A Right to the City Exhibition Records
The oral histories in this collection were conducted as part of the research for an exhibition exploring the history of neighborhood change and civic activism in the nation's capital. Focused on the dynamic histories of six DC neighborhoods—Adams Morgan, Anacostia, Brookland, Chinatown, Shaw and Southwest—the exhibition recounted the story of these communities through the eyes of the Washingtonians who helped shape and reshape the city in extraordinary ways. The exhibit was organized by the Anacostia Community Museum and curated by Samir Meghelli. The audio and video interviews were conducted between 2016-2018.
Smithsonian Folklife Festival records: 2013 Smithsonian Folklife Festival
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Ray McKinley Music and Ephemera
The Ray McKinley Music and Ephemera consists of music, scores, sideman books, photographs, correspondence, news clippings and magazine articles, business records, awards, audio and videotapes, 45 rpm commercial recordings, and miscellaneous biographical notes. The records date from the the late nineteenth century to 1996 and document the professional music career and personal …
This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum (SAAM). Supplementary areas of exhibitions also covered include related symposiums, lectures, and gallery talks. Among those exhibitions covered are The Bard Brothers: Painting America Under Steam and …
Ray Brown Papers
Ray Brown was an African-American musician, composer, bandleader, manager, music teacher and promoter. He became best known for his collaborative work with Dizzy Gillespie, Oscar Peterson, Ella Fitzgerald, the Oscar Peterson Trio and Norman Granz' s Jazz at the Philharmonic. Over the course of his career, Brown received awards and accolades from the National Academy of Recording Arts and Sciences, the National Endowment for the Arts, the Jazz Hall of Fame, Down Beat and Playboy. Brown's papers document his professional music career from 1944 to 2002 and include music compositions and notes, publicity materials, photographs, and some recordings of his performances.
Edith T. Martin papers
The collection, which dates from 1961 to 2004 and measures 11.16 linear feet, documents the career of artist, curator, and museum technician Edith T. Martin. The papers in the collection include education documents, professional correspondence, sketches, promotional material, news clippings, newsletters, catalogues/magazines from exhibits and arts organizations, and exhibit photographs and slides.
Robert Moody Laughlin papers
1 Videocassettes (Betamax)
6 Electronic discs (DVD)
65.09 Linear feet
50 Floppy discs
147 Sound recordings
Robert Moody Laughlin was an American ethnologist specializing in the study of Mayan language, history, customs, and folklore. He spent the majority of his career working for the Smithsonian Institution, first with the Bureau of American Ethnology, then with the Department of Anthropology. He was a curator emeritus with the department from his retirement in 2006 until his death in 2020. The Robert Moody Laughlin papers (1899-2016, bulk 1954-2016) document his research and professional activities and primarily deal with language and folktales he recorded and studied, as well as the culture and history of the Tzotzil and other Mayan groups in the Chiapas region. His involvement in language education and training, advocacy for the Tzotzil and language and cultural revitalization, and administrative matters at the Smithsonian are also represented. The collection consists of materials created for books and other publications, field notes, research materials, correspondence, administrative files, sound recordings, video recordings, photographs, and electronic records.
Los Angeles Institute of Contemporary Art records
The records of the Los Angeles Institute of Contemporary Art measure 18.9 linear feet, date from 1973 to 1988, and document the brief thirteen-year history of LAICA's activities as a Southern California visual arts organization and exhibition space for contemporary art. Records detail the founding of the organization, operations and administration, exhibitions, events, and publications. More than half of the collection is comprised of exhibition, program, and event files that include correspondence with artists, curators, and others; printed materials; and photographs, negatives, and slides. There is a 0.9 linear foot unprocessed addition to this collection donated in 2021 that includes slides; performance and exhibition notes and supplements; newsletters and other printed material; a chronology of exhibitions, projects, publications and activities. Materials date from 1974- 1987.
Janet Kardon papers
The Janet Kardon papers measures 6.7 linear feet and date from 1905, and circa 1950-1995, with the bulk of the records dating from 1975-1991. Papers include exhibition files, professional records, legal records, photographs, printed material, and some audiovisual material. The collection primarily documents Kardon's work on various exhibitions during her time at the Philadelphia College of Art (PCA) and the Institute of Contemporary Art (ICA), University of Pennsylvania.
Matthew Williams Stirling and Marion Stirling Pugh papers
The Matthew Williams Stirling and Marion Stirling Pugh papers, 1876-2004 (bulk 1921-1975), document the professional and personal lives of Matthew Stirling, Smithsonian archaeologist and Chief of the Bureau of American Ethnology (1928-1957), and his wife and constant collaborator, Marion Stirling Pugh. The bulk of the material is professional in nature and includes material from Matthew's early career in the 1920s, the careers of Matthew and Marion together from when they married in 1933 to Matthew's death in 1975, and Marion's life and work from 1975 until her death in 2001. The majority of the documentation relates to the investigation of the Olmec culture in Mexico by the Stirlings, including the discoveries of eight colossal Olmec heads. In addition, the collection documents their work in Panama, Ecuador, and Costa Rica, looking for connections between Mesoamerica and South America. Materials include field notes, journals, correspondence, photographs, writings, clippings, ephemera, articles, and scrapbooks.