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Creators:
Ederheimer, Guy, Jr
Dates:
1930-1931
Size:
70 photographic prints ((2 boxes), black & white, 40 x 50 cm. or smaller)
Collection ID:
EEPA.1986-015
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Guy Ederheimer from 1930 to 1931 in Egypt and South Africa. Images taken in South Africa are portraits and include a Zulu wedding dance. Pictured are the best man, the bride, dancers, mothers with their children. The Egyptian images show Cairo and the Nile River.

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Creators:
National Museum of African Art
Dates:
2010-2013
Collection ID:
Accession 13-304
Repository:
Smithsonian Institution Archives

This accession consists of two blogs maintained by the National Museum of African Art. "Africa Underground," crawled May 7, 2013, promotes an occasional event series of the same name. Africa Underground opens the doors of the National Museum of African Art after hours for the public to enjoy the museum's exhibitions and features performances,...

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Creators:
National Museum of American History. Office of Special Events.
Dates:
1980-2010
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 15-291
Repository:
Smithsonian Institution Archives

This accession consists of audio and video recordings of special events at the National Museum of American History documenting exhibitions; visits of American politicians and foreign dignitaries; receptions; music and dance performances; dinners; meetings; commemorative and anniversary events; lectures, including speakers at the Doubleday Lect...

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Creators:
Smithsonian Institution, Office of Development, Smithsonian Women's Committee
Dates:
1971-1993
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 96-012
Repository:
Smithsonian Institution Archives

These records consist first of correspondence, reports, invitations, press releases, photographs, negatives, budgets, receipts, and newspaper and magazine clippings documenting two special events - the Listen, Look, Learn lunch program and the annual Christmas/Holiday dance - and the Smithsonian Craft Show, 1993, and Washington Craft Show...

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Dates:
[between 1905-1907]
Size:
silver gelatin (black & white, 18 x 12 cm. or smaller)
copy prints (black & white, 8 x 10 in.)
Collection ID:
EEPA.1986-026
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs assembled in an album documenting the Fulbe, Tiv and Wurkun peoples of north-central Nigeria. Images include Fulbe on horseback, Tiv women and children, a Wurkun headman, and Wurkun in indigenous attire. Activities illustrated include dancing and playing musical instruments such as drums, horns with gourd resonators and string bows.

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Dates:
1895-1897
Size:
65 negatives (photographic) (dupe negs, black & white, 4 x 5 in. )
65 photographic prints (albumen (1 box), black & white)
65 photographic prints (dupe prints (1 v.), black & white, 8 x 10 in. )
Collection ID:
EEPA.1996-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs of inhabitants and landscapes of Southern Nigeria. Images include views of Old Calabar; colonial architecture, interior and exterior; Christmas group portrait; Queens Diamond Jubilee, 1897, in Calabar; portraits of Africans employed by the colonials; wedding in Creektown; sports in Calabar; Niger Coast Protectorate marching band; chiefs at Native Court, Calabar; soldier from the Gold Coast Protectorate with Benin medal; a yacht; dance at the late King Duke's IX quarters, Calabar; Chief Essien-Etum, Calabar; King Epo Honesty III, Creektown; Chief Coffee Adam Lion Bar; Chief's Coco's war canoe; and Calabar women with their attendants.

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Creators:
Gatschet, Albert S. (Albert Samuel), 1832-1907
Dates:
November 1884- March 1885
Size:
90 pages
Collection ID:
NAA.MS1002
Repository:
National Anthropological Archives

Contents: Crawfish (Origin of the Earth), pages 76-77; Origin of the Yuchi, pages 74-75; Yuchi song of Dance, pages 67-70; Yuchi legend- no title, pages 54-56; Yuchi song, page 49; List of clans, pages 70-71; The remaining pages are devoted to words and sentences in the Yuchi language. (On pages 91-99 is a vocabulary taken from the copy of Albert P...

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Creators:
Stuempges, Richard N. (Richard Norman)
Dates:
circa 1966-1968
Size:
2 cd-rs
105 color slides
Collection ID:
NAA.PhotoLot.2009-05
Repository:
National Anthropological Archives

Photographs depicting the women's Sande Society, school, ceremonies, dances and other scenes in Wozi, Liberia. Collection also includes two CDs containing scans of slides.

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Creators:
Christol, Frank
Dates:
1920s
Size:
215 Photographic prints (dupe prints (2 v.), black & white, 8 x 10 in. )
215 negatives (photographic) (dupe negs, black & white, 4 x 5 in. )
215 Photographic prints (silver gelatin (2 v.), black & white, 8 x 10 in. or smaller)
Collection ID:
EEPA.1989-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by French Missionary Frank Christol during his stay in the Cameroon Grassfields, during the 1920s. The photographs document the peoples of the Cameroon Grassfields, particularly the Bamileke. Activities depicted include dancing and playing musical instruments. Objects include figures, masks, textiles and vessels. There are images of chiefs' palaces and architectural details such as carved doors and house posts. Portraits, often with people in groups with objects, document dress, hairstyles, jewelry and scarification. People portrayed include carvers with their work and chiefs in their palaces.

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Creators:
Woolworth, Alan R.
Weslager, C.A.
Witthoft, John
Swauger, James Lee
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Dates:
1824-1992
bulk 1950-1982
Size:
10.25 Linear feet
Collection ID:
NAA.1994-30
Repository:
National Anthropological Archives

To a considerable degree, the James H. Howard papers consist of manuscript copies of articles, book, speeches, and reviews that document his professional work in anthropology, ethnology, ethnohistory, archeology, linguistics, musicology, and folklore between 1950 and 1982. Among these are a few unpublished items. Notes are relatively scant, there being somewhat appreciable materials for the Chippewa, Choctaw, Creek, Dakota, Omaha, Ponca, Seminole, and Shawnee. The chief field materials represented in the collection are sound recordings and photographs, but many of the latter are yet to be unidentified. A series of color photographs of Indian artifacts in folders are mostly identified and represent the extensive American Indian Cultural collection of costumes and artifacts that Howard acquired and created. Other documents include copies of papers and other research materials of colleagues. There is very little original material related to archeological work in the collection and that which is present concerns contract work for the Lone State Steel Company.

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