380 records — Page 28 of 38
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Creators:
Fishback, Glen Curtis, 1912-1976
Glen Fishback School of Photography.
White, Judy
Ansco.
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Dates:
1930-1976
Size:
27 Cubic feet (101 boxes, 6 map-folders)
Collection ID:
NMAH.AC.0714
Repository:
Archives Center, National Museum of American History

Original photographic negatives, prints (black-and-white and color), and color slides and transparencies by Fishback, reflecting his career in advertising, calendar, and editorial photography; drafts of articles and correspondence by Fishback (typescripts), and incoming correspondence; copies of publications, such as magazines and annual reports, w...

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Creators:
National Museum of American History (U.S.). Division of Music, Sports and Entertainment
Sidney, Corinne Entratter
Sidney, George, 1916-2002
Dates:
1885-2002
bulk 1940-1967
Size:
54 Film reels
96 Cubic feet (288 boxes, 6 oversize folders)
Collection ID:
NMAH.AC.0867
Repository:
Archives Center, National Museum of American History

George Sidney (1916-2002) was a film director during the Golden Age of Hollywood filmmaking (1927-1954). He spent the longest period of his career at Metro-Goldwyn-Mayer (MGM) until the 1950s. He later produced and directed films for Columbia Pictures and Paramount Pictures. He was a president of the Directors Guild of America and an avid photographer. He was the recipient of three awards from the Academy of Motion Picture Arts and Sciences (Oscar). The collection consists of photographs, photographic negatives, personal and business materials, and film. The collection also contains material created by George Sidney's uncle, George Sidney, vaudevillian and motion picture actor.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1850-1957
Size:
55 Boxes (approximately.)
Collection ID:
NMAH.AC.0060.S02
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. Series 2 materials include cinema lobby cards, fire insurance maps, photographs and scrapbooks of liquor and wine labels. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 25-July 6, 1986
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1986
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 16-September 6, 1976
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1976
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Bogert, Charles M. (Charles Mitchill), 1908-1992
Dates:
1952-1965
Size:
79 Sound tape reels (1.6 cubic feet)
Tapes are in original boxes.
Collection ID:
CFCH.BOGE
Repository:
Ralph Rinzler Folklife Archives and Collections

Five boxes containing sixty-four 5 inch and fifteen 7 inch open reel tapes recorded primarily by American herpetologist Charles M. Bogert from 1953-1965. This collection has two parts: the first focusing mainly on traditional music and liturgical music from several regions in Mexico: Oaxaca, Jalisco, Nayarit. Also included is music recorded in the Southwestern United States. The second portion of the collection contains amphibian, bird, and insect calls and choruses, mostly from these same regions in Mexico, the Southwestern, Western, and Southern United States, and Sri Lanka.

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Creators:
National Museum of American History.
Dates:
circa 1983-1994 and undated
Size:
27 cu. ft. (27 record storage boxes)
Collection ID:
Accession 00-002
Repository:
Smithsonian Institution Archives

This accession consists of records that document the planning, development, and installation of American Encounters, a permanent exhibition at the National Museum of American History (NMAH) commemorating the Columbus Quincentenary. The exhibition opened in 1992. The records primarily include the correspondence, memoranda, and research fil...

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Creators:
Stapleton, Jean, 1923-2013
Dates:
1906-2014, undated
Size:
10 Cubic feet (35 boxes, 4 map-folders)
Collection ID:
NMAH.AC.1424
Repository:
Archives Center, National Museum of American History

Collection documents the personal life and professional career of American theatre and film actor Jean Stapleton.

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Creators:
Bourdon, David
Dates:
1941-1998
Size:
37 Linear feet
Collection ID:
AAA.bourdavi
Repository:
Archives of American Art

The papers of New York art critic and writer David Bourdon measure 37 linear feet and date from 1941-1998. The papers include scattered biographical materials, manuscript and published writings, extensive art and artists' research files, and printed materials.

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Creators:
Christine Burgin Gallery
Dates:
1980-2016
Size:
18 Linear feet
52.28 Gigabytes
Collection ID:
AAA.chriburg
Repository:
Archives of American Art

The records of Christine Burgin Gallery, a New York City gallery representing conceptual artists from the United States and Europe, measure 18 linear feet and 52.28 GB, and date from 1980-2016. The collection documents the gallery's activities, projects, and relationships with artists through administrative files and business records, artist files, exhibition files, and client files. Artist files comprise nearly half of the collection and contain correspondence with artists and project files for numerous publications and editions the gallery produced in collaboration with artists. Some material is in born-digital form, including images of artwork and installations, slide shows, document files, as well as audiovisual recordings. The collection also contains two analog video recordings. Files dating from after the gallery's closure include additional correspondence, invoices, and project files.

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380 records — Page 28 of 38