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Creators:
Kuhn, Walt, 1877-1949
Dates:
1859-1984
bulk 1900-1949
Size:
31 Linear feet
Collection ID:
AAA.kuhnwalt
Repository:
Archives of American Art

The Walt Kuhn Family papers and Armory Show records measure 31 linear feet and date from 1859 to 1984, with the bulk of material dating from 1900 to 1949. Papers contain records of the legendary Armory Show of 1913, also known as the International Exhibition of Modern Art, which introduced modern European painting and sculpture to the American public. Papers also contain records of the Association of American Painters and Sculptors (AAPS), the artist-run organization that mounted the Armory Show; records of the New York artists' clubs the Kit Kat Club (founded 1881) and the Penguin Club (founded 1917); and the personal and family papers of New York artist Walt Kuhn (1877-1949), one of the primary organizers of the Armory Show.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 27-July 8, 1990
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1990
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Dall, William Healey, 1845-1927
Dates:
circa 1839-1858, 1862-1927
Size:
32.36 cu. ft. (5 record storage boxes) (51 document boxes) (1 half document box) (4 5x8 boxes) (3 oversize folders)
Collection ID:
Record Unit 7073
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women’s Committee.

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Creators:
Hirshhorn Museum and Sculpture Garden. Office of the Registrar
Dates:
circa 1970-1985
Size:
21.5 cu. ft. (21 record storage boxes) (1 document box)
Collection ID:
Record Unit 515
Repository:
Smithsonian Institution Archives

These records consist of insurance records, art condition reports, facility condition reports, shipping documents and invoices, and photographs, as well as pamphlets and catalogs.

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Creators:
American Academy in Rome
Dates:
1855-2012
Size:
65.9 Linear feet
Collection ID:
AAA.ameracar
Repository:
Archives of American Art

The records of the American Academy in Rome measure 65.9 linear feet and date from 1855 to 2012. The collection documents the history of the institution from its inception in 1894 as the American School of Architecture in Rome, through the end of World War II, and chronicles the contributions the academy has made to America's cultural and intellectual development. Nearly one-half of the collection consists of an unprocessed addition received in 2014 containing records that mostly post-date World War II and include correspondence and subject files of officers and executives based in the New York office of American Academy in Rome.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 25-July 6, 2008
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2008
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Murray, Richard N., 1942-2006
Dates:
1896-2006
bulk 1970-2006
Size:
20.5 Linear feet
Collection ID:
AAA.murrrich
Repository:
Archives of American Art

The Richard Murray research material regarding mural painting in the United States measures 20.5 linear feet and dates from 1896 to 2006 with the bulk of the material dating from 1970 to 2006. The collection is comprised of Murray's extensive research files, scattered writings, and photographic materials for his life-long research on mural painting in the United States.

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Creators:
Smithsonian Institution. Office of Public Affairs
Dates:
circa 1963-1988
Size:
5 cu. ft. (10 document boxes)
Collection ID:
Record Unit 420
Repository:
Smithsonian Institution Archives

These records consist of biographical files collected by the Office of Public Affairs primarily for the use and convenience of that office. Like many biographical files, the records were added to as bits of information were collected, from the newspaper, from press releases, from The Torch, or from SI announcements. The more important figures...

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Creators:
Geological Survey. Branch of Paleontology and Stratigraphy
Dates:
circa 1900-1987
Size:
21 cu. ft. (21 record storage boxes)
Collection ID:
Record Unit 7425
Repository:
Smithsonian Institution Archives

These records are the official files of the Branch Chief, Paleontology and Stratigraphy Branch, USGS, and document its research program and administration from 1900 to 1987. Included is a large amount of correspondence of the first two Branch Chiefs, Stanton and Reeside, which concerns the identification of specimens, field work of USGS p...

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Creators:
Deem, George, 1932-2008
Dates:
1904-2015
bulk 1960-2008
Size:
18.2 Linear feet
10.71 Gigabytes
Collection ID:
AAA.deemgeor
Repository:
Archives of American Art

The papers of painter, writer, and dancer George Deem measure 18.2 linear feet and 10.71 GB and date from 1904-2015, with the bulk of the material dating from 1960-2008. The collection documents Deem's path from Midwestern farm child to New York City artist and teacher who specialized in recreating works of great masters, especially Johannes Vermeer. Correspondence, exhibition files, subject files, project files, writings by and about Deem, printed and digital material and photographic materials all show the trajectory of Deem's development as an artist.

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