The papers of art historian, writer, and museum administrator Lloyd Goodrich measure 35.7 linear feet and date from 1884 to 1987 with the bulk of the material dating from 1927 to 1987. Materials include biographical material, extensive correspondence, writings and research files, organization and committee files, exhibition files, printed material, a scrapbook, and photographic material. The collection is particularly rich in research files on Winslow Homer, Thomas Eakins, Albert Pinkham Ryder, and Reginald Marsh, as well as correspondence with additional notable artists and art figures.

The papers of Francis P. Conant document his anthropological work and, to a lesser extent, his previous career as a journalist and photographer. Francis Paine Conant was a cultural anthropologist who pioneered the use of satellite data in anthropology. He conducted fieldwork in Nigeria and Kenya, and his research interests spanned cultural ecology, AIDS, malaria, and sex and gender studies. He was also Professor Emeritus of Anthropology at Hunter College, where he taught from 1962 to 1995.

The collection documents Garfield and Company, a pharmaceutical manufacturer in New Jersey during the twentieth century. Garfield and Company, founded by Isidor Z. Garfield (1863-1951), made Seidlitz Powder, a commonly known medication composed of tartaric acid, sodium bicarbonate, and potassium sodium tartrate that was used as a mild cathartic by dissolving it in water and then drinking it. Materials include customer files, invoices, correspondence, advertising and packaging materials, calendars, posters, financial records, and an oral and video history with Julius Garfield, son of Isidor Z. Garfield.

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Motion Pictures forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

The personal and business papers of longtime, gay civil rights activist, editor, and publisher of the Philadelphia Gay News (PGN), Mark Segal.

The photographs of Emil Carlsen and the Carlsen family measure 1.6 linear feet and date from circa 1885 to circa 1930, with the bulk from circa 1910 to circa 1920s. Included in this collection are 169 glass plate negatives, black and white copy prints of all glass plate negatives, and four plastic safety negatives. Some descriptive annotations by Emil Carlsen are included.

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 2: Armed Forces contains circa 3,400 pieces of sheet music and song folios documenting the military history of the United States; there are only a handful of foreign imprints. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

The Frederick Johnson collection consists of original negatives made from 1924 to 1931 by Johnson primary among the Mi'kmaq, Innu, Algonquin, Potawatomi, Montagnais, Abenaki, Anishinaabe, and Mistassini Cree peoples of Nova Scotia, Newfoundland and Quebec, Canada. Frederick Johnson began his anthropological studies as a teenager, accompanying anthropologist Frank G. Speck (1881-1951) on trips to Native communities in Eastern Canada. Between 1923 and 1929, Johnson studied at the University of Pennsylvania and conducted several research trips in Canada, some of which were sponsored by the Museum of the American Indian, Heye Foundation.

Documentary filmmaker Jorge Prelorán was best known for his intimate approach to ethnographic film, a style known as "ethnobiography." The majority of Prelorán's films were shot in rural areas of Argentina, particularly the Andean highlands and the Pampas (plains), often in communities of mixed Indian and Spanish heritage. Prelorán documented a wide range of subjects, including art, folk crafts, agriculture, ranching, markets, religious rituals and festivals, and social and cultural change. This collection contains edited films and videos, film outtakes, audio tapes, photographic prints and transparencies, digital books, correspondence, production files, scripts, project files, and press clippings spanning 1954-2008.

A New York bookseller, Warshaw assembled this collection over nearly fifty years. Series 2 materials include cinema lobby cards, fire insurance maps, photographs and scrapbooks of liquor and wine labels. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana.