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Creators:
Ramírez Jonas, Paul, 1965-
Dates:
circa 1989-2014
Size:
6.3 Linear feet
19.73 Gigabytes
Collection ID:
AAA.ramipaul
Repository:
Archives of American Art

The papers of New York multimedia artist and educator Paul Ramírez Jonas, measure 6.3 linear feet and 19.73 GB and date from circa 1989-2014. The collection documents the work of this social practice artist through correspondence, exhibition and project files, and professional files, and provides relatively thorough coverage of Ramírez Jonas's work and development to late mid-career.

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Creators:
Heller, Edmund, 1875-1939
Dates:
circa 1898-1918
Size:
6.19 cu. ft. (8 document boxes) (1 16x20 box) (4 5x8 boxes) (1 oversize folder)
Collection ID:
Record Unit 7179
Repository:
Smithsonian Institution Archives

These papers primarily contain photographs, journals, maps, manuscripts, postcards, and related materials concerning Heller's collecting activities from 1908 to 1917. There are also some personal photographs and material as well as photographs taken by Heller at the National Zoological Park of personnel and animals.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 1-5, 1971
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1971
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Electricity and Modern Physics, Division of, NMAH, SI.
Mechanisms, Division of (NMAH, SI)
Tainter, Charles Sumner, 1854-1940
Hartsook Studio (San Diego, Calif.)
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Dates:
1878-1937
Size:
2 Cubic feet (6 boxes)
Collection ID:
NMAH.AC.0124
Repository:
Archives Center, National Museum of American History

Charles Sumner Tainter has been recognized as the father of the talking machine, and much of the material in this collection represents his experimental work on the graphophone. Alexander Graham Bell, Chichester Bell, and Tainter established the Volta Laboratory Association in 1881. This collection presents a comprehensive picture of the early development of the phonograph and Tainter's substantial contributions to the project.

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Creators:
National Museum of the American Indian. Office of Education and Public Programs. Media Development Department
Dates:
1991-2006
Size:
15 cu. ft. (15 record storage boxes)
Collection ID:
Accession 10-200
Repository:
Smithsonian Institution Archives

This accession consists of audiovisual recordings created for exhibitions at the National Museum of the American Indian, George Gustav Heye Center. Exhibitions documented include All Roads Are Good: Native Voices on Life and Culture, Listening to Our Ancestors: The Art of Native Life Along the North Pacific Coast, and New York: New Tribe....

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Creators:
Hrdlička, Aleš, 1869-1943
Pepper, George H. (George Hubbard), 1873-1924
Lumholtz, Carl, 1851-1922
Dates:
1898-1902
Size:
588 Photographic prints
190 Copy negatives
Collection ID:
NMAI.AC.103
Repository:
National Museum of the American Indian

This collection contains photographic prints and copy negatives taken by Ales Hrdlicka in Arizona and Mexico between 1898 and 1902. The majority of the photographs were donated by George Pepper to the Museum of the American Indian, Heye Foundation in 1923. Native communities that Hrdlicka photographed during his research include--Purepecha (Tarasco), Yoeme (Yaqui), Hualapai (Walapai), Havasupai (Coconino), Piipaash (Maricopa), Mojave (Mahave), Tohono O'odham (Papapgo), Quechan (Yuma/Cuchan), Tepecano, Akimel O'odham (Pima), Opata, Cora, Seri, Wixarika (Huichol), Nahua, Otomi and Yoreme (Mayo). Ales Hrdlicka (1869-1943) was born in the Czech Republic moved to the United States in 1881. Hrdlicka became known as the "Father" of Physical Anthropology and worked at the U.S. National Museum (now the National Museum of Natural History).

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Creators:
Kennerly, Caleb Burwell Rowan, -1861
Dates:
1855-1860
Size:
0.5 cu. ft. (1 document box)
Collection ID:
Record Unit 7202
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 24-July 5, 1998
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1998
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1794-1987
Size:
100 Boxes
Collection ID:
NMAH.AC.0300.S08
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 8: Geography is divided into three sections: the United States, Foreign Countries, and Natural Features. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Freeman, Ethel Cutler, 1886-1972
Dates:
1934-1972
Size:
61.03 Linear feet (114 boxes)
Collection ID:
NAA.XXXX.0166
Repository:
National Anthropological Archives

Ethel Cutler Freeman was an amateur Seminole specialist and research associate with the American Museum of Natural History. Her papers also reflect field work among the Arapaho, Shoshoni, Navaho, Pueblo, Hopi, Kickapoo, and people of the Virgin Islands, the Bahama Islands, and Haiti, and the music and chants of Africa, including those of the Maasai, Zulu, and Pygmies. A small amount of material relates to the Hoover Commission on Indian Affairs, of which Freeman was a member. Correspondents include several Seminole Indians and government officials, personal acquaintances, organizations, and associates of the American Museum of Natural History.

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