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Creators:
Del Mar, Bruce E., 1913-
Del Mar Avionics Corporation
Dates:
1951-2011
Size:
3 Cubic feet (8 boxes)
Collection ID:
NMAH.AC.1249
Repository:
Archives Center, National Museum of American History

Collection documents the development of the Holter Monitor, a portable device for continuously monitoring heart activity for an extended period, through engineering logbooks, drawings, operator manuals, correspondence, photographs, sales brochures and catalogs, biographical information about the engineering staff who worked on the monitor, patents and trademarks, and marketing and sales materials.

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Creators:
Whipple, Fred L. (Fred Lawrence), 1906-2004, interviewee
Dates:
1976
Size:
4 audiotapes (Reference copies).
Collection ID:
Record Unit 9520
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
Adler, Solomon, 1901-1989
Dates:
1916-1980
bulk 1950-1966
Size:
4.5 Cubic feet (5 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.1157
Repository:
Archives Center, National Museum of American History

The papers document independent inventor Solomon Adler's work with sewing machine technology through correspondence, photographs, notes, drawings, sketches, patents, litigation records, and printed materials. The collection provides insight into both an independent inventor's process of invention and Japanese work culture during the post-World War II period.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 3-7, 1968
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1968
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Vytlacil, Vaclav, 1892-1984
Dates:
1885-1990
Size:
5.2 Linear feet
Collection ID:
AAA.vytlvacl
Repository:
Archives of American Art

The papers of abstract painter and art instructor Vaclav Vytlacil date from 1885-1990 and measure 5.2 linear feet. Found within the papers are scattered biographical materials, correspondence primarily discussing art school-related matters and the exhibition and sale of Vytlacil's work, scattered business and financial records, and notes and writings including lecture notes. The papers also contain audio recordings of interviews of Vytlacil and his associates, artwork by Vytlacil and others, four scrapbooks, printed material including clippings and exhibition catalogs, and photographs of Vytlacil, his colleagues, and his artwork.

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Creators:
Musical History, Division of (NMAH, SI)
Odell, Scott, 1935-
Dates:
1964-1977
Size:
18 Cubic feet
Collection ID:
CFCH.ODEL
Repository:
Ralph Rinzler Folklife Archives and Collections

The J. Scott Odell folk music collection (1945-2016, inclusive) contains AV recordings, photographs, correspondence, writings, and other materials relating to Odell's career at the Smithsonian as a musical instrument conservator and researcher of American music traditions. The collection largely consists of materials relating to Odell's research trips (often combined with personal visits) throughout the Eastern United States. Research strengths of the collection include the history of the Appalachian dulcimer and banjo, the Smithsonian Folkways project "Black Banjo Songsters," musician and poet Burt Porter, and the Bread and Puppet Theater.

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Creators:
Revista Aérea Latinoamericana
Dates:
1937-2003
Size:
61.8 Cubic feet
158 Boxes
Collection ID:
NASM.2003.0028
Repository:
National Air and Space Museum Archives

The subject reference files of Revista Aérea Latinoamericana regarding aviation in Latin America during 1937-2003.

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Creators:
Eckhart, Percy B. (Percy Bernard), 1877-1969
Dates:
1925-1954
1925-1954
Size:
23 Film reels (14,300 feet, 16mm)
23 Film reels (14,300 feet, 16mm)
Collection ID:
HSFA.2017.05
Repository:
Human Studies Film Archives

Percy B. Eckhart was a lawyer, a prolific oil painter, and a supporter of the arts. Most of the film footage in this collection is of travel, but there is also film footage of his family, and of a fiction film.

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Creators:
Muray, Nickolas, 1892-1965
Dates:
1910-1992
Size:
1.5 Linear feet
Collection ID:
AAA.muranick
Repository:
Archives of American Art

The papers of photographer Nickolas Muray measure 1.5 linear feet and date from 1910 to 1978. Found within the papers are biographical materials; business and personal correspondence, including a handful of letters from Frida Kahlo; writings; teaching files, primarily of photography courses taught at New York University; printed material; artwork; and photographic materials of Muray, his family and friends, and his work. There is a 0.6 linear feet Unprocessed Addition which includes biographical material, correspondence, photographs, research notes and a diary about Africa, and a subject file on the book The Revealing Eye, Personalities of the 1920s, written by Paul Gallico with photographs taken by Muray, 1967.

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Creators:
White Fathers
White Fathers Mission
Dates:
circa 1903-1925
Size:
217 Photographic prints (black and white)
217 Copy prints (black and white)
217 Copy negatives (black and white, 4 x 5 in.)
Collection ID:
EEPA.1987-010
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The Pères Blancs (White Fathers) Society Photographic Album documents the group's missions and the Africans living near them in the East African kingdoms of Rwanda and Burundi (now the state of Rwanda-Burundi). Subjects include individual and group portraits of Africans, including members of the Tutsi royal family and the Tutsi elite, Christian families of Hutu origin, missionaries and Western visitors, and Twa people on an elephant hunt. There are also photos of landscapes, African villages and mission buildings, activities, including dancing and farming.

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