544 records — Page 4 of 55
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Creators:
Smithson, Robert
Dates:
1905-1987
bulk 1952-1987
Size:
15.1 Linear feet
Collection ID:
AAA.smitrobe
Repository:
Archives of American Art

The papers of sculptor, writer, and earthworks artist Robert Smithson and his wife, sculptor, filmmaker, and earthworks artist Nancy Holt measure 15.1 linear feet and date from 1905 to 1987, with the bulk of the material dating from 1952 to 1987. The papers consist of Smithson's biographical material; business and personal correspondence, much of it with artists; interview transcripts; extensive writings and project files; financial records; printed material; a scrapbook of clippings; holiday cards with original prints and sketches; photographic material; and artifacts. Also found are project files related to Nancy Holt's motion picture film Pine Barrens and her seminal environmental work of art Sun Tunnels, including a video documentary about Sun Tunnels.

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Creators:
Sturtevant, William C.
Dates:
1952-2007
Size:
220 Linear feet (The total extent of the collection is 191.41 linear feet (consisting of 473 document boxes and 2 record boxes) plus 254 sound recordings, 94 computer disks, 42 card file boxes, 85 oversize folders, 9 rolled items, 18 binder boxes, and 3 oversize boxes. Of the total extent, 4.79 linear feet (14 boxes) are restricted.)
Collection ID:
NAA.2008-24
Repository:
National Anthropological Archives

This collection contains the professional papers of William Curtis Sturtevant and documents his activities as Curator of North American Ethnology at the National Museum of Natural History, his work as the editor-in-chief of the Handbook of North American Indians, his research among the Seminole and Iroquois people, and other professional activities. The collection is comprised of books, sound recordings, research and field notes, realia, artifacts, clippings, microfilm, negatives, slides, photographs, manuscripts, correspondence, memorandums, card files, exhibition catalogs, articles, and bibliographies.

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Creators:
National Museum of American Art. Office of Registration and Collections Management
Dates:
1995-1998
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 00-083
Repository:
Smithsonian Institution Archives

This accession consists of records that document exhibition activities of the office for the National Museum of American Art and the Renwick Gallery. Materials include correspondence, memoranda, condition reports, checklists, insurance records, shipping invoices, lender files, and budget records.

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Creators:
Wildenhain, Frans, 1905-1980
Dates:
circa 1890-1991
Size:
8.2 Linear feet
Collection ID:
AAA.wildfran
Repository:
Archives of American Art

The papers of ceramicist, sculptor, and educator Frans Wildenhain measure 8.2 linear feet and date from circa 1890 to 1991. The papers document his career in Europe and the United States through biographical material, correspondence, diaries and notebooks, writings and notes, subject files, project files, printed material, three mixed media scrapbooks, artwork and sketchbooks, and photographic materials.

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Creators:
Blackmun, Barbara Winston
Dates:
circa 1969-1994
Size:
1,469 color slides
Collection ID:
EEPA.2016-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection includes 1,469 color slides (35mm) which were taken in Nigeria from circa 1964-1994, and focus on ancestral altars; artists; art objects in museums, including bronze plaques and carved ivory tusks; ceremonies and festivals, including the Igue and Ewere Festivals, and the Emobo, Otue, Olokun, title-taking, and Blackmun's initation ceremonies; and people, including Oba Erediauwa and chiefs Eribo, Ero, Esogban, Ezomo, Ohanmu and Osaigeide; and street and landscape scenes in Benin City, Ife, Lagos, Ishiago, and Mbarri, Owerri, Owo, among other locations in Nigeria.

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Creators:
Goode, G. Brown (George Brown), 1851-1896
Dates:
circa 1814-1897 and undated, with related materials to 1925
Size:
15.43 cu. ft. (30 document boxes) (1 12x17 box)
Collection ID:
Record Unit 7050
Repository:
Smithsonian Institution Archives

The bulk of the George Brown Goode Collection (Record Unit 7050) predates the establishment of the present-day Smithsonian Institution Archives. A small addition of autograph letters was received from the Division of Political History, National Museum of American History in 1983 under accession number 83-081.

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Creators:
Harris, Nancy H.
Gorlia, Emile E.O.
Dates:
1909-1958
bulk 1909-1928
Size:
258 negatives (photographic) (black & white, 8 x 10.5 cm.)
308 lantern slides (black & white, 8.5 x 10 cm.)
1,446 Photographic prints ((contact prints) (5 vols.), black & white, 6 x 13 cm. or smaller )
46 Photographic prints (black & white, 48 x 58 cm. or smaller.)
556 negatives (photographic) (glass plate stereographic negatives , black & white, 6 x 13 cm.)
Collection ID:
EEPA.1977-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Judge Emile E.O. Gorlia during five journeys through the Belgian Congo and two vacation leaves, one in Belgium and one in the Canaries Islands, 1909-1928 and at the World Exposition in Brussels (1958). The collection dates from 1909-1958. His first mission was from January 1910 to January 1912; the second, from February 1915 to March 1917; the third, from December 1917 to April 1920; the fourth, from November 1920 to February 1923 and, the fifth, from March 1926 to December 1928. For his first four missions at Lusambo in the Kasai province, district of Sankuru, Emile Gorlia was acting as an alternate to the public officer at one of the seven tribunals of first instance. During his fifth and final mission, he was promoted as president of the Court at Albertville in the ditrict of Katanga. Judge E.O. Gorlia was a keen amateur photographer with the advantage of not only traveling extensively around the state but also with the privilege of being able to afford the time and money to produce a prolific number of images. His images illustrate with great detail the full experience of a government official in mission in the Belgian Congo, starting in Antwerp at the pier of this Belgian harbor and taking up his duties at Lusambo, an administrative town in the hearth of th Belgian congo. The majority of images are of the following Belgian Congo districts, Lower Congo, Kassai, Sankuru, and Katanga. They include the cities of Banana, Boma, Matadi, Leopoldville (now Kinshasa), Lusambo, Luebo, Dilolo, Albertville (now Kalemie) in the Belgian Congo, Brazzaville in the French Equatorial africa, Zanzibar, Dar es Salaam, Tabora and Kigoma in tanganyika, Dakar in Senegal, Conakry in Guinea, Freetown in Sierra Leone, Port Said in Egypt and finally Casablanca in Morocco. There are also images of villages scenes and portraits of the Tetela, Songye, Luba, Kanioka, Lunda, Chokwe, Pende, Bangala and Kuba. Also included are images of the natural environment as the Congo river, the Kasai and Sankuru rivers, the banks of Lake Tanganyika and the savanna-woodland of the western part of the Katanga district as well as as the south part of the Sankuru region.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 3-7, 1968
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1968
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Northlight of Colorado, Inc.
Jacobson, Jake
Dates:
1996-2000
Size:
8 framed print
3.42 Cubic feet (2 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.0866
Repository:
Archives Center, National Museum of American History

Collection consists of photoprints and other materials created by Jacob Jacobson for the "Heart & Hands: Musical Instrument Makers of America" exhibition circulated by the Smithsonian Institution Traveling Exhibition Service (SITES), from April 2000 to early 2004.

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Creators:
Muller, Robert O., 1911-2003
Dates:
1930-1997
Size:
7.5 Linear feet
Collection ID:
FSA.A2003.14
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Personal papers of Robert O. Muller, a Connecticut-based art dealer and collector who, over the course of seventy years, assembled one of the world's finest collections of Japanese prints from the late 1860s through the 1940s. The papers include Muller's correspondence relating to Japanese art, files relating to his and his wife's 1940 honeymoon in Japan during which he forged many contacts with Japanese artists and art dealers and purchased thousands of prints, subject files, catalogs, business transactions, magazine and newspaper clippings, photographs, and notes and drafts for a planned book.

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544 records — Page 4 of 55