Ray Brown was an African-American musician, composer, bandleader, manager, music teacher and promoter. He became best known for his collaborative work with Dizzy Gillespie, Oscar Peterson, Ella Fitzgerald, the Oscar Peterson Trio and Norman Granz' s Jazz at the Philharmonic. Over the course of his career, Brown received awards and accolades from the National Academy of Recording Arts and Sciences, the National Endowment for the Arts, the Jazz Hall of Fame, Down Beat and Playboy. Brown's papers document his professional music career from 1944 to 2002 and include music compositions and notes, publicity materials, photographs and some recordings of his performances.

The collection is comprised of digital surrogates previously available on the 24 rolls of microfilm described in the NARA publication M1056. These digital surrogates reproduced the records of the Superintendent of Education for the District of Columbia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–72. The records consist of 11 bound volumes and 15 feet of unbound documents. Bound records include letters sent, endorsements, and registers of letters received. Unbound documents consist primarily of letters received and school reports.

This accession consists of a collection of files documenting the Enola Gay exhibition and aspects of the controversy which followed. The files include the correspondence of the Director of the Museum, Martin Harwit; the Department of Aeronautics; the curator, Michael Neufeld; and the Exhibit Project Coordinator, Victor Govier. Also included ...

Shopping bags from a variety of businesses, including department stores, museums, book stores, libraries, hotels, banks, and specialty shops. Additional material will be added to this collection periodically.

The papers of painter, sculptor, and performance artist Robert Delford Brown measure 3.9 linear feet and 7.98 GB and date from 1964-2009. The papers document his career as an artist and in particular the arts space "church" he founded in New York City, known as The First National Church of Exquisite Panic, Inc. The collection consists of biographical material, correspondence, church records, printed and digital material, photographic material, and video records of performance art. Brown's early career is documented in one scrapbook containing photographs, notes, press materials, and select artwork and documentation of ephemeral and performance artworks.

This accession consists of records that document the Enola Gay exhibition and aspects of the controversy that followed. The files include annotated exhibition scripts and cover memoranda for the The Crossroads: The End of World War II, the Atomic Bomb, and the Onset of the Cold War and The Last Act: The Atomic Bomb & the End of World War ...

These papers consist of copies of letters which Otis Tufton Mason wrote back to the Smithsonian while on a trip in Europe to study museum practices, 1889; correspondence concerning his work on Central American ethnology, 1899-1900; and newspaper clippings collected by Mason concerning museums, 1890-1897.

Photographs taken by Guy Ederheimer from 1930 to 1931 in Egypt and South Africa. Images taken in South Africa are portraits and include a Zulu wedding dance. Pictured are the best man, the bride, dancers, mothers with their children. The Egyptian images show Cairo and the Nile River.

Photographs taken by members of the Basel Mission and by professional photographers. The majority of photographs were taken in the Basel Mission Faktorei (B.M.F.) in Accra and in other Basel Mission stores in Dodowa, Akure, Nsawam and Kumasi. Photographs taken by the members of the Basel Mission are of missionary life, flora and fauna, daily activities and named missionaries and their spouses. The professional images were of better quality and larger in size than the personal photographs. Among them are several images of a railroad station in Accra and a fleet of trucks belonging to the Basel Mission. Most significant among these photographs are 30 images of Asante people and of carved Asante stools. Two images were taken by F.R.C. Lutterodt, a well-known Ghanaian photographer, who had maintained studios in German Cameroon and in Ghana.

Publicity photographs of musicians and entertainers, mostly jazz musicians, such as Duke Ellington, Louis Armstrong, Miles Davis, and Dizzy Gillespie, but including many rock and even a few classical performers. The collection also contains tape recorded radio interviews conducted between 1970 and 2003. In addition there are posters relating to musical performances.