Query: Irving Penn Master Images (Exhibition) (1989: Washington, D.C.)
Smithsonian Folklife Festival records: 1988 Festival of American Folklife
Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 1988
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1988
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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in CFCH.SFF.1988 for Irving Penn Master Images (Exhibition) (1989: Washington, D.C.)
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Creators:
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
More …
Dates:
undated
Size:
320 Boxes
Collection ID:
NMAH.AC.0618.S04.01
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.1 includes black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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in NMAH.AC.0618.S04.01 for Irving Penn Master Images (Exhibition) (1989: Washington, D.C.)
Betty J. Meggers and Clifford Evans Papers
Creators:
Meggers, Betty Jane
Evans, Clifford, 1920-1981
Dates:
1893-2012
Size:
129 Linear feet
Collection ID:
NAA.2013-01
Repository:
National Anthropological Archives

The Betty J. Meggers and Clifford Evans Papers document their research and professional activities from 1946-2012 and primarily deal with their archaeological and anthropological research in South America. Their work at the Smithsonian National Museum of Natural History and their frequent collaboration with other researchers and professional organizations is also represented. In addition, this collection contains detailed records on South American research conducted by the Smithsonian Institution from the 1950s through the 2010s. The collection consists of research and project files, raw data and analysis, graphs and illustrations, photographs, correspondence, maps and charts, and administrative files.

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in NAA.2013-01 for Irving Penn Master Images (Exhibition) (1989: Washington, D.C.)
Walter Pach papers
Creators:
Pach, Walter, 1883-1958
Dates:
1857-1980
Size:
20.7 Linear feet
Collection ID:
AAA.pachwalt2
Repository:
Archives of American Art

The papers of New York artist, critic, historian, writer, art consultant and curator Walter Pach, measure 20.7 linear feet and date from 1857-1980. The collection documents Pach's promotion of modernism through his role in the landmark 1913 Armory Show, his relationships with artists and art-world figures and his extensive writings on art. Records include biographical material, correspondence with family, friends and colleagues including noted artists, handwritten and edited versions of manuscripts by Pach, diaries and journals, business records, printed material, scrapbooks, sketchbooks and artwork by Pach and others, and photographs of Pach and his family, friends, and colleagues. The collection also includes 12 linear feet of selections from Walter Pach's library.

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in AAA.pachwalt2 for Irving Penn Master Images (Exhibition) (1989: Washington, D.C.)
Publicity Records
Creators:
National Portrait Gallery (Smithsonian Institution). Office of Public Affairs
Dates:
1988-1991
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 96-092
Repository:
Smithsonian Institution Archives

This accession consists of records that document the work of the Office of Public Affairs in the National Portrait Gallery (NPG) from 1988 through 1990, and include a file of general press clippings from fiscal year 1991. The records describe many aspects of the Museum's publicity efforts, and include memoranda to Museum staff …

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in Accession 96-092 for Irving Penn Master Images (Exhibition) (1989: Washington, D.C.)
Loan Files
Creators:
Cooper-Hewitt Museum. Office of the Registrar
Dates:
1958, 1975-1987
Size:
35 cu. ft. (35 record storage boxes)
Collection ID:
Record Unit 541
Repository:
Smithsonian Institution Archives

These records pertain to the exhibitions of the Cooper-Hewitt Museum, beginning with the first held under the auspices of the Smithsonian, Immovable Objects/Lower Manhattan from Battery Park to the Brooklyn Bridge, which opened in June 1975, and ending with Louis Sullivan: The Function of Ornament, which closed in September 1987. In …

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in Record Unit 541 for Irving Penn Master Images (Exhibition) (1989: Washington, D.C.)
Project Files
Dates:
circa 1970-1990
Size:
13.4 cu. ft. (8 record storage boxes) (2 document boxes) (10 oversize document boxes) (5 oversize folders)
Collection ID:
Accession 91-114
Repository:
Smithsonian Institution Archives

This accession is a continuation of Accession 91-082 and consists of project files documenting the renovation or improvement of facilities for the Smithsonian museums. These records include blueprints, architectural drawings, specifications, correspondence (primarily with contractors), payroll sheets, estimates, progress and inspection reports, photographs, and construction requests for extensions. Buildings and museums …

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in Accession 91-114 for Irving Penn Master Images (Exhibition) (1989: Washington, D.C.)
Betty Parsons Gallery records and personal papers
Creators:
Parsons, Betty
Dates:
1916-1991
bulk 1946-1983
Size:
61.1 Linear feet
Collection ID:
AAA.parsbett
Repository:
Archives of American Art

The Betty Parsons Gallery records and personal papers measure 61.1 linear feet and date from 1916 to 1991, with the bulk of the material dating from 1946-1983. Records provide extensive documentation of the gallery's operations from its inception in 1946 to its closing in 1983 and of the activities of Betty Parsons as one the leading art dealers of contemporary American Art in the latter half of the twentieth century, particularly the work of the Abstract Expressionists. Over one third of the of the collection is comprised of artists files containing correspondence, price lists, and printed materials. Additional correspondence is with galleries, dealers, art institutions, private collectors, and the media. Also found are exhibition files, exhibition catalogs and announcements, sales records, stock inventories, personal financial records, and photographs. Betty Parsons's personal papers consist of early curatorial files, pocket diaries, personal correspondence, and evidence of her own artwork, including sketchbooks, and files documenting her personal art collection.

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in AAA.parsbett for Irving Penn Master Images (Exhibition) (1989: Washington, D.C.)
Publicity Records
Creators:
National Portrait Gallery (Smithsonian Institution). Office of Public Affairs
Dates:
1990-2012
Size:
3.5 cu. ft. (3 record storage boxes) (1 document box)
Collection ID:
Accession 14-301
Repository:
Smithsonian Institution Archives

This accession consists of records that publicize the exhibitions, acquisitions, events, lectures, symposia, and other related public programs of the National Portrait Gallery. Also included are materials produced when the office was known as the Office of External Affairs. Materials include press releases, brochures, press kits, audio recordings, images and …

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in Accession 14-301 for Irving Penn Master Images (Exhibition) (1989: Washington, D.C.)
Cleve Gray papers
Creators:
Gray, Cleve
Dates:
1933-2005
Size:
9.2 Linear feet
Collection ID:
AAA.grayclev
Repository:
Archives of American Art

The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam protest movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.

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in AAA.grayclev for Irving Penn Master Images (Exhibition) (1989: Washington, D.C.)
75 records — Page 4 of 8