The Marcel Breuer papers, 1920-1986, contain biographical material, correspondence, business and financial records, interviews, notes, writings, sketches, project files, exhibition files, photographs, and printed material that document the career of architect and designer Marcel Breuer.

The papers of sculptor, writer, and teacher Chenoweth Hall measure 5.9 linear feet and date from circa 1870s-2001, with the bulk of the records dating between 1938-1999. The papers document Hall's career through personal and professional files, correspondence, writing files, printed materials, photographs, and some artwork.

Correspondence, art works, writings, photographs, printed material, and business records document Barrett's sculpture and life.

The papers of painter Audrey Flack measure 15.8 linear feet and 0.897 GB and date from 1950-2009. The collection documents Flack's career as an artist through biographical material, correspondence, extensive project files, writings and notes by Flack and others, exhibition catalogs, news and magazine clippings, other printed and digital material, and scrapbooks. Also found are photographs by Audrey Flack as well as photographs of the artist and works of art.

The Frank Stella papers measure 12.4 linear feet and date from 1941 to 1993, with the bulk of the records spanning the period 1978 to 1989. The collection documents the professional and personal life of abstract artist, Frank Stella. Among the papers are correspondence, a small cache of records from his years as an undergraduate at Princeton University, writings by and about Stella, interview transcripts, sketchbooks, registers and inventories, financial records, printed matter, and photographs.

Correspondence, writings and notes, diaries, scrapbooks, extensive sketchbooks and sketches, photographs and printed materials.

An interview of Cindy Kolodziejski conducted 2007 May 5-16, by Frank Lloyd, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the Frank Lloyd Gallery, in Santa Monica, California.

Scrapbooks compiled by Leslie Leland Locke, chiefly containing notes and ephemera on the history of calculating machines and typewriters, information on inventors, and notes for Locke's own collection of calculating machines. Some of the inventors, correspondents, inventions, companies, and agencies referenced include: Charles Babbage; Frank Stephen Baldwin (Baldwin's calculating machine); Edwin A. Bayley; Ernst Benecke (Brunsviga-Maschenienwerke Grimme, Natalis & Co. A.G., Braunsweig); Burroughs Adding Machine Co.; Vannevar Bush; C.E. Locke Mfg. Co. (the Locke Adder); Grover C. Chase; Colburn Gear & Mfg. Co. (George L. Colburn); Thomas A. Edison (Ediphone); Facit calculating machines; Felt & Tarrant Mfg. Co.; the Graf Zeppelin (for the calculating machines used on its flights); George B. Grant; R. Haase (Brunsviga-Maschenienwerke Grimme, Natalis & Co. A.G., Braunsweig); A.V. Kryha; George F. Kunz; Derrick N. Lehmer; the MADAS calculator; Marchant Calculating Machine Co.; the "Millionaire" (O. Steiger); Monroe Calculating Machine Co.; the Museums of the Peaceful Arts; Picht braille typewriters for the blind; George Sarton; Thaleswerk; Franz Trinks; Triumphator Works; the United States Patent Office; and the United States National Museum (Smithsonian Institution; including curators C.W. Mitman and Frank A. Taylor of the Division of Engineering, and J.E. Graf, U.S.N.M. associate director). Excerpted material is taken from various publications, such as the International office equipment magazine; the International export review; the American mathematical monthly; the Mathematics teacher; the New York Times; the New York world; the New York Sun; the Herald examiner; Colliers; the Chicago Tribune; and Science.

The papers of arts administrator, museum director, collector, dealer, and editor Charles M. Kurtz (1855-1909), measure 27.74 linear feet and date from 1843-1990 (bulk dates 1884-1909). The bulk of the collection consists of detailed chronological correspondence between Kurtz and his wife and family, friends, colleagues, and business associates that documents many notable exhibitions, galleries, museums, private collections, as well as cities, people, and events of the period. Also found in the collection are Kurtz's diaries, scrapbooks, printed materials, and photographs.

The papers of New York sculptor Robert White measure 8.4 linear feet and 0.846 GB and date from 1889-2003, with the bulk of the material from 1915-2003. The collection documents White's varied career as a sculptor, educator, painter, and illustrator through biographical material; extensive correspondence; project files; personal business records; notes and writings; sketchbooks and sketches by Robert White and others; printed and digital material; audiovisual material; artifacts; and photographs.