327 records — Page 4 of 33
[ ]
Collapse
[ ]
Expand
Creators:
Garland, Ed
Armstrong, Louis, 1901-1971
Morton, Jelly Roll, d. 1941
Levin, Floyd, 1922-2007
More …
Dates:
1880 - 2010
Size:
42.5 Cubic feet (110 boxes, 12 oversize folders)
Collection ID:
NMAH.AC.1222
Repository:
Archives Center, National Museum of American History

Floyd Levin was a Los Angeles textile manufacturer who turned his passion for jazz into a second career as an influential jazz journalist and historian. The collection consists of research materials including biographical files. In addition, there are numerous photographs that were taken and collected by Levin.

Found In
[ ]
Collapse
[ ]
Expand
Dates:
1865–1872
Size:
133 Reels
Collection ID:
NMAAHC.FB.M1904
Repository:
National Museum of African American History and Culture

This collection is comprised of digital surrogates previously available on the 133 rolls of microfilm described in the NARA publication M1904. These digital surrogates reproduced the records of the Kentucky headquarters for the Assistant Commissioner and his staff officers and the subordinate field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. These records consist of bound volumes and unbound records, containing materials that include letters sent and received, monthly reports, registers of complaints, labor contracts, and other records relating to freedmen's claims and bounty payments.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Rossiter, Thomas Prichard, 1818-1871
Dates:
1840-1961
Size:
0.5 Linear feet
Collection ID:
AAA.rossthom
Repository:
Archives of American Art

The Thomas Prichard Rossiter and Rossiter Family papers measure 0.5 linear feet and date from 1840 to 1961. Included are letters to painter Thomas Prichard Rossiter and letters to his son, architect Ehrick Kensett Rossiter, documenting their friendships with many artists and Thomas Prichard Rossiter's sketchbook and loose sketches. Edith Rossiter Bevan's papers include her writings on her grandfather, Thomas Prichard Rossiter; a scrapbook; photographs of the Rossiter family; notes by Bevan; news clippings; and other printed material. Also found is Bevan's collection of artists' letters.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Library of Congress. Copyright Office
Dates:
bulk 1890s-1920s
1860s-1930s
Size:
6,085 Mounted prints (circa, albumen, collodion, silver gelatin, platinum)
Collection ID:
NAA.PhotoLot.59
Repository:
National Anthropological Archives

The collection consists of photographs relating to Native Americans, which were submitted to the copyright office of the Library of Congress in and around the early 20th century. Many of the photographs are studio portraits as well as photographs made as part of expeditions and railroad surveys. It includes images of people, dwellings and other str...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Tucker, Irma
Tucker, Bobby, 1923-2008
Eckstine, Billy
Jones, Quincy, 1933-
More …
Dates:
1883-2007, undated
Size:
36 Cubic feet (88 boxes)
Collection ID:
NMAH.AC.1141
Repository:
Archives Center, National Museum of American History

The collection documents the life and musical career of Robert "Bobby" Tucker. The collection particularly emphasizes Tucker's close collaboration with Billy Eckstine over a forty-year period from approximately 1949-1990, and includes original orchestrations of arrangements by Tucker and other arrangers, a complete set of commercial recordings by Eckstine for which Tucker served as arranger, and ephemeral material including photographs, concert programs and news clippings.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Castelli Graphics (Firm)
Dates:
1965-2001
Size:
45.7 Linear feet
Collection ID:
AAA.castgrap
Repository:
Archives of American Art

The records of Castelli Graphics measure 45.7 linear feet and date from 1965 to 2001. Administrative files, correspondence, exhibition and project files, artists' files, financial and legal records, inventory and stock records, printed materials, and photographic materials document the activities of the New York art gallery and publishing firm founded by Antoinette Castelli.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
United States National Museum. Division of Insects
Dates:
1878-1906
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Record Unit 138
Repository:
Smithsonian Institution Archives

These records are the official incoming correspondence of the Division of Insects (outgoing correspondence for part of the period is included in record unit 139). Included is correspondence from entomologists and others requesting determinations, loans of specimens, or regarding purchase or gift of specimens for the museum; and correspondence ...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
United States National Museum, Division of Marine Invertebrates
Dates:
1853-1962
Size:
7.9 linear meters.
Collection ID:
Record Unit 233
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Thomas, Alma
Dates:
circa 1894-2001
Size:
5.5 Linear feet
Collection ID:
AAA.thomalma
Repository:
Archives of American Art

The papers of Washington, D.C. painter and art educator Alma Thomas, date from circa 1894-2001 and measure 5.5 linear feet. The papers document Thomas's work as a teacher, and her development and success as a painter of the Washington Color School, through biographical material, letters, notes and writings, personal business records, exhibition files, printed materials, scrapbooks, photographs, an audio recording, and two video recordings.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Ailey, Alvin
Mitchell, Jack, 1925-
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

Found In
327 records — Page 4 of 33