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Creators:
Bauman, Irma, 1915-
Dates:
1953-1981
Size:
21 Items
Collection ID:
AAA.baumirma
Repository:
Archives of American Art

17 letters to Irma Commanday Bauman from Dorothy Dehner (several letters are also addressed to Irma's husband, Mordecai) in which Dehner accounts her daily activities.

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Creators:
Lundean, J. Louis, 1894 or 6-1961
Dates:
1924-1956
Size:
0.4 Linear feet ((65 items on partial microfilm reel))
Collection ID:
AAA.lundj
Repository:
Archives of American Art

Clippings, 1924-1956; a biographical sketch; photographs of Lundean's work, mostly paintings of hunting scenes, 2 photographs of Lundean; magazine articles with illustrations by Lundean; an exhibition catalog, 1939; poster; 3 press releases; and miscellaneous papers.

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Creators:
Fischbach Gallery
Dates:
1937-2015
bulk 1963-1977
Size:
39.5 Linear feet
Collection ID:
AAA.fiscgall
Repository:
Archives of American Art

The records of New York City Fischbach Gallery measure 39.5 linear feet and date from 1937 to 2015, with the bulk of materials dating from 1963 to 1977. The majority of the collection consists of artists files containing a wide variety of materials documenting the gallery's relationship with its stable of modern and avant garde artists, as well as gallery exhibitions. Files include biographical materials, correspondence, printed materials, and photographs. Gallery records also include general business correspondence, access-restricted financial records; and additional printed materials. The 2015 addition of 14 linear feet consists of inventory and client sales records in the form of card indexes. The 2019 addition consists of material related to Marilyn Fischbach's art collection.

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Creators:
Herder, Addie
Dates:
1942-1999
Size:
4.3 Linear feet
Collection ID:
AAA.herdadel
Repository:
Archives of American Art

The papers of collage artist Adeline Herder measure 4.3 linear feet and date from 1942-1999. The collection presents an overview of Herder's personal life and career as a collage artist. Her personal life is reflected through biographical material, correspondence including letters between Adeline and her husband Milton Herder, and writings and notes including appointment books. The collection offers a rich resource on Herder's artistic activity with correspondence that includes documentation of her relationship with Marjorie Jacobson and the purchase of her work by Roy Neuberger and Joseph Hirshhorn. Herder's career is further represented through exhibition files, printed material, writings and notes, and video recordings.

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Creators:
Johanson, Patricia, 1940-
Dates:
1964-1998
Size:
1.5 Linear feet
Collection ID:
AAA.johapatr
Repository:
Archives of American Art

Papers of sculptor Patricia Johanson include professional and personal correspondence, 1967-1998; writings on public art, articles, and reviews; a transcript of an interview of Johanson conducted by Jan Evans; a copy of a Master's thesis written on Johanson's sculpture; clippings, exhibition catalogs and announcements; and photographs of Johanson and her work. The collection measures 1.5 linear feet and dates from 1964 to 1998.

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Creators:
Smithsonian Institution. Assistant Secretary for the Arts and Humanities
Dates:
1979-1994
Size:
9.69 cu. ft. (9 record storage boxes) (1 16x20 box)
Collection ID:
Accession 94-117
Repository:
Smithsonian Institution Archives

This accession consists of the records of Tom L. Freudenheim, Assistant Secretary for the Arts and Humanities. Freudenheim became the first Assistant Secretary for Museums when the office was created in February 1986 to absorb some functions of the Office of the Assistant Secretary for Museum Programs, which had been held by Paul N. Perro...

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Creators:
Antonakos, Stephen, 1926-2013
Dates:
1932-2014
bulk 1960-2014
Size:
24.2 Linear feet
1.73 Gigabytes
Collection ID:
AAA.antostep
Repository:
Archives of American Art

The papers of American sculptor Stephen Antonakos measure 24.2 linear feet and 1.73 GB and date from 1932-2014, with the bulk of the material dating from 1960-2014. The collection documents Antonakos's pioneering work in neon, through biographical material, correspondence, writings and notes, project files, exhibition files, printed and digital material, and photographs.

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Department of Education
Dates:
1985-2014
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 17-089
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the planning and development of educational activities, workshops, special events, and other educational programs at the Freer Gallery of Art and Arthur M. Sackler Gallery. In approximately 2007, the department was renamed Education and Public Programs, but it reverted back to the Department ...

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Creators:
Macbeth Gallery
Dates:
1947-1948
1838-1968
bulk 1892-1953
Size:
131.6 Linear feet
Collection ID:
AAA.macbgall
Repository:
Archives of American Art

The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.

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Creators:
National Museum of American Art. Curatorial Department
Dates:
1982-1990
Size:
8.5 cu. ft. (8 record storage boxes) (1 document box)
Collection ID:
Record Unit 461
Repository:
Smithsonian Institution Archives

These records consist of correspondence and memoranda documenting the activities of the Curatorial Department and its predecessors. Included are general correspondence; correspondence with artists, dealers, and institutions; and the files of Harry Rand concerning his research and curation of The Art of Paul Manship.

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