72 records — Page 4 of 8
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Dates:
1839-2001
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 16-342
Repository:
Smithsonian Institution Archives

This accession consists of records primarily created by Carl W. Mitman during his tenure as Curator of the Division of Mechanical Technology, 1921-1932, and Head Curator of the Department of Arts and Industries, 1932-1948, United States National Museum. These files create a biographical sketch of a multitude of engineers, inventors, and indust...

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1911-1986
Size:
42 Flat boxes
Collection ID:
NMAH.AC.0300.S06
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 6: Moving Pictures and Movie Stars forms part of the DeVincent collection. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Dates:
1797-1988 and undated
Size:
9.19 cu. ft. (17 document boxes) (1 16x20 box)
Collection ID:
Record Unit 7323
Repository:
Smithsonian Institution Archives

This collection was created by combining two separate accessions of biographical information on and photographs of entomologists. Series 1 consists mostly of biographical materials on dipterists (entomologists who specialize in the study of flies) but also includes information about other entomologists and scientists in general. The material,...

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Dates:
1851-1982 and undated
Size:
58.76 cu. ft. (39 record storage boxes) (9 document boxes) (26 tall document boxes) (9 microfilm reels)
Collection ID:
Record Unit 73
Repository:
Smithsonian Institution Archives

The Archives would like to thank the staff of the Division of Mollusks for their cooperation in transferring the records to the Archives. We especially appreciate the help of Clyde Roper, Richard Houbrick, and Michael Sweeney.

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Creators:
Library of Congress
Dates:
circa 1890-1945
Size:
183.5 Cubic feet ((58 solander boxes))
Collection ID:
SAAM.Photo.LOC
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The Library of Congress Copyright Deposit Collection is comprised of 2,335 photomechanical reproductions of works by 741 artists (mostly American). The large-format prints, deposited with the Library of Congress for copyright between 1890 and 1945, represent a broad range of nineteenth- and twentieth-century American art.

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Creators:
Downtown Gallery
Dates:
1824-1974
bulk 1926-1969
Size:
109.56 Linear feet
Collection ID:
AAA.downgall
Repository:
Archives of American Art

The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.

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Creators:
American Ornithologists' Union
Dates:
1883-1977
Size:
47.11 cu. ft. (93 document boxes) (1 12x17 box) (3 oversize folders)
Collection ID:
Record Unit 7150
Repository:
Smithsonian Institution Archives

These records document the history, operation, and activities of the AOU, 1883-1977. For many years the papers were scattered in the hands of various officers until 1969 when the Committee on Archives was established. In 1974 the collection was brought together at the Smithsonian Institution. Among the records include those of Hoyes Lloyd, ...

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Creators:
Hanson, James A.
Conner, Stuart W.
Dempsey, Hugh A.
Ewers, John C. (John Canfield), 1909-1997
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Dates:
1945-1993
Size:
97 Linear feet
Collection ID:
NAA.1998-35
Repository:
National Anthropological Archives

The John Canfield Ewers Papers document his wide ranging anthropological interests from early White depictions of Native Americans to the material culture of the Plains tribes through correspondence, exhibit catalogs, field notes, illustrations, lectures, maps, photocopies of archival materials, photographs, and writings. The collection includes ma...

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Creators:
Ellington, Duke, 1899-1974
Dates:
1903 - 1989
Size:
400 Cubic feet
Collection ID:
NMAH.AC.0301
Repository:
Archives Center, National Museum of American History

The collection documents Duke Ellington's career primarily through orchestrations (scores and parts), music manuscripts, lead sheets, transcriptions, and sheet music. It also includes concert posters, concert programs, television, radio, motion picture and musical theater scripts, business records, correspondence, awards, as well as audiotapes, audiodiscs, photographs, tour itineraries, newspaper clippings, magazines, caricatures, paintings, and scrapbooks.

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Creators:
National Academy of Design (U.S.)
Dates:
1817-2012
Size:
92.7 Linear feet
Collection ID:
AAA.natiacad
Repository:
Archives of American Art

The records of New York City's National Academy of Design measure 92.7 linear feet and date from 1817-2012. The records pertain to all three constituents of the tripartite organization consisting of the Academy, a membership body of artists founded in 1825; the school, founded at the same time to promote arts education; and the exhibition program, inaugurated in 1826. Extensive administrative records include minutes, committee files, director files, annual reports, constitutions, and correspondence and subject files of council officers. Exhibition records, also substantive, date to the Academy's first annual exhibition and include gallery and special exhibitions, as well as exhibitions at the Academy's museum, established in 1979. The collection also includes gifts and funding files, especially relating to endowments and prizes; membership records; National Academy Association records; Ranger Fund assignments; extensive files pertaining to the school's administration, courses of instruction, registrations, and attendance; twenty scrapbooks containing clippings and ephemera; Society of American Artists records; correspondence and ephemera from other organizations; transcripts from oral histories with Academy members; extensive photographic material documenting artists, members, the school, exhibitions, buildings, and artwork created by Academy members; artist files containing correspondence, writings, and sketches from those associated with the Academy; and assorted printed material and ephemera.

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72 records — Page 4 of 8