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Creators:
Madsen, Loren, 1943-
Dates:
1969-2019
Size:
5.2 Linear feet
45.82 Gigabytes
Collection ID:
AAA.madslore
Repository:
Archives of American Art

The papers of artist Loren Madsen measure 5.2 linear feet and 45.82 GB and date from 1969 to 2019. The collection primarily consists of project and exhibition files, and also includes personal business records, correspondence, writings, photographic material, and artwork. There are materials in physical and digital format.

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Creators:
Cleff, Bernie, b. 1927
Dates:
1975-1976
Size:
0.5 Linear feet ((ca. 1300 photonegatives))
Collection ID:
SAAM.Photo.CLE
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The collection is comprised of approximately 1,300 photonegatives taken by noted Philadelphia photographer Bernie Cleff (b. 1927) documenting the work of American sculptor Daniel Chester French.

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Creators:
Lorence-Monk Gallery
Dates:
1961-1992
Size:
3.4 Linear feet
Collection ID:
AAA.loremong
Repository:
Archives of American Art

The records of Lorence-Monk Gallery measure normal="1957"> and scrapbooks documenting approximately ninety exhibitions and over 250 American and European artists represented by the gallery from its opening in 1985 until it closed its operation in 1992.

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Creators:
Louis, Morris, 1912-1962
Dates:
circa 1910s-2007
bulk 1965-2000
Size:
17.8 Linear feet
Collection ID:
AAA.louimorr
Repository:
Archives of American Art

The Morris Louis and Morris Louis Estate papers measure 17.8 linear feet and date from circa 1912-2007, with the bulk of the material dating from 1965-2000. The collection documents Morris Louis' career as a Color Field painter and founding participant in the Washington Color School, as well as the subsequent administration of his estate by his wife Marcella Brenner. Found within Morris Louis' papers are biographical materials, correspondence, photographs, scattered financial records, notes, writings, printed materials, and a canvas sample. The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis' artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, documentation of PBS documentaries, video recordings of the exhibition "Morris Louis Now", and numerous sound recordings of interviews with artists discussing Morris Louis conducted by Anita Faatz.

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Dates:
1954-2017
Size:
2.84 Linear feet (3 boxes)
Collection ID:
ACMA.03-102
Repository:
Anacostia Community Museum Archives

These records document the planning, organizing, and promotion of an exhibition exploring the triumphs and struggles of Latinx migrants and immigrants in four urban areas: Washington, DC, Baltimore, MD, Raleigh-Durham, NC, and Charlotte, NC. The exhibition was organized and held at the Anacostia Community Museum from December 5, 2016 – January 7, 2018, and traveled to the Carlos Rosario International Public Charter School in Washington, DC, from October 2018 to Spring 2019. Materials include research files, exhibition files, oral history interviews, exhibition brochures, and media coverage.

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Creators:
Lovejoy, Rupert Scott, 1885-1975
Dates:
1904-1979
Size:
0.58 Linear feet
Collection ID:
AAA.loverupe
Repository:
Archives of American Art

The papers of Portland, Maine, dentist and painter Rupert Scott Lovejoy, measure 0.58 linear feet and date from 1904-1979. The collection includes biographical material, letters and sketches from painter Walter Griffin, research material on Griffin collected by Lovejoy, printed material including exhibition catalogs for Lovejoy's exhibitions, two portrait reliefs of Walter Griffin and Edward Souther Griffin, and photographs and nine glass plate negatives of Walter Griffin and his home in Stroudwater, Maine.

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Creators:
Pearis, Ella B. Howard. interviewee
Dates:
1986
Size:
(Reference copies).
Collection ID:
Record Unit 9540
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
Hanbury, Una, 1904-1990
Dates:
1910-1994
Size:
5.3 Linear feet
Collection ID:
AAA.hanbuna
Repository:
Archives of American Art

The papers of Una Hanbury measure 5.3 linear feet and date from 1910 to 1994, with the bulk of the material from 1966 to 1990. The collection documents the sculptor's career and the dispersal of her estate through business records, project files, subject files, printed material, and photographs. There is also a small amount of material relating to her personal life including correspondence with friends and family and photographs from various stages of her life.

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Creators:
National Museum of American Art. Department of Painting and Sculpture
Dates:
circa 1969-1986
Size:
16 cu. ft. (16 record storage boxes)
Collection ID:
Record Unit 460
Repository:
Smithsonian Institution Archives

This record unit consists of administrative files of the Department and documents the activities of its curators, Rand, Mecklenburg, Truettner, and Breeskin. The files contain information about Department relations with other National Museum of American Art (NMAA) offices concerning loans, shipments, requests for information, conservation, ...

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Creators:
White Fathers
White Fathers Mission
Dates:
circa 1903-1925
Size:
217 Photographic prints (black and white)
217 copy prints (black and white)
217 copy negatives (black and white, 4 x 5 in.)
Collection ID:
EEPA.1987-010
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The Pères Blancs (White Fathers) Society Photographic Album documents the group's missions and the Africans living near them in the East African kingdoms of Rwanda and Burundi (now the state of Rwanda-Burundi). Subjects include individual and group portraits of Africans, including members of the Tutsi royal family and the Tutsi elite, Christian families of Hutu origin, missionaries and Western visitors, and Twa people on an elephant hunt. There are also photos of landscapes, African villages and mission buildings, activities, including dancing and farming.

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