586 records — Page 30 of 59
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Creators:
Smithsonian Astrophysical Observatory. Contracts and Grants Department
Dates:
2000-2005
Size:
18 cu. ft. (18 record storage boxes)
Collection ID:
Accession 06-008
Repository:
Smithsonian Institution Archives

This accession consists of records which document Smithsonian Astrophysical Observatory (SAO) activities and projects, and consist of proposal and grant files. Materials include proposals, quotations, and bids from contractors, equipment makers, and other vendors to provide services, equipment, and instruments for SAO.

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Creators:
Cooper-Hewitt, National Design Museum. Office of the Registrar
Dates:
circa 1981-1983, 1994-2008
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 14-186
Repository:
Smithsonian Institution Archives

This accession consists of records documenting incoming loans for exhibitions. A small amount of material also documents the storage and organization of objects for an exhibition and the shipment of objects for traveling exhibitions. Materials include agreements, condition reports, object images, shipping documentation, correspondence, la...

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Creators:
National Zoological Park
Dates:
1887-1966
Size:
147 cu. ft. (288 document boxes) (1 tall document box) (4 bound volumes) (71 microfilm reels)
Collection ID:
Record Unit 74
Repository:
Smithsonian Institution Archives

The earliest records concerning the National Zoological Park date from 1887. They were kept by the Office of the Secretary of the Smithsonian Institution until 1890, when they were transferred to Holt House, the Park's administrative headquarters. During the late 1960's the records were transferred to the custody of the Smithsonian Institution...

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Creators:
Smithsonian Institution. Office of Public Affairs
Dates:
circa 1965-1974, 1987
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Record Unit 410
Repository:
Smithsonian Institution Archives

These records consist primarily of extensive publicity materials relating to the building and opening of the Quadrangle complex. They include photographs at many stages of construction, fundraising booklets, donor lists, press kits, press releases, and interviews. Also included in the collection are publicity materials relating to the Smithson...

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Creators:
Preloran, Jorge, 1933-2009
Dates:
1954-circa 2008
Size:
50 Film reels (50 completed films and 1 film series; 110,600 feet of original film outtakes (51 hours); 412 hours of audiotape; 31 digital books)
22 Linear feet (Papers and photographs)
Collection ID:
HSFA.2007.10
Repository:
Human Studies Film Archives

Documentary filmmaker Jorge Prelorán was best known for his intimate approach to ethnographic film, a style known as "ethnobiography." The majority of Prelorán's films were shot in rural areas of Argentina, particularly the Andean highlands and the Pampas (plains), often in communities of mixed Indian and Spanish heritage. Prelorán documented a wide range of subjects, including art, folk crafts, agriculture, ranching, markets, religious rituals and festivals, and social and cultural change. This collection contains edited films and videos, film outtakes, audio tapes, photographic prints and transparencies, digital books, correspondence, production files, scripts, project files, and press clippings spanning 1954-2008.

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Creators:
Nesbitt, Lowell, 1933-1993
Dates:
circa 1903-1993
bulk 1950-1993
Size:
50.2 Linear feet
0.001 Gigabytes
Collection ID:
AAA.nesblowe
Repository:
Archives of American Art

The papers of painter, photographer and sculptor Lowell Nesbitt measure 50.2 linear feet and 0.001 GB and date from circa 1903-1993 (bulk 1950-1993). The collection documents Nesbitt's career through biographical material, correspondence, subject files, business and financial records, source material, artwork, photographs and audiovisual records, printed material and scrapbooks.

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Office of the Associate Director, Facilities and Special Projects
Dates:
1983-2003
Size:
11 cu. ft. (11 record storage boxes)
Collection ID:
Accession 04-029
Repository:
Smithsonian Institution Archives

This accession consists of records created and maintained by Patrick H. Sears documenting facilities, departments, contracts, signage, budget, and special events. Materials include correspondence, memoranda, floor plans, reports, budget files, black-and-white photographs, meeting agendas, and project memoranda lists.

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Creators:
Emily Dean
Edwin R. Dean
Dates:
1965-1967
Size:
117 Slides (photographs) (color)
Collection ID:
EEPA.2002-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Slides taken in Nigeria, 1965-67, a few years after independence and at the eve of the Biafra War by Edwin R. and Emily Dean. Emily Dean took most of the photographs. She taught at the St. Louis Secondary School. The images are typical for the time period (note that some of them are half frame images, taken with a type of camera heavily promoted in the 1960s). Geographic locations reflect the Deans' experiences and travel: the University of Ibadan Campus, the Jos Museum, Bida , Zaria, Kano, Lagos, and Abeokuta. Of particular interest is a series of Adire production in Abeokuta, the old palace at Idanre and the Timi of Ede's Shango shrine.

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Creators:
Geary, Christraud M.
Dates:
1969-1984
Size:
3,808 Slides ((16 v.), color)
Collection ID:
EEPA.1993-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Christraud M. Geary during five research trips to Cameroon in 1969, 1970-71, 1977, 1978 and 1983-84.

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Creators:
Sousberghe, Léon de
Dates:
1955-1957
Size:
212 slides (photographs) (color)
1 map (black & white, 50 x 70 cm.)
1 map (color, 40 x 53 cm.)
Collection ID:
EEPA.1999-010
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken among the Pende peoples in the Democratic Republic of the Congo in the years 1955-1957. Publications used for identifying and describing the collection photographs include L'Art Pende (Bruxelles: Académie royale de Belgique, 1958) and Les danses rituelles Mungonge et Kelas des Bapende (Academie royale des sciences coloniales, 1956), both by Léon de Sousberghe; Inventing Masks: Agency and History in the Art of the Central Pende by Z.S. Strother (The University of Chicago Press, 1998); and, from Secrecy: African Art that Conceals and Reveals Mary H. Nooter, ed. (New York: Museum for African Art, 1993), Z.S. Strother's article, The Physical and Social Boundaries of Secrecy: Eastern Pende Constuctions of Secrecy, pp. 157-178.

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586 records — Page 30 of 59