Marketing and Publicity Files
This accession consists of records documenting the marketing and publicity of recordings produced by Smithsonian/Folkways Recordings, part of the Smithsonian Institution Center for Folklife and Cultural Heritage. These records were created by Brenda Dunlap, Marketing Director, 1994-2001, and Richard Burgess, Marketing Director, 2001-2014. Materials include correspondence; memoranda; notes; press kits and …
Erwin Panofsky papers
The papers of Erwin Panofsky measure 19.8 linear feet and are dated 1904-1990 (bulk dates 1920-1968). They consist of correspondence, writings, biographical material, and printed material documenting Panofsky's career as an art historian, teacher, and writer. The Panofsky papers are comprised mainly of correspondence with colleagues, scholars, students, art dealers, galleries and museums, libraries, colleges and universities, organizations, and periodicals.
This accession consists of records which document the work of the Office of Exhibitions on exhibitions that were mounted by the National Portrait Gallery (NPG) from 1980 to 1995. Major exhibitions undertaken by the NPG in this period, and documented in these records, include Benjamin West and His American Students (1980-1981); Charles Willson …
This accession includes records documenting the film, video, and radio production activities of John R. Paulson, Audio-Visual Production Specialist. Materials include correspondence, memoranda, and notes; production scripts, proposals, shoot schedules, and credits; release forms; contracts; budget summaries; camera reports; conference and awards information; and technical articles. Productions documented in these …
Renee V. Cox papers
The papers of African American photographer Renee V. Cox measure 5.7 linear feet and date from 1973 to 2018, with individual materials from 1945 and 1955. The bulk of the materials date from the 1990s. The collection contains biographical material, correspondence, writings, exhibition files, materials related to Cox's photographic projects and other professional activities, personal business records, printed material, and photographic material.
These records consist of administrative files of the Program, including a large volume dealing with loans to the White House. Other records relating to the Lending Program can be found in Record Unit 453, the Office of the Registrar.
Carlos Almaraz and Elsa Flores papers
The papers of painters and muralists Carlos Almaraz and Elsa Flores measure 7.9 linear feet and date from 1946 to 1996. The collection documents the careers of both artists through biographical material, correspondence, writings, professional files, personal business records, printed material and artwork.
Elizabeth Gordon Papers
Papers, 1959-1987, of Elizabeth Gordon, editor of the periodical, House Beautiful from 1941-1964, mostly related to her research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; notes; drafts for articles and lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; drawings of paper and foil art; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.
Forbes Watson papers
The papers of New York City art critic, writer, and lecturer Forbes Watson date from 1840-1967 with the bulk of materials dating from 1900-1960 and measure 13.92 linear feet. Found are biographical materials, correspondence, business records relating to the Arts Publishing Corporation, records documenting Watson's work for the Public Works of Art Project and the Section of Painting and Sculpture, reference files, an exhibition file from the Pepsi-Cola Company's Third Annual Exhibition, writings and notes, ten scrapbooks and loose pages, printed materials, and photographs.
These records consist of the files of Director Lloyd E. Herman (1974-1986) and Curator-in-Charge Michael Monroe (1986- ) of the Renwick Gallery, and document temporary exhibitions as well as the permanent collections of the Renwick Gallery. Also included are general office files (primarily those of Joanna Barton, Secretary, 1974-1983), which include incoming and outgoing …