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Creators:
United States. Bureau of Refugees, Freedmen, and Abandoned Lands
Dates:
1865-1872
Size:
1,917,680 Digital images (1918 digitized microfilm rolls)
Collection ID:
NMAAHC.FB
Repository:
National Museum of African American History and Culture

The Freedmen's Bureau Digital Collection is comprised of digital surrogates previously available on the 1918 rolls of microfilm held by the National Archives and Records Administration.

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Creators:
Hall, Chenoweth, 1908-1999
Dates:
circa 1870s-2001
bulk 1938-1999
Size:
5.9 Linear feet
Collection ID:
AAA.hallchen
Repository:
Archives of American Art

The papers of sculptor, writer, and teacher Chenoweth Hall measure 5.9 linear feet and date from circa 1870s-2001, with the bulk of the records dating between 1938-1999. The papers document Hall's career through personal and professional files, correspondence, writing files, printed materials, photographs, and some artwork.

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Creators:
United States Exploring Expedition (1838-1842)
Dates:
1838-1885
Size:
4.37 cu. ft. (6 document boxes) (1 half document box) (1 12x17 box) (1 16x20 box)
Collection ID:
Record Unit 7186
Repository:
Smithsonian Institution Archives

Several reports covering the scientific work of the expedition were made, and most were published. One of the exceptions was the ichthyology report, which Charles Pickering was originally assigned to prepare. It was delayed, however; and by the middle of 1849, Jean Louis Agassiz had been placed in charge of the work. Due to the pressures of hi...

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Creators:
Gardiner, Edward Carey, ca. 1879-1945
Dates:
1794-1872
Size:
Partial microfilm reel.
Collection ID:
AAA.gardedwa
Repository:
Archives of American Art

Selected papers from the Carey and Pennington family papers, and the Henry Carey Baird papers, relating to art, artists, engraving and publishing.

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Creators:
Loring, William Cushing, 1879-
Dates:
1899-1961
Size:
0.7 Linear feet
Collection ID:
AAA.loriwill
Repository:
Archives of American Art

The papers of American portrait painter William Cushing Loring (1897-1959) measure 0.7 linear feet and date from 1899-1961. The majority of the collection consists of correspondence, including letters which document Loring's artistic education in Paris and London 1900-1904. Also found within the collection are letters from other Loring family members, printed materials which document Loring's artistic career, and photographs of the artist and his work.

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Creators:
Snake, Reuben, 1937-1993
Dates:
1970-1996
Size:
1.25 Linear feet (3 archival boxes)
Collection ID:
NMAI.AC.012
Repository:
National Museum of the American Indian

The Reuben A. Snake, Jr. Papers, located in the Cultural Resource Center of the National Museum of the American Indian, contain writings, correspondence, biographical materials, and written materials relating to the Native American Church which document the literary and political activities of this Winnebago tribal leader.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1777-1965
Size:
10.22 Cubic feet (consisting of 20 boxes, 2 folders, 9 oversize folders, 3 map case folders, 3 flat boxes (2 full, 1 partial.))
Collection ID:
NMAH.AC.0060.S01.01.Steamboats
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Vose Galleries of Boston
Dates:
circa 1876
1890s-1996
bulk 1920-1940
Size:
25.6 Linear feet
Collection ID:
AAA.vosegall
Repository:
Archives of American Art

The records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.

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Creators:
Holly Solomon Gallery
Dates:
circa 1948-2003
Size:
200.6 Linear feet
0.002 Gigabytes
Collection ID:
AAA.hollsolg
Repository:
Archives of American Art

The records of Holly Solomon Gallery, a New York City gallery specializing in contemporary American art, measure 200.6 linear feet and 0.002 GB and date from circa 1948-2003. The gallery's activities are documented through dealer files, subject files, artists' files, inventories, sales and loan records, administrative and financial records, printed and digital materials, photographic materials of artwork and exhibitions, and sound, video, and film recordings. Also found are records of the alternative space, 98 Greene Street Loft, as well as Holly Solomon's personal papers.

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Creators:
Thayer, Abbott Handerson, 1849-1921
Dates:
1851-1999
bulk 1881-1950
Size:
5.12 Linear feet
Collection ID:
AAA.thayabbo
Repository:
Archives of American Art

The papers of painter and naturalist, Abbott Handerson Thayer, and the Thayer family date from 1851 to 1999, with the bulk of the material dating from 1881 to 1950, and measure 5.12 linear feet. Thayer's painting career, interest in concealing coloration (camouflage) in nature, and relationships with artists, patrons, family, and friends are documented through correspondence, writings, scattered legal and financial records, printed materials, and a scrapbook. Photographs are of Thayer, his family, studio, and friends, including artists. The collection also contains family papers created by his second wife, Emma Beach Thayer, his son Gerald, his daughters Mary and Gladys, and Gladys' husband David Reasoner, who managed Thayer's estate after his death.

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