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Creators:
Smith, Gordon R.
Dates:
1994
Size:
0.1 Cubic feet (1 box, 7 items)
Collection ID:
NMAH.AC.0700
Repository:
Archives Center, National Museum of American History

Photographs from a project entitled "Kentucky Coal Country," in which photographer Gordon Smith concentrates on economic and social factors in Kentucky. The photographs document poverty, erosion of the land through strip mining, and other harsh realities in Kentucky.

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Creators:
National Museum of American Art. Office of the Deputy Director
Dates:
1983-1992
Size:
33.5 cu. ft. (33 record storage boxes) (1 document box)
Collection ID:
Record Unit 439
Repository:
Smithsonian Institution Archives

These records consist of the files of Charles Robertson as Deputy Director. They include administrative subject files, arranged by year; exhibition files; and files concerning National Museum of American Art (NMAA) Commission meetings and retired commissioners. Some of the events documented in these records include the ninetieth birthday ...

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Creators:
Tucker, Toba
Dates:
1981, 1995-1997
Size:
23 Photographic prints (Cibachrome)
Collection ID:
NMAI.AC.030
Repository:
National Museum of the American Indian

This collection contains 23 prints that were shot by photographer Toba Tucker of Diné (Navajo) portraits and landscapes from 1981 and Pueblo portraits from 1995-1997.

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Creators:
Jaccaci, Augusto Floriano, 1857-1930
Dates:
1889-1935
bulk 1904-1914
Size:
7.2 Cubic feet
Collection ID:
AAA.jaccaugu
Repository:
Archives of American Art

The papers of art historican August Jaccaci measure 7.2 linear feet and date from 1889 to 1935, with the bulk of the material dating from 1904 to 1914. The collection documents Jaccaci's work as an art historian, writer, and editor, primarily during the period he researched, compiled, and published his book Noteworthy Paintings in Private American Collections. More than one-half of the collection consists of extensive correspondence to and from many notable artists, collectors, and art historians, including John La Farge, Kenyon Cox, Isabella Stewart Gardner, and Bernard Sickert concerning the research and publication of the book. The papers also house legal files, writings and notes, art collection research files, and photographs of artwork.

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Creators:
Kazanjian, Dodie, 1952-
Dates:
1949-2017
bulk 1980-2017
Size:
14.1 Linear feet
0.546 Gigabytes
Collection ID:
AAA.kazadodi2
Repository:
Archives of American Art

The papers of writer and art critic Dodie Kazanjian measure 14.1 linear feet and 0.546 GB, and date from 1949-2017, bulk 1980-2017. The collection is comprised of writings, interviews, and research material related to Kazanjian's career as an art writer for Vogue and House and Garden magazines. Included are manuscripts, correspondence, notes, printed material, photographs of artwork, and interviews with various artists and art world figures. The interviews were conducted by Kazanjian as part of her research process and were recorded on over 230 sound cassettes found in the collection. Many of the interviews are also transcribed. A small amount of born-digital material includes images of artworks and artists and audio recordings of interviews.

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Creators:
Selden, Dixie, 1868-1935
Dates:
1837-1936
1993-2001
Size:
4.3 Linear feet
Collection ID:
AAA.selddixi
Repository:
Archives of American Art

The papers of artist Dixie Selden measure 4.3 linear feet and date from 1837-1936 and 1993-2001. The collection documents the life, world travels, and professional career of the Impressionist painter from Cincinnati, Ohio, through biographical material, correspondence, writings, diaries, printed material, a scrapbook, photographs, artwork, sketchbooks, and artifacts.

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Creators:
Abercrombie, Gertrude, 1909-1977
Dates:
circa 1880-1986
bulk 1935-1977
Size:
5.9 Linear feet
Collection ID:
AAA.abergert
Repository:
Archives of American Art

The papers of surrealist artist Gertrude Abercrombie date from circa 1880-1986, with the bulk of the material dated 1935-1977, and measure 5.9 linear feet. Found within are biographical material; correspondence (mostly incoming letters) with friends, museums, and galleries; files for artists that interested her; writings and notes, including five journal-type notebooks; scattered personal business records; two sketchbooks by Abercrombie and additional sketches and drawings, some by others; printed material, audio recordings, one scrapbook, photographs, and estate records.

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Creators:
Downes, Rackstraw
Dates:
1962-2000
bulk 1970-1979
Size:
1 Linear Feet
Collection ID:
AAA.downrack
Repository:
Archives of American Art

TThe Rackstraw Downes research material concerning Fairfield Porter measure 1.0 linear foot and date from 1962 to 2000, with the bulk of the material dating from 1970-1979. Downes used the material to compile, edit and write the introduction to Fairfield Porter: Art In Its Own Terms - Selected Criticism 1935-1975 published in 1979. Research materials include articles about Porter, exhibition catalogs, photocopies of letters and some original correspondence, theses and manuscripts. Also included are project files for the publication of Art In Its Own Terms.

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Creators:
National Museum of American Art. Department of Eighteenth and Nineteenth Century Painting and Sculpture
Dates:
1965-1983
Size:
12.5 cu. ft. (12 record storage boxes) (1 document box) (1 oversize folder)
Collection ID:
Record Unit 459
Repository:
Smithsonian Institution Archives

These records document exhibitions organized by the Department. Also included are administrative files and general correspondence files of the office.

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Creators:
Wagstaff, Samuel J.
Dates:
circa 1932-1985
Size:
6.4 Linear feet
Collection ID:
AAA.wagssamu
Repository:
Archives of American Art

The Samuel J. Wagstaff papers, circa 1932-1985 comprise 6.4 linear feet of correspondence, writings, miscellaneous records, printed material, and photographs documenting Wagstaff's professional and personal relationships with artists and photographers, his career as an art curator, and his position as an important collector of paintings and photographs. Correspondence with artists and others such as curators, arts organizations, galleries, and museums, reflects the diversity of contemporary American art and includes individuals associated with the abstract expressionist, Fluxus, pop, earth, conceptual, and minimalist art movements.

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