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Creators:
Muehling, Ted
Milosch, Jane
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2007 November 17-18
Size:
109 Pages (Transcript)
5 Items (Sound recording: 5 sound files (4 hr., 38 min.), digital, wav)
Collection ID:
AAA.muehli07
Repository:
Archives of American Art

An interview of Ted Muehling conducted 2007 November 17-18, by Jane Milosch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Muehling's studio, in New York, New York.

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Creators:
Geller, Margaret J., interviewee
Dates:
1989-1990
Size:
4 videotapes. 7 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9546
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Creators:
Lawrence P. Fraiberg Productions
Dates:
1979
Size:
2.4 Linear feet
Collection ID:
AAA.frailawr
Repository:
Archives of American Art

The State of the Arts videorecordings measure 2.4 linear feet and consist of 30 videocassettes (U-matic) and three sets of handwritten notes, all created during the production of a pilot episode for a broadcast television documentary series on contemporary art in 1979. Four stories were produced for the pilot: a staged debate on modern art at the Museum of Modern Art; an investigation into the economics of the contemporary art market, a collaboration between video artist Nam June Paik and sound artist Liz Phillips, and an extended interview with sculptor George Segal on the occasion of his 1979 retrospective exhibition at the Whitney Museum of American Art. Video footage includes raw footage for each segment and edited versions of the economics of art story, the Nam June Paik and Liz Phillips story, and the George Segal story. The reporter and interviewer for the program was Barry Nolan.

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Creators:
Kainen, Jacob
Kainen, Ruth Cole.
Dates:
1905-2009
bulk 1940-2001
Size:
33.3 Linear feet
Collection ID:
AAA.kainjaco
Repository:
Archives of American Art

The papers of painter, printmaker, and curator Jacob Kainen measure 33.3 linear feet and date from 1905 to 2009, with the bulk of the material from 1940-2001. The bulk of the collection consists of correspondence/subject files including personal correspondence to and from friends and family members and professional correspondence and records concerning Kainen's activities as an artist, curator, teacher, and art collector. The collection also contains biographical material, writings, diaries, calendars, inventories, interview transcripts, printed material, photographs, works of art by other artists, and nine scrapbooks.

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Creators:
Zell, Helen, 1942-
Berman, Avis
Dates:
2016 December 5-6
Size:
110 Pages (Transcript)
Collection ID:
AAA.zellh16
Repository:
Archives of American Art

An oral history interview with Helen Zell conducted 2016 December 5-6, by Avis Berman, for the Archives of American Art and the Center for the History of Collecting in America at the Frick Art Reference Library of The Frick Collection, at Zell's home, in Chicago, Illinois.

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Creators:
Pisano, Ronald G.
Dates:
circa 1972-2008
Size:
14.6 Linear feet
Collection ID:
AAA.pisarona
Repository:
Archives of American Art

Papers mainly relate to Pisano's research on William Merrit Chase including lectures, articles, notes, photographs, slides, book manuscripts, photocopies, and Pisano's research on Chase in Holland and interviews with Chase's students including Ethel Paxson, Caroline van Hook Bean, and James Daugherty on casssette. Also included are subject files, c...

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Creators:
Watkins, C. Malcolm
Dates:
1935-1979 and undated
Size:
12.59 cu. ft. (23 document boxes) (1 half document box) (1 16x20 box) (1 oversize folder)
Collection ID:
Record Unit 7322
Repository:
Smithsonian Institution Archives

The papers of C. Malcolm Watkins provide comprehensive documentation of his professional career from 1934 to 1980. The collection documents his interest in early American culture; his research on ceramics, historic archeology, and early California history; his curatorial and administrative activities in the Department of Anthropology, USNM, ...

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Creators:
Duckworth, Ruth, 1919-2009
Trapp, Kenneth R.
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2001 April 27
Size:
67 Pages (Transcript)
Collection ID:
AAA.duckwo01
Repository:
Archives of American Art

An interview of Ruth Duckworth conducted 2001 April 27, by Kenneth R. Trapp, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the studios of Smithsonian Productions, Washington, D.C.

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Creators:
National Postal Museum
Dates:
2017
Collection ID:
Accession 19-039
Repository:
Smithsonian Institution Archives

This accession consists of the National Postal Museum SoundCloud account as it existed on June 19, 2017. SoundCloud is an online music and audio platform. The account is used to share interviews with curators and audio artifacts. Due to technical issues, some audio content is missing or may not function as expected. Materials are in electronic...

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Creators:
Lippard, Lucy R.
Dates:
1930s-2007
bulk 1960-1990
Size:
56.5 Linear feet
0.454 Gigabytes
Collection ID:
AAA.lipplucy
Repository:
Archives of American Art

The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 56.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

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