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Creators:
Blackmun, Barbara Winston
Dates:
circa 1969-1994
Size:
1,469 color slides
Collection ID:
EEPA.2016-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection includes 1,469 color slides (35mm) which were taken in Nigeria from circa 1964-1994, and focus on ancestral altars; artists; art objects in museums, including bronze plaques and carved ivory tusks; ceremonies and festivals, including the Igue and Ewere Festivals, and the Emobo, Otue, Olokun, title-taking, and Blackmun's initation ceremonies; and people, including Oba Erediauwa and chiefs Eribo, Ero, Esogban, Ezomo, Ohanmu and Osaigeide; and street and landscape scenes in Benin City, Ife, Lagos, Ishiago, and Mbarri, Owerri, Owo, among other locations in Nigeria.

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Creators:
Lebrun, Rico, 1900-1964
Dates:
1935-1975
Size:
5.3 Linear feet
Collection ID:
AAA.lebrrico
Repository:
Archives of American Art

The papers of painter, muralist, and educator Rico Lebrun measure 5.3 linear feet and date from 1935 to 1975. Found within the papers are biographical materials; personal and business correspondence, including extensive correspondence between Lebrun and his gallery, Jacques Seligmann and Co.; writings, including illustrated notebooks; personal business records; printed material; 3 sketchbooks; and photographs of Lebrun, travels in Mexico, and his work.

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Creators:
Nivola, Costantino, 1911-1988
Dates:
circa 1938-2009
bulk 1950-1980
Size:
2.1 Linear feet
12.18 Gigabytes
Collection ID:
AAA.nivocost
Repository:
Archives of American Art

The papers of sculptor and design teacher Costantino Nivola measure 2.1 linear feet and 12.18 GB and date from circa 1938 to 2009, bulk 1950 to 1980. The papers document Nivola's career in Italy and New York through biographical material, correspondence, writings, professional activities, project files, printed material, photographs, and audio-visual recordings in digital format.

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Creators:
Nadel, Leonard, 1916-1990
Dates:
1950-2006
bulk 1956-1960
Size:
3 Cubic feet (10 boxes)
Collection ID:
NMAH.AC.1313
Repository:
Archives Center, National Museum of American History

Photographer Leonard Nadel's supplemental material relating to and photographs of the Mexican braceros (manual laborers). They were photographed in California, Texas, and Mexico for the Ford Foundation's Fund for the Republic during the late 1950s and early 1960s in support of a report entitled Strangers in Our Fields by Dr. Ernesto Galarza.

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Creators:
Baird, Spencer Fullerton, 1823-1887
Dates:
1833-1889
Size:
39.3 cu. ft. (74 document boxes) (3 half document boxes) (5 3x5 boxes) (oversize material)
Collection ID:
Record Unit 7002
Repository:
Smithsonian Institution Archives

The Spencer F. Baird Papers are the combination of several different deposits. One group was originally labeled "Private" by the Smithsonian Institution Archives at the time they were received. Another group came to the Smithsonian from Lucy Hunter Baird (Baird's daughter), or from her estate after her death.

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Creators:
Savage, Naomi, 1927-2005
Dates:
1913-2005
Size:
1.6 Linear feet
Collection ID:
AAA.savanaom
Repository:
Archives of American Art

The Naomi Savage papers on Man Ray measure 1.6 linear feet and date from 1913-2005. The collection provides an overview of Man Ray's career as a photographer and painter through correspondence, exhibition files, writings, notes, artwork, printed material, and photographs.

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Creators:
Yamin, Alice
Dates:
1927-1998
Size:
2 Linear feet
Collection ID:
AAA.yamialic
Repository:
Archives of American Art

The papers of painter, draftsperson, and art consultant Alice Yamin date from 1927-1998, and measure 2.0 linear feet. Found within the papers are letters from artists, writers, galleries, and CIGY-GEIGY Corporation for whom Yamin worked as an art consultant. The collection also contains exhibition files, printed material, and photographs of Yamin, family members, and colleagues.

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Creators:
Refregier, Anton, 1905-
Dates:
circa 1900-circa 1990
Size:
35.9 Linear feet
Collection ID:
AAA.refranto
Repository:
Archives of American Art

The papers of Woodstock area painter, muralist, and designer, Anton Refregier (1905-1979) date from circa 1900 to circa 1990 and measure 35.9 linear feet. The collection records Refregier's early commercial work and murals for the Works Progress Adminstration (WPA) and documents his career through to the 1970s with records of commissions for many public and private buildings, exhibitions in the United States and abroad, teaching positions, essays and publications, and extensive travel, particularly to the Soviet Union and Mexico. The collection contains scattered biographical material, personal and business correspondence, notes and writings, 15 diaries and journals, mural and tapestry files, exhibition files, personal business records, printed material, 10 scrapbooks, artwork including sketches and cartoons for murals, and photographs of Refregier, his friends, family and travels.

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Creators:
Beal, Gifford, 1879-1956
Dates:
1889-2001
bulk 1900-1954
Size:
7.7 Linear feet
Collection ID:
AAA.bealgiff
Repository:
Archives of American Art

The papers of painter and muralist Gifford Beal measure 7.7 linear feet and date from 1889 to 2001. The bulk of the collection consists of artwork, in addition to correspondence, writings, printed matter, including one scrapbook, pictorial subject files, photographs, and two scrapbooks of photographs of works of art. Artwork is primarily in the form of sketches and seventy-eight sketchbooks in a wide variety of media. Among the loose sketches are twenty-eight oil paintings on wood board or panel, and fourteen large pastel drawings on canvas depicting dancing figures in a romantic style. Artwork by other artists in the collection include prints by Arthur B. Davies, Rockwell Kent, and Denys Wortman.

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Creators:
Bacon, Peggy, 1895-1987
Dates:
1893-1973
bulk 1900-1936
Size:
4 Linear feet
Collection ID:
AAA.bacopegg
Repository:
Archives of American Art

The papers of printmaker, illustrator, caricaturist, and writer Peggy Bacon measure 3.6 linear feet and date from 1893 to 1973, with the bulk of materials dating from 1900 to 1936. Much of the collection consists of family correspondence, although writings, photographs, artwork, and personal business records from Bacon's late career are also found.

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