Archives Center, National Museum of American History

The collection documents the development and evolution of the Breck Girl, a highly successful and long-lived advertising campaign whose hallmark was its vision of idealized American womanhood through correspondence, photographs, paintings, and print advertisements.

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394 records — Page 26 of 40