140 records — Page 4 of 14
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Creators:
Gill, Mary W.
Dates:
circa 1901
Size:
1 Drawing (watercolor, image 8 x 5.5 inches on 10.5 x 8 inch board.)
Collection ID:
NAA.MS4950
Repository:
National Anthropological Archives

This collection is comprised of one watercolor drawing (approximately 8 x 5.5 inches) by Mary Wright Gill, circa 1901, which depicts a Hopi altar. A caption reading "Owakülti Sitchomovi" has been added to the drawing in J. Walter Fewkes' handwriting. The drawing was done from a photograph held in the National Anthropological Archives' collection fr...

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Dates:
circa 1879-1929
Size:
2,000 Items (circa 2000 paintings, drawings, and photographs)
Collection ID:
NAA.PhotoLot.133
Repository:
National Anthropological Archives

Artwork and some photographs used to illustrate articles published in the annual reports and bulletins of the Bureau of American Ethnology and the United States National Museum. There are unidentified illustrations of Near Eastern costumes, prayer positions and Mexican funerary vessels, perhaps sketched by Walter Hough. The material includes artwor...

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Creators:
Rush, Olive, 1873-1966
Dates:
1879-1967
Size:
6.3 Linear feet
Collection ID:
AAA.rusholiv
Repository:
Archives of American Art

The papers of Olive Rush measure 6.3 linear feet and date from 1879 to 1967. They contain correspondence, artwork, photographs, writings, and other personal papers documenting Rush's education and career as an illustrator, portraitist, muralist, painter, teacher, and promoter of Native American art.

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Creators:
Rumsey, Mary Harriman, 1881-1934.
Dates:
1898-1900
1903
1914
bulk 1899-1899
Size:
396 lantern slides
286 Photographic prints
1 Map
Collection ID:
NMAI.AC.053
Repository:
National Museum of the American Indian

The Mary Harriman Rumsey collection largely consists of photographic prints and lantern slides documenting the Harriman Expedition to Alaska in summer 1899. These depict members of the expedition and Alaskan scenery and people. The collection also includes scenic photographs of Alaska taken by Dora Keen in 1914 and photographs of Blackfeet, Hopi, Apache, and Suquamish Indians made by Edward Curtis in 1900 and 1903.

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Creators:
Farber, Joseph C., 1903-
Dates:
circa 1970-1975
Size:
6,000 contact prints (circa 6000 contact prints (proof sheets))
6,000 acetate negatives (circa)
8 color transparencies
1,000 Items (circa 1000 enlarged prints: silver gelatin (some mounted for exhibition))
Collection ID:
NAA.PhotoLot.78-1
Repository:
National Anthropological Archives

Photographs made as part of Joseph C. Farber's project to document modern American Indian everyday life. Represented tribes include the Acoma, Apache, Blackfoot, Chehalis, Cherokee, Cheyenne, Chippewa, Cocopa, Dakota, Eskimo, Haida, Kiowa, Kutenai, Lummi, Mohave, Mohawk, Navaho, Northern Athabascan, Onandaga, Pima, Pueblo, Quinalt, Seminole, Taos,...

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Creators:
National Museum of American Art. Office of Design and Production
Dates:
1967-1996
Size:
12 cu. ft. (12 record storage boxes)
Collection ID:
Accession 96-131
Repository:
Smithsonian Institution Archives

This accession consists of records which document planning for exhibitions at the National Museum of American Art (NMAA). Also included are records pertaining to departmental issues in the museum. Materials consist of general correspondence, memoranda, and notes; correspondence of David B. Keeler, Chief of Design and Production, 1973-1985; exh...

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Creators:
Gracie Mansion Gallery
Dates:
1972-1991
Size:
5.3 Linear feet
Collection ID:
AAA.gracmans
Repository:
Archives of American Art

The records of the New York City contemporary Gracie Mansion Gallery measure 5.3 linear feet and date from 1972-1991. Most of the records date from the gallery opening in 1982 and later. The bulk of the collection consists of printed material and exhibition loan files that document the activities of the gallery and the East Village art scene. Loan and consignment files are found for numerous artists including Michael Bidlo, Buster Cleveland, Claudia DeMonte, Rodney Alan Greenblat, Stephen Lack, Ed McGowin, David Sandlin, Hope Sandrow, David Wojnarowicz, Rhonda Zwillinger, among others. Also found are scattered business records.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
October 4-9, 1978
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1978
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Richard York Gallery
Dates:
circa 1865-2005
bulk 1981-2004
Size:
89.5 Linear feet
Collection ID:
AAA.richyorg
Repository:
Archives of American Art

The records of the Richard York Gallery, a New York gallery specializing in American art from early 1800s to 1950, measure 79.3 linear feet and date from circa 1865-2005, with the bulk of the material dating from 1981 to 2004. Three-fourths of the records are artists' artwork files, documenting the sale and consignment of nearly 6,500 works of art. The gallery's activities are also recorded through correspondence, client files, gallery invoices, inventories, business and financial records, printed materials, scrapbooks, photographic materials of artwork, and estate records for the John Marin estate and Sergio Stella estate (Joseph Stella). An addition of 10.2 linear feet, dated circa 1865 to 2005, includes artists' files arranged alphabetically containing printed material, clippings, exhibition announcements, and scattered correspondence and financial documents.

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Creators:
Ybarra-Frausto, Tomás, 1938-
Dates:
1965-2004
Size:
33.1 Linear feet
1.27 Gigabytes
Collection ID:
AAA.ybartoma
Repository:
Archives of American Art

The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.

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140 records — Page 4 of 14