Query: Wood sculpture
Exhibition Records
Creators:
National Museum of the American Indian. Office of Exhibitions and Public Spaces
Dates:
2001-2005
Size:
2.5 cu. ft. (2 record storage boxes) (1 document box)
Collection ID:
Accession 09-153
Repository:
Smithsonian Institution Archives

This accession consists of exhibition records which document the planning and fabrication of the exhibition, Our Universes: Traditional Knowledge Shapes Our World. The materials document the work of the Office of Exhibitions and Public Spaces and the firms: Design & Production, Inc.; Howard + Revis Design Services; and Clark Construction. Materials include …

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in Accession 09-153 for Wood sculpture
Records
Creators:
Smithsonian Resident Associate Program. Business Office
Dates:
1977-1988
Size:
1.5 cu. ft. (1 record storage box) (1 document box)
Collection ID:
Accession 90-128
Repository:
Smithsonian Institution Archives

This accession consist of records that document the work of the Business Office of the Smithsonian Resident Associate Program. Materials include grant files and Business Council Files.

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in Accession 90-128 for Wood sculpture
Amy Jones papers
Creators:
Jones, Amy, 1899-1992
Dates:
circa 1930-2005
Size:
3.5 Linear feet
2.9 Gigabytes
Collection ID:
AAA.joneamy
Repository:
Archives of American Art

The papers of painter, muralist, and educator Amy Jones measures 3.5 linear feet and 2.90 GB and date from 1910s-2015, with the bulk of the records dating between 1930s-1992. The papers document Jones' career through biographical material, several recorded interviews and talks, correspondence, subject files, printed and digital material, photographs, artwork, and scrapbooks.

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in AAA.joneamy for Wood sculpture
Records
Creators:
Renwick Gallery. Office of the Director
Dates:
1967-1988
Size:
15 cu. ft. (15 record storage boxes)
Collection ID:
Record Unit 465
Repository:
Smithsonian Institution Archives

This record unit primarily documents the tenure of Lloyd Herman, Director of the Renwick Gallery, but also contains the records of David W. Scott, Robert Tyler Davis, and Joshua C. Taylor, directors of the National Collection of Fine Arts (NCFA). The records pertain to temporary exhibitions as well as the …

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in Record Unit 465 for Wood sculpture
Charles Sheeler papers
Creators:
Sheeler, Charles, 1883-1965
Dates:
circa 1840s-1966
bulk 1923-1965
Size:
4.9 Linear feet
Collection ID:
AAA.sheechar
Repository:
Archives of American Art

The papers of painter, photographer, lithographer and industrial designer Charles Sheeler measure 4.9 linear feet and date from circa 1840s to 1966, with the bulk of the material dating from 1923-1965. The collection documents Sheeler's family, personal life and career through financial and medical records, awards, correspondence, writings, an autobiography, journal and notebooks, scrapbooks, exhibition catalogs and announcements, printed materials, photographs, funeral records and artwork by Sheeler and others. The collection is particularly rich in Sheeler's writings, and also includes Sheeler's industrial designs and manufactured artwork. Notable photographs include Sheeler with Edward Weston, Edward Steichen, and John Marin.

Digital Content Available

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in AAA.sheechar for Wood sculpture
Division of Physical Anthropology Photograph Collection
Creators:
Smithsonian Institution. Department of Anthropology. Division of Physical Anthropology
Hrdlička, Aleš, 1869-1943
Dates:
1850s-1960s
Size:
13,000 Items
Collection ID:
NAA.PhotoLot.8
Repository:
National Anthropological Archives
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in NAA.PhotoLot.8 for Wood sculpture
Joseph C. Farber photographs of Native American life
Creators:
Farber, Joseph C., 1903-
Dates:
circa 1970-1975
Size:
6,000 Contact prints (circa 6000 contact prints (proof sheets))
6,000 Acetate negatives (circa)
8 Color transparencies
1,000 Items (circa 1000 enlarged prints: silver gelatin (some mounted for exhibition))
Collection ID:
NAA.PhotoLot.78-1
Repository:
National Anthropological Archives

Photographs made as part of Joseph C. Farber's project to document modern NAtive American everyday life. Represented tribes include the Acoma, Apache, Blackfoot, Chehalis, Cherokee, Cheyenne, Chippewa, Cocopa, Dakota, Eskimo, Haida, Kiowa, Kutenai, Lummi, Mohave, Mohawk, Navaho, Northern Athabascan, Onandaga, Pima, Pueblo, Quinalt, Seminole, Taos, Tlingit, and Zuni. Subject coverage …

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in NAA.PhotoLot.78-1 for Wood sculpture
Bob & Bob and The Dark Bob papers
Creators:
Bob & Bob
Dates:
1974-2021
Size:
11 Linear feet
Collection ID:
AAA.bobbob
Repository:
Archives of American Art

The Bob & Bob and The Dark Bob papers measure 11.0 linear feet and date between 1974 and 2021. The papers document the careers of California performing artists known as The Light Bob and The Dark Bob through correspondence with art galleries, radio broadcast stations, and record companies; audio recordings, film and video recordings, resumes, and contract agreements pertaining to shows they produced for sound and video recording studios and related professional material; clippings, catalogs, announcements, and other printed material; and photographs, slides, negatives, and transparencies of artwork and performances.

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in AAA.bobbob for Wood sculpture
Exhibition Records
Creators:
National Museum of American Art. Exhibitions Coordinator
Dates:
1982-1991
Size:
13 cu. ft. (13 record storage boxes)
Collection ID:
Record Unit 449
Repository:
Smithsonian Institution Archives

These records consist of exhibition files maintained by the Exhibitions Coordinator. Included in the files are correspondence, staff memoranda, checklists, vouchers, and exhibition photographs. Exhibitions represented include Zoo to Art: Animal Subject by American Sculptors, 1985, and Still Lifes by Henry Lee McFee by Henry Lee McFee, 1986.

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in Record Unit 449 for Wood sculpture
Exhibition Records
Creators:
Smithsonian American Art Museum. Curatorial Office
Dates:
1981-2001
Size:
16 cu. ft. (16 record storage boxes)
Collection ID:
Accession 07-020
Repository:
Smithsonian Institution Archives

This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum (SAAM). Supplementary areas of exhibitions also covered include related symposiums, lectures, and gallery talks. Among those exhibitions covered are The Bard Brothers: Painting America Under Steam and …

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in Accession 07-020 for Wood sculpture
505 records — Page 29 of 51