These records document exhibitions organized by the Department. Also included are administrative files and general correspondence files of the office.
Warshaw Collection of Business Americana Subject Categories: Civil War
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Civil War forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
The records of the Office of Program Support, National Museum of American Art, 1965-1981, with related records from 1947, were received in the Archives from 1981 through 1994.
Tomás Ybarra-Frausto research material
The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.
Betty Parsons Gallery records and personal papers
The Betty Parsons Gallery records and personal papers measure 61.1 linear feet and date from 1916 to 1991, with the bulk of the material dating from 1946-1983. Records provide extensive documentation of the gallery's operations from its inception in 1946 to its closing in 1983 and of the activities of Betty Parsons as one the leading art dealers of contemporary American Art in the latter half of the twentieth century, particularly the work of the Abstract Expressionists. Over one third of the of the collection is comprised of artists files containing correspondence, price lists, and printed materials. Additional correspondence is with galleries, dealers, art institutions, private collectors, and the media. Also found are exhibition files, exhibition catalogs and announcements, sales records, stock inventories, personal financial records, and photographs. Betty Parsons's personal papers consist of early curatorial files, pocket diaries, personal correspondence, and evidence of her own artwork, including sketchbooks, and files documenting her personal art collection.
These records deal in some degree with Howland's work as Head Curator but mostly describe his assignment as a Special Assistant. Records include wide correspondence with furniture dealers, professional organizations, learned societies, historical preservation groups, and prospective donors. There is also some material documenting Howland's work on the Smithsonian Associates …
John D. Crimmins Collection
This collection is comprised primarily of menus. There are also programs, seating plans, invitations, announcements and admission cards from functions attended by John D. Crimmins. Some material bears autographs of other guests and/or rotations made by Mr. Crimmins. There are many items from civic, political, business, Roman Catholic and …
These records document the operations of OAS. They also contain records from an organizational predecessor, the Department of American Studies, Museum of History and Technology, which had been chaired by Washburn. OAS records deal with the work of the Office and its involvement with other Smithsonian offices and bureaus; its …
Warshaw Collection of Business Americana, Series 2: Other Collection Divisions
A New York bookseller, Warshaw assembled this collection over nearly fifty years. Series 2 materials include cinema lobby cards, fire insurance maps, photographs and scrapbooks of liquor and wine labels. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana.
These records document the Conservation Analytical Laboratory's (CAL) work with Smithsonian Institution curators and collections during the tenures of John H. Olin, Robert M. Organ, Jacqueline S. Olin, and Eleanor McMillan. They also document the Laboratory's extensive training programs and its wide contacts with other museums, both in the United …