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Creators:
Farber, Joan C., Dr.
Farber, Joseph C., 1903-1994
Dates:
circa 1930-1990
Size:
15 Cubic feet (90 boxes, 1 map-folder)
Collection ID:
NMAH.AC.0520
Repository:
Archives Center, National Museum of American History

The Farber collection documents images of celebrated American buildings by photographer Joseph C. Farber.

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Creators:
Mallery, Garrick, 1831-1894
Dates:
1849-1902
bulk 1870-1895
Size:
41.29 Linear feet (22 boxes, 29 folders, 3 mounted drawings, and 3 rolled items)
Collection ID:
NAA.MS2372
Repository:
National Anthropological Archives

Garrick Mallery (1831-1894) was an ethnologist with the Bureau of American Ethnology who focused primarily on Native American sign language and pictography. This collection reflects Mallery's research interests and methods. Much of the collection is comprised of correspondence and notes relating to sign language and pictography and is organized chiefly by either the cultural or geographic region to which the material belongs. Bound volumes of several of his publications are included, along with annotated draft copies from collaborators. In the case of Mallery's work on pictography, the collection includes several oversize items including original works and reproductions.

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Creators:
Ybarra-Frausto, Tomás, 1938-
Dates:
1965-2004
Size:
33.1 Linear feet
1.27 Gigabytes
Collection ID:
AAA.ybartoma
Repository:
Archives of American Art

The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.

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Creators:
Barnard, George Grey, 1863-1938
Dates:
circa 1860-1969
bulk 1880-1938
Size:
12 Linear feet
Collection ID:
AAA.barngeor
Repository:
Archives of American Art

The papers of New York sculptor, collector, and dealer George Grey Barnard measure 12 linear feet and date from 1860 to 1969, with the bulk of the materials dating from 1880-1938. These papers document his life and work as an artist, as well as his activities as a collector and dealer of medieval art, through correspondence, collecting notebooks, diaries and daily journals, ephemera, inventories, business and financial records, exhibition catalogs, newspaper clippings, reference materials, publications, photographs, and a small number of sketches.

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Creators:
DeVorkin, David H., 1944-
Dates:
1889-2011
Size:
20.5 cu. ft. (20 record storage boxes) (1 document box)
Collection ID:
Accession 16-376
Repository:
Smithsonian Institution Archives

This accession consists of the papers of David H. DeVorkin, Curator in the Space History Division at the National Air and Space Museum, 1981- , with earlier records dating from when he was assistant professor of astronomy at Central Connecticut State College, as well as during the years he attended high school and college. DeVorkin specializes...

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Creators:
W. Atlee Burpee Company
Burpee, W. Atlee (Washington Atlee), 1858-1915
Burpee, David, 1893-1980
Wm. Henry Maule (Firm)
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Dates:
1882-1980
bulk 1890-1930
Size:
2.25 Cubic feet (2 boxes)
Collection ID:
AAG.BUR1
Repository:
Archives of American Gardens

The W. Atlee Burpee & Company records - Accretion 1, dated circa 1882-1980, document the firm's business activities developing plant varieties and marketing and selling seeds. They include seed trial records, administrative files, seed catalogs, promotional and instructional materials, awards, reference materials, and other items relating to the company and some of its competitors.

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Creators:
Tolman, Ruel P. (Ruel Pardee), 1878-1954
Dates:
1909-1964
Size:
1.75 cu. ft. (3 document boxes) (1 half document box)
Collection ID:
Record Unit 7433
Repository:
Smithsonian Institution Archives

The Ruel P. Tolman Collection contains official correspondence; biographical information; photocopies of prints, drawings and photographs; and scrapbooks. Included are papers relating to Tolman's work as a graphic artist, his interest in miniature painting, and his participation in arts-related organizations. Of particular interest are four s...

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Creators:
Scherbatskoy, Serge A., 1908-2002
Dates:
1925-2002
Size:
17 Cubic feet (39 boxes)
Collection ID:
NMAH.AC.0936
Repository:
Archives Center, National Museum of American History

Collection documents the professional career and business interests of inventor Serge A. Scherbatskoy, who specialized in petroleum geophysics. Papers include laboratory notebooks, license agreements, correspondence, blue line prints, patent litigation files, newspaper clippings, reference files, patents, promotional literature, and audio-visual materials.

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Creators:
Shinn, Everett, 1876-1953
Dates:
1877-1958
Size:
3.1 Linear feet
Collection ID:
AAA.shinever
Repository:
Archives of American Art

The collected papers of Everett Shinn measure 3.1 linear feet and date from 1877 to 1958. Found within the papers are biographical material; correspondence with friends and colleagues; personal business records; art work, including two sketchbooks of designs for Belasco's Stuyvesant Theatre; notes and writings; eight scrapbooks; printed material; and numerous photographs of Shinn, his colleagues, and his work.

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Creators:
Sander, Ludwig, 1906-
Dates:
1910-1975
Size:
2.8 Linear feet
Collection ID:
AAA.sandludw
Repository:
Archives of American Art

The papers of American New York School painter Ludwig Sander measure 2.8 linear feet and date from 1910 to 1975. Found are biographical materials primarily consisting of army records; correspondence with family and colleagues discussing exhibitions and other art-related activities; diaries; personal scattered business records; address books and art history typescripts; sketchbooks and illustrations for magazines; photographs of Sander, his colleagues, his travels, and exhibition openings; and miscellaneous printed material. The collection documents Sander's career and interactions with some of the most important modern artists of twentieth century.

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