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- Creators:
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Kent, Rockwell, 1882-1971
- Dates:
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circa 1840-1993
bulk 1935-1961
- Size:
-
88 Linear feet
- Collection ID:
- AAA.kentrock
- Repository:
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Archives of American Art
The Rockwell Kent papers measure 88.0 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.
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- Creators:
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Alexander, John White, 1856-1915
- Dates:
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1775-1968
bulk 1870-1915
- Size:
-
11.9 Linear feet
- Collection ID:
- AAA.alexjohn
- Repository:
-
Archives of American Art
The papers of the painter, muralist, and illustrator John White Alexander measure 11.9 linear feet and date from 1775 to 1968, with the bulk of materials dating from 1870 to 1915. Papers document Alexander's artistic career and many connections to figures in the art world through biographical documentation, correspondence (some illustrated), writings, 14 sketchbooks, additonal artwork and loose sketches, scrapbooks, photographs, awards and medals, artifacts, and other records. Also found is a souvenir engraving of a Mark Twain self-portrait.
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- Creators:
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Sheeler, Charles, 1883-1965
- Dates:
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circa 1840s-1966
bulk 1923-1965
- Size:
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4.9 Linear feet
- Collection ID:
- AAA.sheechar
- Repository:
-
Archives of American Art
The papers of painter, photographer, lithographer and industrial designer Charles Sheeler measure 4.9 linear feet and date from circa 1840s to 1966, with the bulk of the material dating from 1923-1965. The collection documents Sheeler's family, personal life and career through financial and medical records, awards, correspondence, writings, an autobiography, journal and notebooks, scrapbooks, exhibition catalogs and announcements, printed materials, photographs, funeral records and artwork by Sheeler and others. The collection is particularly rich in Sheeler's writings, and also includes Sheeler's industrial designs and manufactured artwork. Notable photographs include Sheeler with Edward Weston, Edward Steichen, and John Marin.
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- Creators:
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McIntosh, Seymour and Company
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.
History of Technology, Division of, NMAH, SI
- Dates:
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circa 1886-1939
- Size:
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93.6 Cubic feet (174 boxes)
- Collection ID:
- NMAH.AC.0985
- Repository:
-
Archives Center, National Museum of American History
The records document the design, manufacture, and operation of steam and diesel engines by McIntosh, Seymour and Company of Auburn, New York.
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- Creators:
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Bowditch, Nancy Douglas
Brown, Robert F.
- Dates:
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1974 January 30
- Size:
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28 Pages (Transcript)
- Collection ID:
- AAA.bowdit74
- Repository:
-
Archives of American Art
An interview of Nancy Douglas Bowditch conducted 1974 January 30, by Robert F. Brown, for the Archives of American Art.
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- Creators:
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Baer, Ralph H., 1922-2014
- Dates:
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1943 - 2015
- Size:
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16 Cubic feet (44 boxes and 1 oversize folder)
- Collection ID:
- NMAH.AC.0854
- Repository:
-
Archives Center, National Museum of American History
Ralph H. Baer was a German-born ordnance specialist, inventor, and engineer. He was a pioneer of early videogame technology. The papers include autobiographical materials; firearms notes, manuscripts, and photographs; and videogame and television engineering notes, diagrams, schematics, and video documentation.
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- Creators:
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Warshaw, Isadore, 1900-1969
- Dates:
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1832-1977
- Size:
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60.54 Cubic feet (consisting of 131 boxes, 13 folders, 17 oversize folders, 20 map case folders, 2 flat boxes (1 full, 1 partial), plus digital images of some collection material.)
- Collection ID:
- NMAH.AC.0060.S01.01.Railroads
- Repository:
-
Archives Center, National Museum of American History
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Railroads forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
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- Creators:
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Cahill, Holger, 1887-1960
- Dates:
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1910-1993
bulk 1910-1960
- Size:
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15.8 Linear feet
- Collection ID:
- AAA.cahiholg
- Repository:
-
Archives of American Art
The papers of Holger Cahill (1887-1960) date from 1910 to 1993, with the bulk of the material dating from 1910-1960, and measure 15.8 linear feet. The collection offers researchers fairly comprehensive documentation of Cahill's directorship of the Works Progress/Projects Administration's (WPA) Federal Art Project (FAP) in addition to series documenting his work as a writer and art critic. Material includes correspondence, reports, artist files, scrapbooks, printed material, and photographs.
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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June 23-July 4, 1999
- Size:
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1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.1999
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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Bierstadt, Albert, 1830-1902
- Dates:
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1860-1900
- Size:
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0.2 Linear feet
- Collection ID:
- AAA.bieralbe
- Repository:
-
Archives of American Art
This small collection measures 0.2 linear feet and comprises 13 letters written by renowned Hudson River School landscape painter Albert Bierstadt between 1860 and 1900. The majority of the letters were penned in the last two decades of his life and discuss his painting, the inspiration he found in nature, his studio, and concerns relating to commissions and finances.