Lisa Taylor Papers
This accession consists of the personal papers of Lisa Taylor, Director, Smithsonian Associates (TSA), 1966-1968, and Director, Cooper-Hewitt Museum (CHM), 1969-1987. These materials document her personal correspondence and professional activities as well as her transition from TSA to CHM and the administration of CHM. Materials include correspondence, memoranda, postcards, photographs, invitations, clippings …
This accession consists of records produced by Judith Zilczer, Curator of Painting at the Hirshhorn Museum and Sculpture Garden (HMSG), which primarily document planning for the Richard Lindner and Sean Scully exhibitions at HMSG. Also included are Zilczer's curatorial files pertaining to research on HMSG collections, as well as papers …
This accession consists of records documenting donations from individuals, corporations, and foundations. Materials include correspondence, agreements, proposals, brochures, invitations, presentations, clippings, and related materials.
Barbara Kulicke papers
The papers of New York art consultant, entrepreneur, publisher, and painter, Barbara Kulicke measure 7.4 linear feet and date from 1963 to 2006. The papers document Kulicke's career through personal business records, alphabetical files, and project files.
Scurlock Studio Records, Series 6: Color Transparencies, Slides, and Other Formats
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 6 primarily consists of photographic materials including color transparencies, slides, film, and proofs but occasionally includes notes, forms, and envelopes associated with the orders. An oveview to the entire Scurlock collection is available here: Scurlock Studio Records
These records pertain to the exhibitions of the Cooper-Hewitt Museum, beginning with the first held under the auspices of the Smithsonian, Immovable Objects/Lower Manhattan from Battery Park to the Brooklyn Bridge, which opened in June 1975, and ending with Louis Sullivan: The Function of Ornament, which closed in September 1987. In …
American Artists Group records
0.4 Linear feet (Unmicrofilmed)
The records of the American Artists Group include 12 microfilm reels, plus 0.4 linear feet of printed material, and date from 1931 to 1966. The collection documents the organization's attempt to provide a market for artists affected by the Great Depression by using original artwork for greeting cards. Microfilmed materials include correspondence, photographs, clippings …
This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum (SAAM). Supplementary areas of exhibitions also covered include related symposiums, lectures, and gallery talks. Among those exhibitions covered are The Bard Brothers: Painting America Under Steam and …
Smithsonian Folklife Festival records: 1972 Festival of American Folklife
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Warren M. Robbins Papers
These papers document the life and work of Warren M. Robbins, covering a wide swath of his life, from his early career in the Foreign Service to his work in cross cultural communications and African art. A prolific writer, Robbins correspondence with such people as Maya Angelou, Ernie Barnes, Saul …