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Creators:
Curtis, Edward S., 1868-1952
Dates:
circa 1895-2001
bulk 1898-1951
Size:
86 Linear feet
Collection ID:
NAA.2010-28
Repository:
National Anthropological Archives

The Edward S. Curtis papers and photographs, circa 1895-2001 (bulk 1898-1951) primarily relate to Curtis's work on his opus, the North American Indian (NAI), although other subjects are documented as well. The papers relate closely to the Edward S. Curtis papers at the University of Washington Libraries Special Collections (UW), as that collection ...

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Creators:
National Museum of American History. Department of Exhibits
Dates:
1984-1989
Size:
0.58 cu. ft. (1 document box) (1 oversize folder)
Collection ID:
Accession 17-053
Repository:
Smithsonian Institution Archives

This accession consists of records that document the design and production of the exhibition Field to Factory: Afro-American Migration, 1915-1940 at the National Museum of American History (NMAH). The exhibition examined the lasting impact of the migration of African Americans to the Northern section of the United States. Materials includ...

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Creators:
Millet, Francis Davis, 1846-1912
Dates:
1858-1984
bulk 1858-1955
Size:
3.3 Linear feet
Collection ID:
AAA.millfran
Repository:
Archives of American Art

The Francis Davis Millet and Millet family papers measure 3.3 linear feet and are dated 1858-1984, with a few scattered early eighteenth-century items, such as legal documents and printed matter. The bulk of the materials dates from 1858 to 1955. Found are biographical materials, diaries/journals, family letters, notes and writings, art work, printed matter, miscellaneous records, and photographs documenting Millet's wide-ranging artistic and writing career and personal life, including his death aboard the Titanic. Also of interest are approximately twenty ink caricatures attributed to John Singer Sargent.

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Creators:
National Portrait Gallery. Conservation Laboratory
Dates:
1999-2004
Size:
0.5 cu. ft. (1 document box)
Collection ID:
Accession 16-341
Repository:
Smithsonian Institution Archives

This accession consists of records describing the preparation of the temporary move of the National Portrait Gallery (NPG) and Smithsonian American Art Museum (SAAM) conservation lab while the Patent Office Building (POB) was under renovation. Several laboratories were planned, one in the Victor Building (was never implemented), temporary ...

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Creators:
Child, Edwin Burrage, 1868-1937
Dates:
1902-1936
Size:
2.2 Linear feet
Collection ID:
AAA.chiledwi
Repository:
Archives of American Art

The photographs of painter Edwin Burrage Child measure 2.2 linear feet and date from 1902-1936. Included in this collection are original photographic prints and copy prints; 101 negatives; 59 glass plate negatives; and one folder of miscellaneous papers including a sketch by Edwin Burrage Child. Photographs depict artwork, interiors, furniture, and people.

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Creators:
United States. Air Force
Dates:
circa 1910-1953
Size:
1.69 Cubic feet (128 microfilm boxes)
Collection ID:
NASM.XXXX.0461
Repository:
National Air and Space Museum Archives

This collection consists of duplicate microfilm of individual aircraft records for the United States Air Force (USAF). The microfilm covers aircraft owned by the US Army Air Service, Army Air Corps, Army Air Forces, USAF, and the National Guard starting in July of 1923 and including those dropped from the active inventory before June 30, 1955. (Master films are held by the Air Force Historical Research Center, Maxwell AFB, AL.) Each record card consists of a complete record of aircraft transfers (duty locations) from acceptance until retirement. Duty locations do not include unit, only theater/air base.

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Creators:
Held, John, 1947-
Dates:
bulk 1973-2013
1947-2018
Size:
12.9 Linear feet
Collection ID:
AAA.heldjohn
Repository:
Archives of American Art

The papers of rubberstamp and artistamp artist, performance artist, collector of mail art, and fine arts librarian John Held, Jr. date from 1947-2018, bulk 1973-2013, and measure 12.9 linear feet. Found within the papers are biographical material, 18 printed diaries, letters received by Held from mail artists around the world, art work consisting of artistamps designed by miscellaneous mail artists, interview transcripts, writings, project and event files, printed material, mail art sent for the Gutai Historical Survey Exhibition held at the San Francisco Art Institute in 2013, and a collection of biographical material presented by Held at a Mail Art Study Day held at the Archives of American Art in 2018.

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Creators:
Holty, Carl, 1900-1973
Dates:
circa 1860s-1972
bulk 1940-1967
Size:
1.8 Linear feet
Collection ID:
AAA.holtcarl
Repository:
Archives of American Art

The Carl Holty papers are dated circa 1860s-1972 (bulk 1940-1967), measure 1.8 linear feet and contain correspondence, writings, printed material and photographs documenting Holty's career as an abstract painter and painting teacher.

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Creators:
Vever, Henri, 1854-1942
Dates:
1867-1932
Size:
2.5 Linear feet (circa 35 items)
Collection ID:
FSA.A1988.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The papers of Parisian jeweler and art collector Henri Vever (1854-1942) include six diaries; a ledger of his art acquisitions; original oil paintings by Vever; and photographs. The materials document Vever's circle of friends, patrons, and other art collectors in turn-of-the-century Paris.

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Creators:
Warner, Olin Levi, 1844-1896
Dates:
1857-1962
bulk 1857-1899
Size:
1.9 Linear feet
Collection ID:
AAA.warnolin
Repository:
Archives of American Art

The papers of sculptor Olin Levi Warner measure 1.9 linear feet and date from 1857 to 1962 with the bulk of the materials dating from 1857 to 1899. The collection documents Warner's art student days in Paris and his career as a sculptor, primarily in New York City. Found are scattered biographical materials and writings, including a speech by Warner about the Paris Commune of 1871; personal and professional correspondence; clippings, catalogs, and other printed material; sculpture project files; and photographs of Warner, his studio, his family, and notable figures who sat for him, including artist J. Alden Weir, and his artwork.

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