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Creators:
Gay, Edward, 1837-1928
Gay, Duncan, 1865-1948
Dates:
1852-1983
Size:
2.6 Linear feet
Collection ID:
AAA.gayedwap
Repository:
Archives of American Art

The papers of Edward Gay and the Gay family measure 2.6 linear feet and date from 1852 to 1983. Found within the papers are biographical materials on Edward and Duncan Gay; personal correspondence from Edward Gay, his wife Martha Feary Gay, and other family members; artwork by Edward and Duncan Gay; writings; printed materials; and photographs of Edward and Duncan Gay, their family, and their work.

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Creators:
United States National Museum. Division of Plants
Dates:
1870-1893
Size:
11 cu. ft. (21 document boxes) (25 microfilm reels)
Collection ID:
Record Unit 220
Repository:
Smithsonian Institution Archives

Most of these records are the official files of George Vasey as botanist of the United States Department of Agriculture and curator of the United States National Herbarium from 1872 to 1893. They include incoming and occasional outgoing correspondence, mostly to Vasey, but sometimes to Jeremiah M. Rusk, secretary of Agriculture; Edwin Willits,...

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Creators:
Schmitt, Waldo L. (Waldo Lasalle), 1887-1977.
Dates:
1907-1978
Size:
79.56 cu. ft. (6 record storage boxes) (121 document boxes) (2 half document boxes) (4 12x17 boxes) (60 3x5 boxes) (3 5x8 boxes) (2 film boxes) (oversize material)
Collection ID:
Record Unit 7231
Repository:
Smithsonian Institution Archives

The papers of Waldo LaSalle Schmitt provide comprehensive documentation of his professional career, 1907-1977. They also illustrate, to a lesser degree, his personal life. Particularly well represented in the papers is material concerning Schmitt's carcinological research, his curatorial and administrative careers at the United States Nat...

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Creators:
Taylor, Frances Long, Mrs.
Long, Crawford Williamson, Dr., 1815-1878
Dates:
1897
Size:
0.5 Cubic feet (3 boxes)
Collection ID:
NMAH.AC.0120
Repository:
Archives Center, National Museum of American History

The collection documents Crawford W. Long's use of sulphuric ether on a patient. The materials include glass plate negatives, correspondence, printed documents, and photprints.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1792-1952
Size:
4.71 Cubic feet (consisting of 9 boxes, 5 folders, 13 oversize folders, 1 map case folder, 3 flat boxes (partial), plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Furniture
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Furniture and Furnishings forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Darby, S. Newman, 1928-2016 ((inventor))
Darby, Kenneth
Darby, Naomi
Dates:
1944-1998
Size:
2.65 Cubic feet (7 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.0625
Repository:
Archives Center, National Museum of American History

The collection documents S. Newman Darby's development of the sailboard, which became known as the windsurfer through sketches, mechanical drawings, plans, patent specifications, legal documents, photographs, correspondence, notebooks, clippings, periodicals, and an 8mm film.

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Creators:
Cotton Museum (Memphis, Tennessee)
National Cotton Council
Dates:
1939-1994, undated
Size:
38 Cubic feet (91 boxes)
Collection ID:
NMAH.AC.1176
Repository:
Archives Center, National Museum of American History

The Maid of Cotton (MOC) beauty pageant was sponsored by the National Cotton Council, Memphis Cotton Carnival, and the Cotton Exchanges of Memphis, New York, and New Orleans from 1939-1993. The contest was held annually in Memphis, Tennessee until the National Cotton Council and Cotton Council International moved to Dallas, Texas. Beginning with the 1985 pageant (held December 1984) the competition was held in Dallas. The pageant was discontinued in 1993 due to lack of funds, a sponsor, and changes in marketing strategies. The records include files on contestants, photographs, and scrapbooks.

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Creators:
National Air and Space Museum. Aeronautics Division
Dates:
1989-1998
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 07-138
Repository:
Smithsonian Institution Archives

This accession consists of records created and maintained by Tom D. Crouch, Chairman, 1990-1998, documenting the administrative matters of the Aeronautics Division. Materials include memoranda, correspondence, planning documents, notes, reports, meeting minutes, agreements, inventories, brochures, color images, clippings, information pack...

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Creators:
Park, Marlene, 1931-
Dates:
1931-1999
Size:
5.8 Linear feet
Collection ID:
AAA.parkmarl
Repository:
Archives of American Art

The Marlene Park and Gerald E. Markowitz research files on New Deal art are dated 1931-1999 and measure 5.8 linear feet. The research files document New Deal art projects and artists through some original correspondence with artists, printed material, interview transcripts, and several sound recordings of interviews with artists of the period. Subject files relate to WPA era art and art projects; many contain numerous photocopies of records from the Personnel Records Center and the U. S. Treasury Relief Arts Projects now in the custody of the National Archives and Records Administration.

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Creators:
Battcock, Gregory, 1937-
Dates:
1952-circa 1980
Size:
10.6 Linear feet
Collection ID:
AAA.battgreg
Repository:
Archives of American Art

The papers of New York art critic, writer, educator, and painter, Gregory Battcock, measure 10.6 linear feet and date from 1952 to circa 1980. The collection includes biographical material, correspondence, published and unpublished writings, artists' files, personal business records, printed materials, scrapbooks, photographic materials, and artifacts that detail his involvement in both the mainstream and fringe art scenes of the 1970s.

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