The papers of studio glass artist Marvin Lipofsky measure 46.0 linear feet and date from 1954 to 2018. Found are biographical materials, correspondence, writings and notes, travel diaries, artist files, exhibition and gallery files, organization files, professional files, technical studio files, printed material, photographic material, three scrapbooks, sketchbooks, and artwork. There is a 0.4 linear foot unprocessed addition to this collection donated in 2021 that includes personal and professional correspondence between Lipofsky and others regarding travel and shows, a file on teaching, and biographical information, and "In a Bottle" transparency. Materials date from circa 1964-2002.

The papers of sculptor and educator John Battenberg measure 9.4 linear feet and 1.41 GB and date from 1936 to 2013, with the bulk of the records dating from the 1950s to 2012. The records document Battenberg's career through biographical material, correspondence with artists, potential clients, and others, gallery and museum files documenting sales and exhibitions, and professional files related to Battenberg's participation in exhibitions, his teaching work, public art, and other activities. Also found are project files including digital and video recordings documenting specific projects in Arizona, California and elsewhere, in addition to personal business records, printed material, photographic material, and artwork including sketches and a sketchbook.

The papers of San Francisco based Beat photographer Patricia Jordan measure 2.3 linear feet and date from 1870, 1949-1984. The papers include correspondence, much of it illustrated and with Beat artists and poets, writings, exhibition files, printed materials, photographs, and artwork.

The papers of painter and educator Annita Delano measure 2.7 linear feet and date from circa 1900 to 1975. Found are biographical material, personal and professional correspondence, writings and notes, printed material, photographs, and artwork. Writings consist of lecture notes and extensive analytical writings about European artists and works of art.

Nine photographs (1919-1920), primarily of Robinson and Lemos family members, and a page from the 1909 Hyde Park High School Annual.

The papers of painter and author Sylvia Fein measure 5.9 linear feet and date from 1936 to 2011. The papers primarily document her friendships with other artists from the Wisconsin-based Magic Realist group, including Dudley Huppler, John Wilde, Marshall Glasier, and Karl Priebe, as well as her career as a painter and her work on the books Heidi's Horse and First Drawings: Genesis of Visual Thinking. Documentation consists of scattered biographical material, extensive correspondence, project files, writings by Huppler and others, printed material, photographs, artwork by Wilde and Glasier, and scrapbooks.

This microfilm collection of Ansel Adams correspondence with Imogen Cunningham consists of correspondence between Ansel and his wife Virginia Best Adams and Imogen Cunningham. Most letters are from Cunningham. They write about their work and about both artistic and technical problems of photography, about various proposals for a monograph on Cunnin...

The papers of enameler June Schwarcz measure 7.6 linear feet and date from 1932 to 2014. The collection comprises biographical material including an interview, correspondence, gallery files, professional files documenting Schwarcz's activities outside of her work with galleries including files for her exhibition June Schwarcz: Forty Years/Forty Pieces, project and travel notebooks, personal business records, and printed materials. Also found are photographic materials including photographs, slides, and digital photographs of Schwarcz, works of art, exhibitions, events, and friends including Merry Renk, Kay Sekimachi, and Dominic di Mare.

The Arctic Circle records include materials gathered by Bert and Ellen Witt for their private gallery of Inuit art The Arctic Circle. These materials include native artists information which is organized by community, reference material organized topically, slides from the gallery's annual print collections as well as photographs of scupltures and textiles displayed in the gallery. Much of the reference material used by the gallery pertains to native communities in the Nunavet Territory of Canada such as Cape Dorset and Baker Lake as well as other small communities throughout the Northwest Territiories. Additionally photographs taken by Bert and Ellen Witt's son Tony during a trip to Canada in 1973 are included in this collection.

The papers of conceptual and performance artist Tom Marioni measure 6.7 linear feet and 7.37 GB and date from 1970-2017. The collection documents Marioni's career through photographs, address and appointment books, visitor books from performances, exhibitions, and other gatherings, printed material, and digital sound and video recordings of exhibitions and events.