Query: Women textile artists
Records
Creators:
Smithsonian Institution. Office of the Secretary
Dates:
1964-1971
Size:
297.65 cu. ft. (568 document boxes) (91 3x5 boxes) (1 oversize folder)
Collection ID:
Record Unit 99
Repository:
Smithsonian Institution Archives

These records reflect the growing scope and complexity of the Smithsonian during Ripley's tenure. They document the Smithsonian's changing administrative structure; growing relationships with universities, foundations, and other external groups; efforts to attract more government support for the Smithsonian; pursuit of new initiatives and programs; and the regular administrative activities …

Digital Content Available

Loading...
in Record Unit 99 for Women textile artists
Underwood & Underwood Glass Stereograph Collection
Creators:
Underwood & Underwood
Dates:
1895-1921
Size:
160 Cubic feet
Collection ID:
NMAH.AC.0143
Repository:
Archives Center, National Museum of American History

A collection of approximately 28,000 glass plate negatives showing views of a variety of subjects.

Digital Content Available

Loading...
in NMAH.AC.0143 for Women textile artists
Emile Gorlia photographs
Creators:
Gorlia, Emile E.O.
Dates:
1909-1958
bulk 1909-1928
Size:
258 Negatives (photographic) (black & white, 8 x 10.5 cm.)
308 Lantern slides (black & white, 8.5 x 10 cm.)
1,446 Photographic prints ((contact prints) (5 vols.), black & white, 6 x 13 cm. or smaller )
46 Photographic prints (black & white, 48 x 58 cm. or smaller.)
556 Negatives (photographic) (glass plate stereographic negatives , black & white, 6 x 13 cm.)
Collection ID:
EEPA.1977-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Judge Emile E.O. Gorlia during five journeys through the Belgian Congo and two vacation leaves, one in Belgium and one in the Canaries Islands, 1909-1928 and at the World Exposition in Brussels (1958). The collection dates from 1909-1958. His first mission was from January 1910 to January 1912; the second, from February 1915 to March 1917; the third, from December 1917 to April 1920; the fourth, from November 1920 to February 1923 and, the fifth, from March 1926 to December 1928. For his first four missions at Lusambo in the Kasai province, district of Sankuru, Emile Gorlia was acting as an alternate to the public officer at one of the seven tribunals of first instance. During his fifth and final mission, he was promoted as president of the Court at Albertville in the ditrict of Katanga. Judge E.O. Gorlia was a keen amateur photographer with the advantage of not only traveling extensively around the state but also with the privilege of being able to afford the time and money to produce a prolific number of images. His images illustrate with great detail the full experience of a government official in mission in the Belgian Congo, starting in Antwerp at the pier of this Belgian harbor and taking up his duties at Lusambo, an administrative town in the hearth of th Belgian congo. The majority of images are of the following Belgian Congo districts, Lower Congo, Kassai, Sankuru, and Katanga. They include the cities of Banana, Boma, Matadi, Leopoldville (now Kinshasa), Lusambo, Luebo, Dilolo, Albertville (now Kalemie) in the Belgian Congo, Brazzaville in the French Equatorial africa, Zanzibar, Dar es Salaam, Tabora and Kigoma in tanganyika, Dakar in Senegal, Conakry in Guinea, Freetown in Sierra Leone, Port Said in Egypt and finally Casablanca in Morocco. There are also images of villages scenes and portraits of the Tetela, Songye, Luba, Kanioka, Lunda, Chokwe, Pende, Bangala and Kuba. Also included are images of the natural environment as the Congo river, the Kasai and Sankuru rivers, the banks of Lake Tanganyika and the savanna-woodland of the western part of the Katanga district as well as as the south part of the Sankuru region.

Digital Content Available

Loading...
in EEPA.1977-001 for Women textile artists
Smithsonian Folklife Festival records: 1987 Festival of American Folklife
Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 24-July 5, 1987
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1987
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Digital Content Available

Loading...
in CFCH.SFF.1987 for Women textile artists
George V. Allen photograph collection of photographs of Native Americans and the American frontier
Creators:
Allen, George V.
Dates:
circa 1860-1935
Size:
67 Lantern slides
26 Negatives (glass)
10 Negatives (nitrate)
6 Autochromes (photographs)
50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
Collection ID:
NAA.PhotoLot.90-1
Repository:
National Anthropological Archives

Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave …

Digital Content Available

Loading...
in NAA.PhotoLot.90-1 for Women textile artists
Lorenzo Dow Turner Papers
Creators:
Turner, Lorenzo Dow, 1890-1972
Dates:
1895 - 1972
Size:
23.97 Linear feet (20 boxes)
Collection ID:
ACMA.06-017
Repository:
Anacostia Community Museum Archives

The collection, which dates from 1895 to 1972 and measures 23.97 linear feet, documents the career and travels of Professor Lorenzo Dow Turner. The collection is comprised of correspondence, academic papers, research materials, books, newspaper and journal articles, sound recordings, and photographs.

Digital Content Available

Loading...
in ACMA.06-017 for Women textile artists
Division of Ethnology photograph collection 1
Creators:
Smithsonian Institution. United States National Museum. Department of Anthropology. Division of Ethnology
Dates:
ca. 1860s-1960s
Size:
14,500 Items
Collection ID:
NAA.PhotoLot.97
Repository:
National Anthropological Archives

Consists of photographs collected by the United States National Museum (USNM) Division of Ethnology and later by the Smithsonian Office of Anthropology (SOA). Coverage is worldwide outside North America. Most of the items are photographic prints, some in albums. There are also negatives, photomechanical prints, artwork, and newsclippings. For the …

Digital Content Available

Loading...
in NAA.PhotoLot.97 for Women textile artists
Product and Contract Records
Creators:
Smithsonian Institution. Smithsonian Business Ventures. Product Development and Licensing
Dates:
1971-2005
Size:
42 cu. ft. (42 record storage boxes)
Collection ID:
Accession 07-001
Repository:
Smithsonian Institution Archives

This accession consists of records which document the processes of Product Development and Licensing at Smithsonian Business Ventures. The unit's primary function is to generate revenue for the Smithsonian Institution through the licensing and development of products related to collections within the Smithsonian museums. Some of these products include greeting …

Loading...
in Accession 07-001 for Women textile artists
Myron Bement Smith Collection
Creators:
Smith, Myron Bement, 1897-1970
Dates:
circa 1910-1970
Size:
192 Linear feet
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.

Digital Content Available

Loading...
in FSA.A.04 for Women textile artists
William Duncan Strong papers
Creators:
Strong, William Duncan, 1899-1962
Dates:
1902-1965
bulk 1927-1955
Size:
64.88 Linear feet (87 boxes; 16 map folders; and 14 boxes of nitrate negatives, which are not included in the linear feet extent measurement)
Collection ID:
NAA.1974-28
Repository:
National Anthropological Archives

William Duncan Strong's early interest was in zoology, but, while an undergraduate at the University of California, he was brought into anthropology under the influence of Alfred Louis Kroeber. He conducted archaeological and ethnological field research in several areas of the New World and was the first professionally trained archaeologist to focus on the Great Plains, where he applied the so-called direct historical method, working from known history in interpreting archaeological sites. Strong's papers include correspondence, field notes, diaries, newspaper clippings, teaching notes and student papers, manuscripts of his writings, writings by other authors, papers from the various organizations in which he served, maps, and a considerable number of photographs from his field work. The materials date from 1902 to 1965, with most of the materials being from 1927 to 1955.

Digital Content Available

Loading...
in NAA.1974-28 for Women textile artists
293 records — Page 28 of 30