Query: Special Delivery: Murals for the New Deal Era (Exhibition) (1988: Washington, D.C.)
Constance Stuart Larrabee Collection
Creators:
Larrabee, Constance Stuart
Dates:
1900-1997
Size:
circa 11000 Negatives (photographic) (black and white and color, 2.5 x 2.5 inches or smaller)
circa 5000 Photographic prints (silver gelatin, black and white, 8 x 10 inches or smaller)
circa 20 Linear feet (Manuscript Materials)
5.4 Linear feet (Office Files)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Loved, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Manuscript and office files include clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other materials that document Larrabee's career, family history, and personal life.

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in EEPA.1998-006 for Special Delivery: Murals for the New Deal Era (Exhibition) (1988: Washington, D.C.)
Pratt, Read Corporation Records
Creators:
Nickse, Hugo
Johnson, Hanford
Comstock, Cheney and Co.
Pratt, Read and Company
More …
Dates:
1839-1990
Size:
84 Cubic feet (106 boxes, 28 oversize folders)
Collection ID:
NMAH.AC.0320
Repository:
Archives Center, National Museum of American History

Records documenting Pratt, Read and Company; its early competitor and later partner, Comstock, Cheney and Company; and a number of predecessor, subsidiary and related companies. Other topics include the late 19th century African ivory trade and Pratt, Read's production of troop-carrying gliders during World War II.

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in NMAH.AC.0320 for Special Delivery: Murals for the New Deal Era (Exhibition) (1988: Washington, D.C.)
Myron Bement Smith Collection
Creators:
Smith, Myron Bement, 1897-1970
Dates:
circa 1910-1970
Size:
192 Linear feet
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.

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in FSA.A.04 for Special Delivery: Murals for the New Deal Era (Exhibition) (1988: Washington, D.C.)
Smithsonian Folklife Festival records: 1994 Festival of American Folklife
Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 1-10, 1994
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1994
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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in CFCH.SFF.1994 for Special Delivery: Murals for the New Deal Era (Exhibition) (1988: Washington, D.C.)
Records
Creators:
National Collection of Fine Arts. Office of Administration
Dates:
1964-1980
Size:
15 cu. ft. (30 document boxes)
Collection ID:
Record Unit 447
Repository:
Smithsonian Institution Archives

These records include administrative subject files, personnel records, financial and budgetary materials, and exhibition files. The administrative subject files contain letters, memoranda, reports, inventories, and other records which chronicle the day-to-day operations of NCFA. Among these are correspondence with NCFA curators and Smithsonian administrators; the development and opening of the …

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in Record Unit 447 for Special Delivery: Murals for the New Deal Era (Exhibition) (1988: Washington, D.C.)
Records
Creators:
National Museum of American Art. Office of Registration and Collections Management
Dates:
1920-1994
Size:
34 cu. ft. (34 record storage boxes)
Collection ID:
Accession 97-001
Repository:
Smithsonian Institution Archives

This accession consists of the administrative records of the National Museum of American Art, Office of the Registrar, 1920-1994, with the majority dated 1985-1994. The records include Exhibition Files, 1920-1960 and 1986-1991; Photo Requests, 1987-1992; Read Files, 1985-1993; Loan Forms/Photos Ordered, 1989-1993; Permission Forms, numbered 1000-4000; Commission Meetings, 1990-1994; Closed TLs (Temporary Loans), 1987-1989; Rights and Reproduction Correspondence, 1989; General …

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in Accession 97-001 for Special Delivery: Murals for the New Deal Era (Exhibition) (1988: Washington, D.C.)
N W Ayer Advertising Agency Records
Creators:
Ayer (N W) Incorporated.
Dates:
1817-1851
1869-2006
Size:
270 Cubic feet (1463 boxes, 33 map-folders, 7 films)
Collection ID:
NMAH.AC.0059
Repository:
Archives Center, National Museum of American History

Collection consists of records documenting one of the oldest advertising agencies created in Philadelphia. The company then moves to New York and expanses to international markets. During its history NW Ayer & Sons acquires a number of other advertising agencies and is eventually purchased. The largest portion of the collection is print advertisements but also includes radio and television. NW Ayer is known for some of the slogans created for major American companies.

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in NMAH.AC.0059 for Special Delivery: Murals for the New Deal Era (Exhibition) (1988: Washington, D.C.)
Industry on Parade Film Collection
Creators:
Lodge, Arthur
National Association of Manufacturers
Arthur Lodge Productions.
Dates:
1950 - 1959
Size:
42.5 Cubic feet
Collection ID:
NMAH.AC.0507
Repository:
Archives Center, National Museum of American History

Industry on Parade was a television series created by the National Association of Manufacturers (NAM) from 1950-1960. The series consisted of weekly episodes that highlighted American manufacturing and business. Hundreds of companies and products were documented during the programs decade-long run.

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in NMAH.AC.0507 for Special Delivery: Murals for the New Deal Era (Exhibition) (1988: Washington, D.C.)
Benjamin O. Davis Jr. Collection
Creators:
Davis, Benjamin O., Jr., 1912-
Dates:
1928-1990
Size:
75.03 Cubic feet (168 boxes)
Collection ID:
NASM.1992.0023
Repository:
National Air and Space Museum Archives

This collection consists of 72 linear feet of the papers of Benjamin O. Davis. Included are the following types of material: programs, invitations, certificates, correspondence, published material, and photographs.

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in NASM.1992.0023 for Special Delivery: Murals for the New Deal Era (Exhibition) (1988: Washington, D.C.)
Joseph Cornell papers
Creators:
Cornell, Joseph
Dates:
1804-1986
bulk 1939-1972
Size:
24.9 Linear feet
Collection ID:
AAA.cornjose
Repository:
Archives of American Art

The papers of Joseph Cornell (1903-1972) measure approximately 24.9 linear feet and date from 1804 to 1986 with the bulk of the material dating from 1939-1972. The collection documents the life, work, interests, and creative activities of the self-taught artist, who was best known for his shadow box constructions, assemblages, and collages. Papers include correspondence, diaries, source material, notes, writings, photographs, printed material, two- and three-dimensional ephemera, art works, and books, as well as a limited amount of legal and financial records, and some miscellaneous personal and family papers. The collection also includes the papers of his sister, Betty Cornell Benton, relating to the handling of Cornell's estate and the personal papers of his brother, Robert Cornell.

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in AAA.cornjose for Special Delivery: Murals for the New Deal Era (Exhibition) (1988: Washington, D.C.)
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