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Creators:
Sklarek, Norma Merrick, 1926-2012
Dates:
1944-2008
Size:
4.8 Cubic feet
Collection ID:
NMAAHC.A2018.23
Repository:
National Museum of African American History and Culture

The Norma Merrick Sklarek Archival Collection documents the prestigious and groundbreaking career of one of the early women architects who also broke ground for African American architects as well. The collection highlights Sklarek's journey and accomplishments as she paved the way for future women architects and architects of color. The collectio...

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Creators:
Williams, Austin B.
Dates:
1959-1999
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 11-041
Repository:
Smithsonian Institution Archives

This accession consists of the professional correspondence of Austin B. Williams, an invertebrate zoologist with the National Marine Fisheries Service. Correspondence relates to specimens, meetings, publications, exhibitions, and reviews. Also included are travel journals and photographs.

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Creators:
National Museum of Natural History. Division of Vertebrate Paleontology
Dates:
1917-2001
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 02-013
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the acquisition, donation, loan, and study of specimens within the Division of Vertebrate Paleontology. Materials include correspondence, memoranda, photographs, and forms.

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Creators:
Rinzler, Ralph
Dates:
1890-2011
bulk 1950-1994
Size:
106.32 Cubic feet (87.5 cubic feet of papers, 18.82 cubic feet of audio)
Collection ID:
CFCH.RINZ
Repository:
Ralph Rinzler Folklife Archives and Collections

This collection, with bulk dates from 1950-1994, documents the life of Ralph Rinzler and his professional activities as Director of Field Programs for the Newport Folk Festival, Director of the Smithsonian Folklife Festival (formerly the Festival of American Folklife) and the Office of Folklife Programs (now the Center for Folklife and Cultural Heritage), and the Smithsonian Institution's Assistant Secretary for Public Service. Includes personal papers, business records, correspondence, notes, photographs, audiotapes and field recordings.

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Creators:
Council of American Overseas Research Centers
Dates:
1978-1990
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 03-052
Repository:
Smithsonian Institution Archives

This accession consists of records that document the establishment, activities and programs of the Council of American Overseas Research Centers (CAORC) and its relationship with the United States Information Agency and various overseas research centers. Materials include budgets, CAORC bylaws, reports, proposals, agendas, minutes, member list...

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Creators:
Cooper-Hewitt, National Design Museum. Product Design and Decorative Arts Department
Dates:
circa 1985-2008
Size:
23.85 cu. ft. (21 record storage boxes) (2 document boxes) (2 tall document boxes) (1 16x20 box)
Collection ID:
Accession 09-175
Repository:
Smithsonian Institution Archives

This accession consists of records documenting research, planning, design, execution, and installation of exhibitions during the tenure of David Revere McFadden, Curator, 1978-1993; Deborah Shinn, Curator-in-Charge, 1995-1996, and Assistant Curator, 1997-2002; and Sarah Coffin, Curator, 2004- . Exhibitions documented in this accession include ...

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Office of the Director
Dates:
1984-1999
Size:
8.69 cu. ft. (8 record storage boxes) (1 16x20 box)
Collection ID:
Accession 01-180
Repository:
Smithsonian Institution Archives

These records consist of materials created and maintained by Milo Cleveland Beach, Director, 1987-2001, documenting exhibition planning and production, including "Chinese Scholar's Studio: Artistic Life in the Late Ming Period," "Rise to Power: Art of Ancient Japan," "Timur and the Princely Vision," "Yani: The Brush of Innocence," "Crushed ...

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Creators:
Stout, George L. (George Leslie)
Dates:
1897-1978
1855
Size:
6.4 Linear feet
Collection ID:
AAA.stougeor
Repository:
Archives of American Art

The papers of conservator and museum director George Leslie Stout measure 6.4 linear feet and date from 1855, 1897-1978. Stout was head of the conservation department at Harvard University's Fogg Art Museum, director of the Worcester Art Museum and Isabella Stewart Gardner Museum in Massachusetts, and a member of the Monuments, Fine Art and Archives (MFAA) Section of the U.S. Army during World War II. The bulk of the collection consists of correspondence with family, friends, colleagues and professional associations. There are letters from fellow Monuments Men who served in the MFAA section such as Thomas Carr Howe, Ardelia Hall, Lamont Moore, Theodore Sizer, Langdon Warner and several other prominent arts administrators. The papers also contain biographical materials, writings, sketches and one sketchbook, military records, printed materials, and photographs. There is a 0.2 linear foot addition to this collection acquired in 2020 that includes four diaries, 1944-1946, kept by George Stout as a member of the Monuments, Fine Arts & Archives Section (MFAA) of the U.S. Army (known as the Monuments Men). The diaries describe Stout's experiences surveying war-caused damages in France, Germany, and Japan, and the recovery of Nazi impounded art works. Also included is a hand-made booklet that includes a "Glossary of Cha-no-yu Terms," which consists of quotes about Japanese art and tea drinking.

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Creators:
Engman, David
Simmons, David
Society for Industrial Archeology
Starbuck, David, Dr.
More …
Dates:
1965-2017
Size:
40 Cubic feet (100 boxes, 7 map-folders)
Collection ID:
NMAH.AC.0688
Repository:
Archives Center, National Museum of American History

Collection consists of the records of the Society for Industrial Archaeology, including officers' files; grant files, journals, newsletters, editorial files, films, photographs, and posters.

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Creators:
National Museum of African American History and Culture (U.S.)
Dates:
1940 - Ongoing
Size:
825 Digital files
Collection ID:
NMAAHC.SC.0001
Repository:
National Museum of African American History and Culture

The Great Migration is a unique, ongoing digitization service program that partners the National Museum of African American History and Culture with individuals across the United States to preserve their important analog audiovisual media. While major motion picture film and television historically lacked diverse representation, black history was instinctively being preserved in everyday home movies. Today, these personal narratives serve as an invaluable tool for understanding and re-framing black moving image history, and provide a much needed visualization of African American history and culture.

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