Warshaw Collection of Business Americana Geographical Categories: Mexico
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- Creators:
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Warshaw, Isadore, d. 1969
- Dates:
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circa 1846-1942
- Size:
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0.49 Cubic feet (consisting of 1 box, 2 folders, plus digital images of some collection material.)
- Collection ID:
- NMAH.AC.0060.S01.02.Mexico
- Repository:
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Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Mexico forms part of the Warshaw Collection of Business Americana, Subseries 1.2: Geographical Categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Found In
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- Creators:
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Munro, Eleanor, 1928-
- Dates:
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circa 1880-2011
bulk 1950-2011
- Size:
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36.7 Linear feet
- Collection ID:
- AAA.munrelea
- Repository:
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Archives of American Art
The papers of writer and art critic Eleanor Munro measure 36.7 linear feet and date from circa 1880-2011, bulk 1950-2011. The collection documents Munro's life, career, and research on women artists, through biographical and family material, correspondence, writing projects, diaries, dream journals and notebooks, subject and research files, printed material, and photographic material.
Found In
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- Creators:
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Benton, Thomas Hart, 1889-1975
Marx, Groucho (Julius Henry), 1890-1977 (comedian)
- Dates:
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1911-1978
- Size:
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12 Cubic feet (39 boxes)
- Collection ID:
- NMAH.AC.0269
- Repository:
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Archives Center, National Museum of American History
Series 1: Correspondence, 1932-1977 is arranged alphabetically by correspondent. In 1965, Marx gave the Library of Congress a portion of his correspondence with well-known personages. The majority of the correspondence in this collection dates from the post World War II era (Marx's early correspondence is located at the Library of Congress.) Th...
Found In
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- Creators:
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Poor, Henry Varnum, 1887-1970
- Dates:
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1873-2001
bulk 1904-1970
- Size:
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12.9 Linear feet
- Collection ID:
- AAA.poorhenr
- Repository:
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Archives of American Art
The papers of Henry Varnum Poor measure 12.9 linear feet and date from 1873-2001, with the bulk from the period 1904-1970. Correspondence, writings, artwork, printed material and photographs document Poor's work as a painter, muralist, ceramic artist and potter, architect, designer, writer, war artist, educator and a co-founder of the Skowhegan School of Painting and Sculpture. Also found is extensive information about the design and construction of Crow House, his home in New City, New York, commissions for other architectural projects, and his personal life.
Found In
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- Creators:
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Smithsonian Institution. Office of Design and Construction
- Dates:
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circa 1960-1980
- Size:
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107.16 cu. ft. (105 record storage boxes) (2 document boxes) (2 tall document boxes)
- Collection ID:
- Record Unit 638
- Repository:
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Smithsonian Institution Archives
This record unit consists of project files documenting the repairs, improvement, and renovation of existing Smithsonian buildings. The records include memoranda with Smithsonian offices, correspondence with contractors, blueprints, cost analyses, specifications, and photographs. Buildings and museums documented in this collection include: the...
Found In
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- Creators:
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Smithsonian Institution. Office of Design and Construction
- Dates:
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1969-1986
- Size:
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6 cu. ft. (6 record storage boxes)
- Collection ID:
- Accession 87-113
- Repository:
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Smithsonian Institution Archives
This accession consists of receipts, blueprints, correspondence, inspectors' logs, and specifications concerning Office of Design and Construction projects. Buildings and museums documented in this collection include: Arts and Industries Building, Smithsonian Institution Service Center, Hirshhorn Museum and Sculpture Garden, Museum Support ...
Found In
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- Creators:
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National Portrait Gallery, Office of Exhibitions
- Dates:
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circa 1968-1976
- Size:
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3.6 linear meters.
- Collection ID:
- Record Unit 361
- Repository:
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Smithsonian Institution Archives
Records in this record unit document the exhibition research and activities of the National Portrait Gallery and its Office of Exhibitions. Particularly well represented are exhibitions mounted between 1974 and 1976, with materials documenting research and publications on numerous artists, paintings, prints, broadsides, books, documents and ...
Found In
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- Creators:
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National Museum of American History. Office of Curatorial Affairs
- Dates:
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1994-2011
- Size:
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8 cu. ft. (8 record storage boxes)
- Collection ID:
- Accession 13-194
- Repository:
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Smithsonian Institution Archives
This accession consists of records which document the oversight and review process at the National Museum of American History (NMAH) in regards to exhibitions, public programs, symposia, websites, productions, and performances. In particular, the activities of the Exhibitions and Program Committee (EPC) which was created in 1996. The EPC ...
Found In
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- Creators:
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Fellows Gear Shaper Co., Springfield, Vermont
Regency Savings Bank
- Dates:
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1896-1999
bulk 1915-1970
- Size:
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31 Cubic feet (62 boxes, 3 map-folders)
- Collection ID:
- NMAH.AC.0856
- Repository:
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Archives Center, National Museum of American History
The records document primarily the financial aspects of the Fellows Gear Shaper Company and consist of meticulously maintained journals and ledger books. Fellows Gear Shaper Company was a leader and dominant figure in the manufacturing of precision gear production, gear cutting tools, and optical inspection machines in the first half of the 20th century. The company's contribution to the industry enabled the manufacture of gears for textile, automobiles, factory machinery, and other industries.
Found In
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- Creators:
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d'Arazien, Arthur
- Dates:
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circa 1930-2002
- Size:
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11 Cubic feet (21 boxes)
- Collection ID:
- NMAH.AC.0314
- Repository:
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Archives Center, National Museum of American History
The collection includes Arthur d'Arazien's professional work in industrial photography from the late 1940's through about 1981; personal creative photography and other types of professional work were retained by Mr. d'Arazien or placed elsewhere. Thus this collection is a very cohesive, unified body of work, which documents primarily American (and...