477 records — Page 31 of 48
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Creators:
McCoy, Esther
Dates:
circa 1876-1990
bulk 1938-1989
Size:
44.4 Linear feet
Collection ID:
AAA.mccoesth
Repository:
Archives of American Art

The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.4 linear feet and date from 1876 to 1990 (bulk 1938-1989). McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.

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Creators:
Hirshhorn Museum and Sculpture Garden. Office of the Registrar
Dates:
1997-2002
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 09-163
Repository:
Smithsonian Institution Archives

This accession consists of records documenting outgoing loans of objects. Materials include correspondence, requests for loans, loan agreement forms, outgoing loan receipts, bills of lading, certificates of insurance, insurance register transaction forms, images of objects, facilities reports, condition photographs, and related materials.

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Creators:
Kainen, Jacob
Kainen, Ruth Cole.
Dates:
1905-2009
bulk 1940-2001
Size:
33.3 Linear feet
Collection ID:
AAA.kainjaco
Repository:
Archives of American Art

The papers of painter, printmaker, and curator Jacob Kainen measure 33.3 linear feet and date from 1905 to 2009, with the bulk of the material from 1940-2001. The bulk of the collection consists of correspondence/subject files including personal correspondence to and from friends and family members and professional correspondence and records concerning Kainen's activities as an artist, curator, teacher, and art collector. The collection also contains biographical material, writings, diaries, calendars, inventories, interview transcripts, printed material, photographs, works of art by other artists, and nine scrapbooks.

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Creators:
Renwick Gallery
Dates:
1981, 1988, 1994-2003
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 10-106
Repository:
Smithsonian Institution Archives

This accession consists of records related to the research and planning of exhibitions at the Renwick Gallery. The majority of the records document the research of Kenneth R. Trapp, Curator-in-Charge for the proposed exhibition, Silver on the High Seas: United States Navy Presentation Silver Services which was to open in fall 2004. Also i...

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Creators:
Pearlstein, Philip, 1924-
Dates:
circa 1940-2008
Size:
31.8 Linear feet
16.68 Gigabytes
Collection ID:
AAA.pearphil
Repository:
Archives of American Art

The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.

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Creators:
Espada, Jason
Espada, Frank, 1930-
Dates:
1962-2008
Size:
17 Cubic feet (52 boxes)
Collection ID:
NMAH.AC.1395
Repository:
Archives Center, National Museum of American History

Collection consists of photographic materials taken by Frank Espada, mostly images from the Puerto Rican Diaspora Documentary Project, which documents these communities across the Unites States. In addition, there are materials relating to his earlier work documenting civil rights activities, also in the United States during the 1960s and 1970s.

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Creators:
Smithsonian Channel
Dates:
2009-2010
Size:
0.46 cu. ft. (0.46 non-standard size boxes)
Collection ID:
Accession 12-188
Repository:
Smithsonian Institution Archives

Smithsonian Networks is a joint venture between Showtime Networks and the Smithsonian Institution. It was formed to create channels featuring programs largely inspired by the assets of the Smithsonian Institution, the world's largest museum and research complex. Smithsonian Channel features award-winning original documentaries, series and ...

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Creators:
Smithsonian Institution. Office of Exhibits Central
Dates:
circa 1978-1990
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 92-108
Repository:
Smithsonian Institution Archives

This accession consists of records that document the planning and creation of exhibits produced by the Office of Exhibits Central (OEC) for various Smithsonian Institution bureaus and divisions. About half the material deals with Smithsonian Institution Traveling Exhibition Service (SITES) exhibits, the remainder with exhibits prepared for the...

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Creators:
Milch Gallery
Dates:
1911-1995
Size:
42.2 Linear feet
Collection ID:
AAA.milcgall
Repository:
Archives of American Art

The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.

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Creators:
Holman, Thomas S., 1953-2015
Dates:
1970-1989
Size:
1.8 Linear feet
Collection ID:
AAA.holmthom
Repository:
Archives of American Art

Curator, and gallery director Thomas S. Holman's research materials on Reginald Marsh, 1970-1989, measure 1.8 linear feet. Research materials consist of correspondence, notes, printed material, writings, and images accrued during the course of exhibition research that Holman pursued while he was curator of collections at the Minnesota Museum of American Art and director of the Bell Gallery, Brown University. Reginald Marsh research, mainly conducted from 1982-1983, comprises the vast majority of the collection. In addition, there are research files for proposed Charles Demuth and Charles Sheeler exhibitions. Grant research compiled in 1989 concerns a mural exhibition.

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477 records — Page 31 of 48