John N. Choate photographs of Carlisle Indian School
16 Printing plates (copper)
Photographs by John N. Choate mostly documenting the United States Indian School in Carlisle, Pennsylvania. The images include portraits of students, parents, staff and other visitors, as well as interior and exterior images of the school, buildings, and classrooms. Choate also had a thriving commercial practice outside of the Indian …
Publication Files
This accession consists of records created and maintained by James C. Cornell, Jr., a public information specialist and publications manager for the Smithsonian Astrophysical Observatory (SAO). SAO jointly administers the Harvard-Smithsonian Center for Astrophysics (CfA) with the Harvard College Observatory. Materials primarily consist of photographs used in the production of …
Scurlock Studio Records, Series 5: Color Negatives
Scurlock Studio (Washington, D.C.)
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
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The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 5 primarily consists of color negatives, but occasionally includes order forms, envelopes, and other photographic materials associated with the order. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Smithsonian Folklife Festival records: 2011 Smithsonian Folklife Festival
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Smithsonian Folklife Festival records: 1993 Festival of American Folklife
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Smithsonian Folklife Festival records: 1976 Festival of American Folklife
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scurlock Studio Records, Subseries 4.2: Black and white negatives in freezers arranged by job number
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Custom Craft
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The materials in the subseries are black and white silver gelatin negatives.
The vast majority of the negatives are individual portrait sittings but there are some family and group portraits. The box numbers in the finding aid are the old freezer box numbers and are not reflective of the physical number of boxes; when the negatives were rehoused, the physical number of …
Productions
This record unit consists of master audio tapes for Radio Smithsonian programs 482-533, 1979, and Smithsonian Galaxy editions 26-76, 1979-1981; and audio tapes of Smithsonian special events, concerts, lectures, interviews, symposia, and openings, 1974-1983.
Judith Wilson papers
27.94 Gigabytes
The papers of African American art historian Judith Wilson measure 11.2 linear feet and 27.94 GB and date from 1966 to 2010. Wilson's career is documented through correspondence with friends, colleagues, artists, universities, and art organizations; notebooks; files on writing projects, conferences, lectures, symposia and other professional activities; and a small amount of printed material. Also found is research material on artist Bob Thompson, including photographs, printed material, correspondence, notebooks and a documentary video recording. Additionally, the collection includes sound recordings of 71 interviews of artists and art collectors and six video recordings. Some of the materials are in digital format.
Moses and Frances Asch Collection
Distler, Marian, 1919-1964
Folkways Records
bulk 1948-1986
This collection, which dates from 1926-1986, documents the output of Moses Asch through the various record labels he founded and co-founded, and includes some of his personal papers. The Asch collection includes published recordings, master tapes, outtakes, business records, correspondence, photographs, and film.
