258 records — Page 26 of 26
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Creators:
Drewal, Henry John
Drewal, Margaret Thompson
Dates:
1970-1989
Size:
10,000 Slides (color)
10,617 copy slides
Collection ID:
EEPA.1992-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.

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Creators:
Ottenberg, Simon
Dates:
between 1951-1960
Size:
1068 slides (photographs) (color)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Simon Ottenberg in Southeastern Nigeria within the Afikpo Village Group, at the time a group of 22 Eastern Igbo villages (sometimes considered part of the Cross River Igbo grouping) in southeastern Nigeria, while on a pre-doctoral Social Science Research Grant from December of 1951 through March of 1953 and during field research from September of 1959 to December of 1960. Also included are photographs taken from June of 1960 to December of 1960 of Abakaliki, a town and the administrative center of the northestern Igbo people, north of Afikpo. According to Dr. Ottenberg in his publication about masked Afikpo rituals, "The Afikpo belong to an Igbo subgroup called Ada or Edda (Forde and Jones 1950, pp. 51-56), which includes the Okpaha, Edda, Amaseri, and Unwana village-groups, all of which border on the Afikpo, and the Nkporo and Adaeze, both short distances away" (Masked Rituals of Afikpo, 1975, p. 3).

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Creators:
Museum of the American Indian, Heye Foundation
Johnson, Frederick, 1904-1994
Dockstader, Frederick J.
Churchill, Frank C. (Frank Carroll), 1850-1912
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Dates:
1890-1998
Size:
400 Linear feet
Collection ID:
NMAI.AC.001
Repository:
National Museum of the American Indian

These records document the governance and programmatic activities of the Museum of the American Indian/Heye Foundation (MAI) from its inception in 1904 until its sublimation by the Smithsonian Institution in 1990. The types of materials present in this collection include personal and institutional correspondence, individual subject files, minutes and annual reports, financial ledgers, legal records, expedition field notes, research notes, catalog and object lists, publications, clippings, flyers, maps, photographs, negatives and audio-visual materials. These materials span a varied range of subjects relating to the activities of the museum which are more fully described on the series level.

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Creators:
Carnegie Institute, Museum of Art
Dates:
1883-1962
bulk 1885-1962
Size:
265.8 Linear feet
Collection ID:
AAA.carninst
Repository:
Archives of American Art

The records of the Carnegie Institute, Museum of Art measure 265.8 linear feet and date from 1883-1962, with the bulk of the material dating from 1885-1940. The collection includes extensive correspondence between the museum's founding director, John Beatty, and his successor, Homer Saint-Gaudens, with artists, dealers, galleries, collectors, museum directors, representatives abroad, shipping and insurance agents, and museum trustees. The collection also includes Department of Fine Arts interoffice memoranda and reports; loan exhibition files; Carnegie International planning, jury, shipping, and sale records; Department of Fine Arts letterpress copy books, and a copy of the original card catalog index to these records.

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Creators:
National Congress of American Indians
Dates:
1933-1990
bulk 1944-1989
Size:
251 Linear feet (597 archival boxes)
Collection ID:
NMAI.AC.010
Repository:
National Museum of the American Indian

The National Congress of American Indian (NCAI), founded in 1944, is the oldest nation-wide American Indian advocacy organization in the United States. The NCAI records document the organization's work, particularly that of its office in Washington, DC, and the wide variety of issues faced by American Indians in the twentieth century. The collection is located in the Cultural Resource Center of the National Museum of the American Indian.

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Creators:
National Museum of African Art (U.S.)
Dates:
1898-[ongoing]
Size:
61 Volumes
Collection ID:
EEPA.1985-014
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection includes postcards from 45 African countries. Subjects include agriculture; animals; artists; body arts; cityscapes; cultural landscapes; dance; education; expeditions; flora; industry; leaders; marketplaces; medicine; military; missionaries; music; portraits; recreation; rites and ceremonies; and transportation, among many other topics.

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Creators:
Hauber, Joseph R.
Stubblebine, Donald J., 1925-2010
Dates:
1866-2009, undated
Size:
285 Cubic feet (600 boxes)
Collection ID:
NMAH.AC.1211
Repository:
Archives Center, National Museum of American History

One of the most comprehensive collections of material relating to musical stage and film productions, the collection consists of an assortment of material including sheet music written specifically for or included in stage and screen musicals, television programs, Big Band performances, and radio. Some productions may have been produced under more ...

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Creators:
Leo Castelli Gallery
Dates:
circa 1880-2000
bulk 1957-1999
Size:
215.9 Linear feet
Collection ID:
AAA.leocast
Repository:
Archives of American Art

The Leo Castelli Gallery records measure 215.9 linear feet and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and sound and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.

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258 records — Page 26 of 26