The papers of African American painter, printmaker, and educator Reginald Gammon measure 2.4 linear feet and 5.30 GB and date from 1927 to 2007, with bulk of the materials dating from 1960-2005. The collection consists of scattered biographical materials, including video and sound recordings of interviews; correspondence with artists, galleries, organizations, and museums; writings and notebooks; teaching files; printed materials; photographic material; and artwork in the form of sketches, drawings, and paint sketches.

The papers of Victoria Hutson Huntley measure 1.3 linear feet and date from 1929-1999. Biographical material, correspondence, writings, artwork, printed material and photographs chronicle the professional activities and personal life of the lithographer and muralist.

The papers of sculptor Beatrice Fenton date from 1836-1984 (bulk 1890-1978) and measure 9.36 linear feet. The collection documents Fenton's career as a sculptor and art instructor, as well as her life-long friendships with artist Emily Clayton and art educator Marjorie Martinet. Found are scattered biographical materials, correspondence primarily with Martinet (approximately 1/2 of the collection), business records, notes and writings, scattered records of arts organizations, transcripts of interviews with Fenton, sketches and sketchbooks, a scrapbook, brochures, clippings, postcards, reproductions of artwork, and photographs of friends and family, travels, and artwork. Writings include several illustrated hand-made books of poetry by Emily Clayton.

The records of the Office of Program Support, National Museum of American Art, 1965-1981, with related records from 1947, were received in the Archives from 1981 through 1994.

The papers of sculptor, painter and printmaker Worden Day (1916-1986) measure 3.5 linear feet and date from circa 1935-1992. The collection consists of biographical material, correspondence, writings, printed material, scrapbooks, photographic material, sketchbooks, and audiovisual material. There is a 1.0 linear foot additon, circa 1951-1992, donated in 2020 containing further papers of Worden Day.

The records document the work of consulting engineers and bridge builders, Ralph Modjeski (1861-1940) and Frank Masters (1883-1974) of Harrisburg, Pennsylvania.

The Louis Lozowick Papers measure 5.9 linear feet and are dated 1898-1974. Correspondence, writings, business records, printed material and photographs document Lozowick's career. Also included are biographical documents, sketches, and records relating to organizations that interested him.

The papers of Chris Gjording primarily document his research and activities in Central America, particularly his research on the Guaymíes and the Cerro Colorado copper mining project in Chiriquí, Panama. Materials pertaining to Panama include Gjording's field notes (portions of which are missing due to severe insect infestation); photographs; reference materials he collected; and his writings, which include his articles, dissertation, and drafts of his dissertation revised for publication. In addition to his work in Panama are his field notes and photographs from his research on campesino communities in Guatemala and El Salvador. Gjording also kept subject files on Latin American countries, focusing on the poor and oppressed and the social and political climate. His writings on those subjects are present in the collection and include a draft of his unpublished paper on peasant uprising in El Salvador and issues of Informacciónes, the Spanish-language newsletter that Gjording published and wrote articles for in Honduras. The collection also contains correspondence and notes relating to his visits to the Guatemalan Indian refugee camps in Los Lirios and Maya Balam in Quintana Roo in Mexico. In addition, the collection contains some of his correspondence with his mentor Ricardo Falla, a Guatemalan Jesuit priest and anthropologist, whom he refers to as "RF" in his notes. The collection also contains computer disks with chapters in Spanish from Falla's book on Ixcán, possibly Masacres de la selva: Ixcán, Guatemala, 1975-1982 (1992).

The papers of sculptor Olin Levi Warner measure 1.9 linear feet and date from 1857 to 1962 with the bulk of the materials dating from 1857 to 1899. The collection documents Warner's art student days in Paris and his career as a sculptor, primarily in New York City. Found are scattered biographical materials and writings, including a speech by Warner about the Paris Commune of 1871; personal and professional correspondence; clippings, catalogs, and other printed material; sculpture project files; and photographs of Warner, his studio, his family, and notable figures who sat for him, including artist J. Alden Weir, and his artwork.

The papers of painter, collage artist, and printmaker Nancy Spero measure 27.5 linear feet and 19.12 GB and are dated 1940s-2009. Biographical materials, correspondence, interviews, writings, subject files, personal business records, printed and digital material, and photographic materials provide an overview of her exhibitions, major projects, and personal life. Also documented is her interest and participation in political movements and social issues including anti-war, women's rights, animal rights, repressive regimes, and the treatment of political prisoners.