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Creators:
Cooper-Hewitt Museum. Office of the Director
Dates:
1969-1992, with related records from 1948
Size:
39.88 cu. ft. (39 record storage boxes) (1 document box) (1 film box) (12 oversize folders)
Collection ID:
Record Unit 492
Repository:
Smithsonian Institution Archives

These records contain the Director's correspondence files from 1975 to 1991, as well as smaller files created by Rohlfing, Pfister, and Scherer. In addition, the records include administrative and subject files from 1970 to 1988. These files document museum functions such as acquisitions, collections management, and budgeting, as well as large...

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Creators:
Hirshhorn Museum and Sculpture Garden. Office of the Registrar
Dates:
1974-1999
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 03-145
Repository:
Smithsonian Institution Archives

This accession consists of records documenting outgoing loan requests denied or withdrawn. Materials include correspondence, loan request forms, and black and white photographs.

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Creators:
National Collection of Fine Arts. Department of Twentieth Century Painting and Sculpture
Dates:
1965-1975
Size:
23.02 cu. ft. (23 record storage boxes) (1 microfilm reel)
Collection ID:
Record Unit 315
Repository:
Smithsonian Institution Archives

These records contain exhibition material, including staff research notes on artists and artwork; administrative records concerning the shipment of exhibited artwork, loan correspondence, security and display of the exhibited material, photographs of display items, and installation photographs; staff correspondence including correspondence ...

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Creators:
Lee, Sherman E.
Dates:
1947-1997
Size:
10.3 Linear Feet
Collection ID:
AAA.leeshere
Repository:
Archives of American Art

The papers of Cleveland museum director and art historian Sherman E. Lee measure 10.3 linear feet and date from 1947-1997. The records document Lee's extensive career as an art historian, curator and expert on Asian art, director of the Cleveland Museum of Art, writer, educator, and consultant. His papers include scattered biographical materials, correspondence, writings, travel files, committees and organizations files, consulting files, teaching files, personal business records, printed material, photographs, and one pencil drawing.

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Creators:
Smithsonian Astrophysical Observatory, Contracts and Procurement Office
Dates:
1956-1984
Size:
16 linear meters.
Collection ID:
Record Unit 522
Repository:
Smithsonian Institution Archives

These records primarily document the administration of contracts and grants supporting the Satellite Tracking Program, Project Celescope, the Meteor Research Program, and the Gravitational Redshift Space Probe Experiment. Also included are files documenting other contracts and grants, mostly with the National Aeronautics and Space Administrati...

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Creators:
Bogert, Charles M. (Charles Mitchill), 1908-1992
Dates:
1952-1965
Size:
79 sound tape reels (1.6 cubic feet)
Tapes are in original boxes.
Collection ID:
CFCH.BOGE
Repository:
Ralph Rinzler Folklife Archives and Collections

Five boxes containing sixty-four 5 inch and fifteen 7 inch open reel tapes recorded primarily by American herpetologist Charles M. Bogert from 1953-1965. This collection has two parts: the first focusing mainly on traditional music and liturgical music from several regions in Mexico: Oaxaca, Jalisco, Nayarit. Also included is music recorded in the Southwestern United States. The second portion of the collection contains amphibian, bird, and insect calls and choruses, mostly from these same regions in Mexico, the Southwestern, Western, and Southern United States, and Sri Lanka.

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Creators:
Dehn, Adolf, 1895-1968
Dates:
1912-1987
Size:
6.6 Linear feet
Collection ID:
AAA.dehnadop
Repository:
Archives of American Art

The papers of printmaker and painter Adolf Dehn measure 6.6 linear feet and date from 1912-1987. The collection contains extensive correspondence, as well as writings, exhibition announcements, catalogs, clippings, invoices, receipts, legal documents, scrapbooks, artwork, and photographs. There is also scattered correspondence of Virginia Dehn, mostly concerning her husband Adolf Dehn.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1813-1940
Size:
2.98 Cubic feet (consisting of 6 boxes, 3 folders, 9 oversize folders, 2 map case folders, plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Cosmetics
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Cosmetics forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Thomas, Alma
Dates:
circa 1894-2001
Size:
5.5 Linear feet
Collection ID:
AAA.thomalma
Repository:
Archives of American Art

The papers of Washington, D.C. painter and art educator Alma Thomas, date from circa 1894-2001 and measure 5.5 linear feet. The papers document Thomas's work as a teacher, and her development and success as a painter of the Washington Color School, through biographical material, letters, notes and writings, personal business records, exhibition files, printed materials, scrapbooks, photographs, an audio recording, and two video recordings.

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Creators:
Dwight, Edward H., 1919-1981
Dates:
1821-2001
bulk 1950-1979
Size:
18.6 Linear feet
Collection ID:
AAA.dwigedwa
Repository:
Archives of American Art

The papers of Cincinnati art historian, museum director, and Audubon and Peale scholar, Edward H. Dwight (1919-1981), measure 18.6 linear feet and date from 1821-2001, with the bulk of the material dating from 1950-1979. Dwight's papers include biographical material, writings by Dwight, and research files on John James Audubon, Raphaelle Peale, and others, documenting Dwight's extensive contribution to the study of American painting, particularly naturalist, portrait, and still-life painting.

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