356 records — Page 30 of 36
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Creators:
National Museum of American History. Department of Exhibits
Dates:
1957-1992
Size:
35.58 cu. ft. (35 record storage boxes) (1 12x17 box) (1 oversize folder)
Collection ID:
Record Unit 551
Repository:
Smithsonian Institution Archives

These records consist of exhibition design, production, and installation information including proposals and narratives, scripts, schedules, graphic designs, construction contracts and specifications, floor plans, blueprints, schematic drawings, and photographs. The records also include Department of Exhibits administrative files such as corre...

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Creators:
Medical Sciences, Division of, NMAH, SI.
Division of Medical Sciences, NMAH
Dates:
circa 1930s-1960s
Size:
36 Cubic feet (81 Films, 16mm)
Collection ID:
NMAH.AC.0222
Repository:
Archives Center, National Museum of American History

Films vary in subject, production source, and intended audience. Includes both silent and sound black-and-white, and color films with sound.

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Creators:
Freeman, Linda, 1941-
Dates:
1971-2015
bulk 1990-2011
Size:
32.9 Linear feet
Collection ID:
AAA.freelind
Repository:
Archives of American Art

The papers of multimedia artist and filmmaker Linda Freeman measure 32.9 linear feet and date from 1971-2015, with the bulk of the material dating from 1990-2011. The collection primarily consists of the production archives of Freeman's video documentary production company L and S Video, producer of 27 short subject documentaries on contemporary American art and artists. Subjects include Emma Amos, Benny Andrews, Romare Bearden, Charles Burchfield, Elizabeth Catlett, Chuck Close, Robert Colescott, Jimmy and Max Ernst, Red Grooms, Jacob Lawrence, Richard Mayhew, Howardena Pindell, Horace Pippin, Faith Ringgold, and Betye and Alison Saar. Additional documentaries on subjects other than single artists include works on Luba artists of Central Africa, the creative process (on Freeman and five other artists featured in other documentaries in the collection), mixed media artists (on Alvin Loving, Flo Oy Wong, and Alison Saar), self-taught artists (on William Hawkins, Bill Traylor, and Grandma Moses), and a six-part series on art subjects for children called I Can Fly.

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Creators:
National Air and Space Museum. Assistant Director for Exhibits
Dates:
circa 1963-1986
Size:
17.5 cu. ft. (14 record storage boxes) (1 tall document box) (1 tube box) (15 oversize folders)
Collection ID:
Record Unit 352
Repository:
Smithsonian Institution Archives

These records provide documentation of the creation and preparation of exhibits for the most important period in the history of the National Air and Space Museum (NASM) - the planning, fabrication, and installation of two dozen major galleries for the new museum building, which opened in 1976. Also included is material on exhibits in the ...

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Creators:
Smithsonian Institution, Office of Exhibits Central, Exhibits Editor's Office
Dates:
1948-1978
Size:
12.2 linear meters.
Collection ID:
Record Unit 90
Repository:
Smithsonian Institution Archives

Exhibit scripts are the textual component of exhibits. These records document the production of labels and other text that accompany Smithsonian exhibits, and deal with matters of concept, design, scope, and style. The records occasionally contain photographs, brochures, memoranda and correspondence with curators, exhibits specialists, an...

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Creators:
National Museum of American History. Division of Information Technology and Society
Dates:
1942-2001
Size:
16 cu. ft. (16 record storage boxes)
Collection ID:
Accession 06-276
Repository:
Smithsonian Institution Archives

This accession consists of records which document the planning, development, and installation of Science in American Life, a major permanent exhibition at the National Museum of American History (NMAH). This exhibition demonstrates how science has changed the way Americans have lived over the past 125 years. Opening on April 27, 1994, Sci...

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Creators:
Faris, James C.
Dates:
1960-2014, undated
Size:
7.67 Linear feet
Collection ID:
NAA.2016-36
Repository:
National Anthropological Archives

James Faris (1936 – present) is an American cultural anthropologist and epistemologist who received his PhD from Cambridge University in 1966. He conducted fieldwork in the fishing settlement of Cat Harbour, Newfoundland, among the Nuba of Southeastern Kordofan in the Sudan, and among the Navajo in the American Southwest. His research specializations include cognitive anthropology, art and aesthetics, ritual, social organization and reproduction, anthropological linguistics, and visual anthropology and critical theory and representation. The James Faris Papers, 1960-2014, primarily document his fieldwork with the Nuba peoples of Southeastern Sudan. His papers also include materials related to representation of the Nuba peoples and various controversies in visual anthropology and documentary film that related to Leni Riefenstahl and her filmmaking among the Nuba. During the 1960s Faris was drawn into activism against the Vietnam War while at the University of Connecticut and his papers contain ephemeral materials on radical anthropology and racism from that period. The collection consists of field notes, correspondence, photographs, sound recordings, films (including scripts and transcriptions), videos, book and papers drafts, and news and magazine clippings.

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Creators:
Cornell, Joseph
Dates:
1750-1980, bulk 1930-1972
Size:
196.8 Linear feet
186 nitrate negatives
Collection ID:
SAAM.JCSC.1
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The Joseph Cornell Study Center collection measures 196.8 linear feet and dates from 1750 to 1980, with the bulk of the material dating from 1930 to 1972. Documenting the artistic career and personal life of assemblage artist Joseph Cornell (1903-1972), the collection is primarily made up of two- and three-dimensional source material, the contents of the artists' studio, his record album collection, and his book collection and personal library. The collection also includes diaries and notes, financial and estate papers, exhibition materials, collected artifacts and ephemera, photographs, correspondence, and the papers of Robert Cornell (1910-1965) and Helen Storms Cornell (1882-1966), the artist's brother and mother.

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Creators:
National Endowment for the Arts, Visual Arts Program
Dates:
1969-1989
Size:
15.5 Linear feet
Collection ID:
AAA.natiendo
Repository:
Archives of American Art

The selected records of the National Endowment for the Arts, Visual Arts Program measure 15.5 linear feet and date from 1969 to 1989. The records contain supporting documentation for grant applications awarded and final reports submitted to the NEA's Visual Arts Program in the categories of: Workshops (1972-1976), Workshops/Alternative Spaces (1976-1979), Artists' Spaces (1980-1982), and Visual Artists Organizations (1983-ca.1987). Included are a variety of materials, such as slides, photographs, sound and video recordings, letters, resumes, newsletters, financial reports, operational procedures, and printed materials. After circa 1990, the NEA began returning supporting documentation to the applicants, hence, no records from the 1990s are included, although grants were awarded in the Visual Artists Organizations category until 1995.

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Creators:
National Museum of American History. Office of the Registrar
Dates:
1962-1994
Size:
14 cu. ft. (14 record storage boxes)
Collection ID:
Accession 11-063
Repository:
Smithsonian Institution Archives

This accession consists of records that document the administrative and professional activities of Virginia Beets, Registrar, 1973-1983; Martha Morris, Assistant Registrar, 1973-1983, Registrar, 1984-1990, and Assistant Director for Collections Management, 1990-1993; and Katherine P. Spiess, Deputy Registrar, 1985-1992, and Acting Assistant Di...

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356 records — Page 30 of 36