This accession consists of exhibition records which document the planning and fabrication of the exhibition, Our Universes: Traditional Knowledge Shapes Our World. The materials document the work of the Office of Exhibitions and Public Spaces and the firms: Design & Production, Inc.; Howard + Revis Design Services; and Clark Construction. Materials include …
This accession consist of records that document the work of the Business Office of the Smithsonian Resident Associate Program. Materials include grant files and Business Council Files.
Amy Jones papers
The papers of painter, muralist, and educator Amy Jones measures 3.5 linear feet and 2.90 GB and date from 1910s-2015, with the bulk of the records dating between 1930s-1992. The papers document Jones' career through biographical material, several recorded interviews and talks, correspondence, subject files, printed and digital material, photographs, artwork, and scrapbooks.
This record unit primarily documents the tenure of Lloyd Herman, Director of the Renwick Gallery, but also contains the records of David W. Scott, Robert Tyler Davis, and Joshua C. Taylor, directors of the National Collection of Fine Arts (NCFA). The records pertain to temporary exhibitions as well as the …
Charles Sheeler papers
The papers of painter, photographer, lithographer and industrial designer Charles Sheeler measure 4.9 linear feet and date from circa 1840s to 1966, with the bulk of the material dating from 1923-1965. The collection documents Sheeler's family, personal life and career through financial and medical records, awards, correspondence, writings, an autobiography, journal and notebooks, scrapbooks, exhibition catalogs and announcements, printed materials, photographs, funeral records and artwork by Sheeler and others. The collection is particularly rich in Sheeler's writings, and also includes Sheeler's industrial designs and manufactured artwork. Notable photographs include Sheeler with Edward Weston, Edward Steichen, and John Marin.
Division of Physical Anthropology Photograph Collection
Hrdlička, Aleš, 1869-1943
Joseph C. Farber photographs of Native American life
6,000 Acetate negatives (circa)
8 Color transparencies
1,000 Items (circa 1000 enlarged prints: silver gelatin (some mounted for exhibition))
Photographs made as part of Joseph C. Farber's project to document modern NAtive American everyday life. Represented tribes include the Acoma, Apache, Blackfoot, Chehalis, Cherokee, Cheyenne, Chippewa, Cocopa, Dakota, Eskimo, Haida, Kiowa, Kutenai, Lummi, Mohave, Mohawk, Navaho, Northern Athabascan, Onandaga, Pima, Pueblo, Quinalt, Seminole, Taos, Tlingit, and Zuni. Subject coverage …
Bob & Bob and The Dark Bob papers
The Bob & Bob and The Dark Bob papers measure 11.0 linear feet and date between 1974 and 2021. The papers document the careers of California performing artists known as The Light Bob and The Dark Bob through correspondence with art galleries, radio broadcast stations, and record companies; audio recordings, film and video recordings, resumes, and contract agreements pertaining to shows they produced for sound and video recording studios and related professional material; clippings, catalogs, announcements, and other printed material; and photographs, slides, negatives, and transparencies of artwork and performances.
These records consist of exhibition files maintained by the Exhibitions Coordinator. Included in the files are correspondence, staff memoranda, checklists, vouchers, and exhibition photographs. Exhibitions represented include Zoo to Art: Animal Subject by American Sculptors, 1985, and Still Lifes by Henry Lee McFee by Henry Lee McFee, 1986.
This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum (SAAM). Supplementary areas of exhibitions also covered include related symposiums, lectures, and gallery talks. Among those exhibitions covered are The Bard Brothers: Painting America Under Steam and …