96 records — Page 4 of 10
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Creators:
National Museum of American History. Program in Black American Culture
Dates:
circa 1976-1987
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 98-136
Repository:
Smithsonian Institution Archives

This accession consists of the records of Bernice Johnson Reagon, former Director of the Program in Black American Culture, 1982-1988. The material consists primarily of Reagon's correspondence and memoranda concerning the program and its administration; information on projects such as "Music of the Black American Composer" and "Voice of ...

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Creators:
Anacostia Community Museum
Dates:
2010
Size:
2.7 Linear feet (3 boxes)
Collection ID:
ACMA.03-056
Repository:
Anacostia Community Museum Archives

An exhibition documenting the historical journey made by people from Africa to the Americas, along with their language and music. In the 1930s, Lorenzo Dow Turner discovered that the Gullah people of Georgia and South Carolina retained parts of the culture and language of their West African enslaved ancestors. Turner's research produced a living treasury of previously unknown traditions, songs, and folkways that also uncovered and illuminated the connections with West African and Afro-Brazilian communities.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 25-July 6, 1975
Size:
516 Sound tape reels (approximate)
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1975
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Houlberg, Marilyn
Dates:
1970s - circa 2012
Size:
267 color negatives (35mm)
8 Cassettes
19 videocassettes (video 8)
4,011 color slides (35mm)
3,012 Photographic prints (color, 12 x 16 inches or smaller)
27 sound disk cd-r
12 videodiscs (dvd)
1 Reel (Super8)
30 Notebooks (field notes)
0.5 Linear feet (mixed materials; lecture/research files and correspondence)
Collection ID:
EEPA.2015-016
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The Marilyn Houlberg Haiti Collection includes negatives, audio cassettes, video reels, prints, CDs, DVDs, field books, and manuscript materials, including lecture/research files and correspondence, which were created from the 1970s to circa 2012 by Houlberg and focus on the arts and culture of Haiti, especially those of the Afro-Caribbean religion of Voudou.

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Creators:
Smithsonian Institution. Division of Performing Arts
Dates:
1967-1980
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 82-006
Repository:
Smithsonian Institution Archives

These records consist of correspondence and inter-office memoranda concerning Division of Performing Arts (DPA) activities; sales reports; photographs; flyers for the Black American Culture program; records concerning the Festival of American Folklife; newspaper and journal articles on DPA activities and other cultural events.

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Creators:
National Museum of African American History and Culture
Dates:
1991-1993, 2002-2003
Size:
0.5 cu. ft. (1 document box)
Collection ID:
Accession 07-172
Repository:
Smithsonian Institution Archives

The National Museum of African American History and Culture (NMAAHC) was established on December 16, 2003, when President George W. Bush signed the National Museum of African American History and Culture Act (PL 108-184) into law, establishing the museum as part of the Smithsonian Institution. The new museum will be devoted exclusively to...

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Creators:
National Museum of African Art. Office of External Affairs
Dates:
1983-2006
Size:
3.5 cu. ft. (3 record storage boxes) (1 document box)
Collection ID:
Accession 11-005
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the publicity of exhibitions and special events at the National Museum of African Art. Also included are materials relating to the opening of the museum in its mall location, the building's 10th anniversary celebration, and biographical information for Roslyn A. Walker (Director, 1997-2002) and ...

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Creators:
National Museum of African Art. Office of the Director
Dates:
2008-2017
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 18-106
Repository:
Smithsonian Institution Archives

This accession consists of correspondence created or maintained by Johnnetta B. Cole, 2009-2017. Topics covered include programs, travel, and collaborations with museums, educational institutions, professional societies, corporations, foundations, and individuals in the field of African art and related studies. Materials include correspondence...

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Creators:
Robbins, Warren M.
Dates:
circa 1927-2009
Size:
83.1 cu. ft. (80 record storage boxes) (4 12x17 boxes) (2 16x20 boxes)
Collection ID:
Accession 11-001
Repository:
Smithsonian Institution Archives

These papers document the life and work of Warren M. Robbins, covering a wide swath of his life, from his early career in the Foreign Service to his work in cross cultural communications and African art. A prolific writer, Robbins correspondence with such people as Maya Angelou, Ernie Barnes, Saul Bellow, Eliot Elisofon, Otto Fried, Buckminste...

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Creators:
Drewal, Henry John
Drewal, Margaret Thompson
Dates:
1970-1989
Size:
10,000 Slides (color)
10,617 Copy slides
Collection ID:
EEPA.1992-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.

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96 records — Page 4 of 10