601 records — Page 27 of 61
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Creators:
Ivins, William Mills, 1881-1961
Dates:
1878-1964
Size:
20.5 Linear feet
Collection ID:
AAA.ivinwill
Repository:
Archives of American Art

The papers, 1878-1964 (20.5 linear feet) of museum curator, director, and art scholar William Mills Ivins (1881-1961) consist of correspondence, writings, notes, photographs, and Ivins family papers. Ivins was Curator of Prints, 1916-1946, Assistant Director, 1933-1938, and Acting Director, 1938-1940 at the Metropolitan Museum of Art. The collection contains professional and personal correspondence with art historians, art dealers, museum curators, print and book collectors, and artists concerning the history of print making, book design and illustration, print collectors and collecting, exhibitions, and museum administration. Also found are Ivins' published and unpublished writings and lectures, and notes. The collection contains some Ivins' family papers including family correspondence, genealogies, and photographs.

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Creators:
National Portrait Gallery. Office of Exhibitions
Dates:
1983-1991
Size:
10 cu. ft. (9 record storage boxes) (2 document boxes)
Collection ID:
Accession 93-008
Repository:
Smithsonian Institution Archives

This accession consists of records that pertain to eight exhibitions which the Office of Exhibitions organized between 1983 and 1991. The bulk of the records includes correspondence between the National Portrait Gallery (NPG) Director, Alan Fern, and various national and international museum institutions, donors, art galleries, archives, ...

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Creators:
Cooper-Hewitt Museum. Education Department
Dates:
1976-1988
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 92-079
Repository:
Smithsonian Institution Archives

Although an Education Department was not formally established at the Cooper-Hewitt Museum until 1991, these records document educational activities and outreach in the Museum, and were maintained by the newly established Department. These records consist of files on tours and lectures offered by the Cooper-Hewitt Museum from 1976 to 1988....

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Creators:
National Portrait Gallery. Office of Exhibitions
Dates:
1970-1990
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 93-051
Repository:
Smithsonian Institution Archives

This accession consists of records that document the various exhibitions that were shown at the National Portrait Gallery (NPG) between 1973 and 1988, such as Return to Albion: Americans in England, 1760-1940, The Art of Henry Inman, The Artist's Mother: Portraits and Homages, Robert Edge Pine: A British Portrait Painter in America, 17...

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery
Dates:
1919-1986
Size:
23 cu. ft. (23 record storage boxes)
Collection ID:
Accession 03-018
Repository:
Smithsonian Institution Archives

The Freer Gallery of Art Central Files are comprised mostly of the documentation of routine office procedures. Included in the daily routine were: filling orders for facsimiles of photographs, responding to reference requests seeking information about art and artifacts falling under the domain of the Freer's expertise, the Freer granting ...

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Creators:
Lay, Oliver Ingraham, 1845-1890
Lay, Charles Downing, 1877-1956
Dates:
1789-2000
bulk 1870-1996
Size:
10.54 Linear feet
Collection ID:
AAA.layoliv
Repository:
Archives of American Art

The Oliver Ingraham Lay, Charles Downing Lay, and Lay Family Papers measure 10.54 linear feet and date from 1789 through 2000, with the bulk of the material dating from circa 1870-1996. The collection presents an overview of the personal lives and careers of painter, Oliver Ingraham Lay and his son, landscape architect, Charles Downing Lay. In addition, there are the papers of Lay family members and friends, including those of the Marian Wait Lay family (wife of Oliver Ingraham Lay) and of the Laura Gill Lay family (wife of Charles Downing Lay). Also found are the papers of the landscape and nature painter Fidelia Bridges. The collection consists of biographical material, correspondence, diaries, writings and notes, scrapbooks, family business records, exhibition files, printed material, as well as original artwork, sketches, a sketchbook, landscape designs, and photographs.

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Creators:
Hirshhorn Museum and Sculpture Garden
Dates:
1964-2008
Size:
15.5 cu. ft. (13 record storage boxes) (5 document boxes)
Collection ID:
Accession 11-004
Repository:
Smithsonian Institution Archives

This accession consists of video and audio recordings and film created or maintained by the Hirshhorn Museum and Sculpture Garden (HMSG). The majority of the recordings document lectures, speeches, talks, prominent visitors, exhibitions and other events at the museum, including the HMSG groundbreaking and dedication. Other recordings are ...

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Creators:
Barnett-Aden Gallery
Dates:
1954-1989
bulk 1961-1977
Size:
0.5 Cubic feet
Collection ID:
NMAAHC.A2014.63.32
Repository:
National Museum of African American History and Culture

The Historical Records of the Barnett-Aden Gallery showcases one of the first galleries owned and operated by African Americans. The work of the Gallery was invaluable as they opened the exhibition space to established and unknown artists regardless of race or gender.

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Creators:
National Portrait Gallery. Office of Exhibitions
Dates:
1977-1998
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 99-161
Repository:
Smithsonian Institution Archives

This accession consists of outgoing loans and pertain to accepted, denied, and withdrawn loan requests. Materials include correspondence, memoranda, original loan conservation examination reports with the loan committee's comments, and copies of loan agreements.

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Creators:
Cooper-Hewitt Museum. Office of the Registrar
Dates:
1958, 1975-1987
Size:
35 cu. ft. (35 record storage boxes)
Collection ID:
Record Unit 541
Repository:
Smithsonian Institution Archives

These records pertain to the exhibitions of the Cooper-Hewitt Museum, beginning with the first held under the auspices of the Smithsonian, Immovable Objects/Lower Manhattan from Battery Park to the Brooklyn Bridge, which opened in June 1975, and ending with Louis Sullivan: The Function of Ornament, which closed in September 1987. In addit...

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601 records — Page 27 of 61