446 records — Page 4 of 45
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Creators:
Wade, Jane, 1925-
Dates:
1903-1971
Size:
0.6 Linear feet
Collection ID:
AAA.wadejane
Repository:
Archives of American Art

The Jane Wade papers regarding art dealer and New York gallery owner Curt Valentin, measure 0.6 linear feet and date from 1903-1971. This small collection consists of papers donated by former Curt Valentin Gallery employee Jane Wade, which provide scattered documentation of Valentin's life and exhibitions at the Buchholz Gallery (renamed Curt Valentin Gallery in 1951) including biographical material, correspondence from artists Valentin represented, writings and notes, lists documenting clients, exhibitions held, and artwork by Picasso sold by the gallery, clippings of obituaries for Valentin, and a complete set of Buchholz Gallery exhibition catalogs from 1937-1948.

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Creators:
Kellogg, Remington, 1892-1969
Dates:
circa 1903-1969, with related papers to 1982
Size:
9.35 cu. ft. (7 record storage boxes) (1 half document box) (3 16x20 boxes) (1 oversize folder)
Collection ID:
Record Unit 7434
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Graham, John, 1887-1961
Dates:
1799-1988
bulk 1890-1961
Size:
11.2 Linear feet
Collection ID:
AAA.grahjohn
Repository:
Archives of American Art

The papers of painter, collector, and writer John Graham measure 11.2 linear feet and date from 1799 to 1988, with the bulk of materials dating from 1890 to 1961. Papers document the life of John Graham, born Ivan Dombrowsky, through personal documents related to military service and family history, passports, artifacts, correspondence, appointment books, financial records, inventories, wills, extensive writings and notes, books, clippings, exhibition catalogs, photographs of Graham and his family and friends, and artwork created and collected by Graham.

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Creators:
Kraushaar Galleries
Dates:
1877-2006
Size:
91.9 Linear feet
0.181 Gigabytes
Collection ID:
AAA.kraugall
Repository:
Archives of American Art

The records of New York City Kraushaar Galleries measure 91.9 linear feet and 0.181 GB and date from 1877 to 2006. Three-fourths of the collection documents the gallery's handling of contemporary American paintings, drawings, and sculpture through correspondence with artists, private collectors, museums, galleries, and other art institutions, interspersed with scattered exhibition catalogs and other materials. Also included are John F. Kraushaar's estate records; artists' files; financial ledgers documenting sales and gallery transactions; consignment and loan records; photographs of artwork; sketchbooks and drawings by James Penney, Louis Bouché, and others; and two scrapbooks.

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Creators:
Feinblum, Sandi
Fauci, Anthony S.
Fera, Joe
Feldblum, Chai R.
More …
Dates:
1901-2016
bulk 1995-1999
Size:
10.2 Cubic feet (32 boxes)
Collection ID:
NMAH.AC.1128
Repository:
Archives Center, National Museum of American History

John-Manuel Andriote interviewed numerous individuals involved in the AIDS crisis for his book, Victory Deferred: how AIDS changed gay life in America, this collection contains his interview tapes, transcripts, and materials related to the research, writing, and update of his book. It also contains interview transcripts for Andriote's later book, Stonewall Strong.

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Creators:
Valentine Gallery (New York, N.Y.)
Dates:
circa 1890-circa 1960
Size:
1.8 Linear feet
Collection ID:
AAA.valegall
Repository:
Archives of American Art

The records of the New York City based Valentine Gallery measure 1.8 linear feet and date from circa 1890 to 1960. The bulk of the material documents the gallery's dealings with artists Louis Eilshemius, John Kane, Henri Matisse, and C.S. Price. Additionally, there is one scrapbook which contains printed materials regarding Valentine Gallery exhibitions from 1925-1936.

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Creators:
American University (Washington, D.C.). Fine Arts Dept.
Dates:
1946-1980
Size:
10 Microfilm reels (circa 9,000 items on 10 microfilm reels)
Collection ID:
AAA.ameruniv
Repository:
Archives of American Art

The microfilmed American University Fine Arts Department records contain departmental files on faculty, visiting artists, students, fundraising events, and building projects. Also included are files on exhibitions held in the Watkins Gallery; photographs of exhibitions; collection files on permanent acquisitions and memorial gifts, containing photo...

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Creators:
National Collection of Fine Arts. Office of the Director
Dates:
1912-1965
Size:
28.5 cu. ft. (57 document boxes)
Collection ID:
Record Unit 312
Repository:
Smithsonian Institution Archives

Record Unit 312 was transferred from the National Museum of American Art (NMAA) Archives to the Smithsonian Institution Archives in October 1984. The NMAA Archives, which was created in January 1975, and located in the Fine Arts and Portrait Gallery Building, came under the daily administration of the NMAA, with technical supervision and ...

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Creators:
National Museum of the American Indian. Collections Research and Information
Dates:
1990-2006
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 19-196
Repository:
Smithsonian Institution Archives

This accession consists of records created and maintained by Mary Jane Lenz, Curator, documenting her activities relating to exhibitions at the National Museum of the American Indian. Exhibitions include "Agayuliyararput (Our Way of Making Prayer): The Living Tradition of Yup'ik Masks"; "All Roads Are Good: Native Voices on Life and Cultu...

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Creators:
Peto, John Frederick, 1854-1907
Dates:
1850-1983
Size:
2.1 Linear feet
Collection ID:
AAA.petojohn
Repository:
Archives of American Art

The papers of still life artist John Frederick Peto and his family date from circa 1850 to 1983 and measure 2.1 linear feet. Within the papers are scattered biographical materials, a few letters to and from Peto, and his daughter Helen Peto Smiley's correspondence with galleries, scholars, and others concerning Peto's artwork. Also found are news clippings, exhibition catalogs, and other printed material, photographs and glass plate negatives of Peto, his family, and his artwork, and one small oil sketch fragment. Much of the collection documents the mid-twentieth century renewed interest in Peto's artwork.

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446 records — Page 4 of 45