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Creators:
National Museum of American Art. Curatorial Department
Dates:
1982-1990
Size:
8.5 cu. ft. (8 record storage boxes) (1 document box)
Collection ID:
Record Unit 461
Repository:
Smithsonian Institution Archives

These records consist of correspondence and memoranda documenting the activities of the Curatorial Department and its predecessors. Included are general correspondence; correspondence with artists, dealers, and institutions; and the files of Harry Rand concerning his research and curation of The Art of Paul Manship.

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Creators:
Smithsonian Institution, Office of International Activities
Dates:
1965-1973
Size:
1 linear meter.
Collection ID:
Record Unit 180
Repository:
Smithsonian Institution Archives

These files include grant proposals and awards, project status reports and official correspondence. Arrangement is alphabetic by name of the principal investigator. See also Record Unit 91.

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Creators:
Shindler, A. Zeno (Antonio Zeno), 1823-1899
Dates:
circa 1887
Size:
0.25 cu. ft. (1 half document box)
Collection ID:
Record Unit 7371
Repository:
Smithsonian Institution Archives

This collection consists of four watercolor paintings of Funk Island by Shindler. The paintings were based on sketches by Captain Joseph William Collins, who led an 1887 voyage of the schooner Grampus to Funk Island, off the coast of Newfoundland, to collect skeletal remains of the Great Auk for the USNM.

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Creators:
Lozowick, Louis, 1892-1973
Dates:
1898-1974
Size:
5.9 Linear feet
Collection ID:
AAA.lozoloui
Repository:
Archives of American Art

The Louis Lozowick Papers measure 5.9 linear feet and are dated 1898-1974. Correspondence, writings, business records, printed material and photographs document Lozowick's career. Also included are biographical documents, sketches, and records relating to organizations that interested him.

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Creators:
Hess, Thomas B.
Dates:
1939-1978
Size:
10 Linear feet
Collection ID:
AAA.hessthom
Repository:
Archives of American Art

The papers of New York editor and art critic Thomas Hess measure 10.0 linear feet and date from 1939 to 1978. The collection includes biographical materials, correspondence, extensive writings and notes, artists and subject files that also include recorded conversations with artists and others, printed materials, photographic materials, and artwork.

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Creators:
Brooklyn Museum
Dates:
1965-1968
Size:
7 Linear feet
Collection ID:
AAA.broomuse
Repository:
Archives of American Art

Interviews of 72 artists, and transcripts for all but five, conducted by Arlene Jacobowitz, the Associate Curator for the Department of Painting and Sculpture at the Brooklyn Museum, between 1965 and 1968. The artists discuss their work in the museum collection. Also included are 38 edited excerpts of the interviews, approximately 2-3 min. in length, used as "audio-labels" in the 1968 "Listening to Pictures" installation at the museum.

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Creators:
Frank K. M. Rehn Galleries
Dates:
1858-1969
bulk 1919-1968
Size:
21.8 Linear feet
Collection ID:
AAA.franrehg
Repository:
Archives of American Art

The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehns personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York City art gallery devoted to American painting.

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Creators:
Paredon Records
Silber, Irwin, 1925-2010
Dane, Barbara
Dates:
1969-2007
Size:
8.85 Cubic feet
1 Cubic foot (Phonograph records)
6.6 Cubic feet (Audiotapes)
1.25 Cubic feet (Business records)
Collection ID:
CFCH.PARE
Repository:
Ralph Rinzler Folklife Archives and Collections

The Paredon Records audiorecordings consist of all 50 of the recordings released by Paredon, along with the master audiotapes. Many of the recordings have a file containing business records relating to their production. These business records include artist contracts, recording reports, various notes on records produced, photographs of artists, news articles both about and by Barbara Dane, Irwin Silber, and Paredon Records, correspondence by Barbara Dane, Irwin Silber and Paredon Records, and other miscellany. Many contracts are signed by both Paredon Records and the artist. Correspondence is primarily between business associates. A complete inventory of the business records is available.

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Creators:
Deem, George, 1932-2008
Dates:
1904-2015
bulk 1960-2008
Size:
18.2 Linear feet
10.71 Gigabytes
Collection ID:
AAA.deemgeor
Repository:
Archives of American Art

The papers of painter, writer, and dancer George Deem measure 18.2 linear feet and 10.71 GB and date from 1904-2015, with the bulk of the material dating from 1960-2008. The collection documents Deem's path from Midwestern farm child to New York City artist and teacher who specialized in recreating works of great masters, especially Johannes Vermeer. Correspondence, exhibition files, subject files, project files, writings by and about Deem, printed and digital material and photographic materials all show the trajectory of Deem's development as an artist.

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Creators:
Park, Marlene, 1931-
Dates:
1931-1999
Size:
5.8 Linear feet
Collection ID:
AAA.parkmarl
Repository:
Archives of American Art

The Marlene Park and Gerald E. Markowitz research files on New Deal art are dated 1931-1999 and measure 5.8 linear feet. The research files document New Deal art projects and artists through some original correspondence with artists, printed material, interview transcripts, and several sound recordings of interviews with artists of the period. Subject files relate to WPA era art and art projects; many contain numerous photocopies of records from the Personnel Records Center and the U. S. Treasury Relief Arts Projects now in the custody of the National Archives and Records Administration.

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