Rudy Arnold Photo Collection
25.37 Linear feet (38 boxes)
Rudy Arnold (1902-1966) was introduced to photography in 1918. After studying at the New York School of Photography, he worked at the New York Journal-American and the New York Graphic. During his stint at the latter he started to focus on aviation photography. In 1928, Arnold started his own aviation photography business and worked out of the following New York air fields and airports during his career: Roosevelt Field, the old Curtiss Airport, Floyd Bennett Field, and LaGuardia Airport His coverage of a wrecked airliner in upstate New York was the first photograph sent by wire to newspapers across the country. Arnold's work appeared in every aviation magazine, house organs (Douglas, Grumman), and mass circulation magazines as well as many newspapers. He also did motion-picture camera work for Universal and Paramount.
William Healey Dall Papers
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women’s Committee.
These records consist of Smithsonian Institution Traveling Exhibition Service (SITES) exhibition files, arranged by exhibition. The files contain varying amounts of information, including itineraries, shipping and insurance papers, press releases, lists of items, correspondence with lenders, and occasional photographs.
Warshaw Collection of Business Americana Subject Categories: Agriculture
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Agriculture forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Downtown Gallery records
The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.
Farouk El-Baz Papers
Farouk El-Baz (1938- ) was born in Zagazig, Egypt. He received a B.S. in Chemistry and Geology in 1958 from Ain Shams University, Cairo. In 1960 he came to the United States, where he earned an M.S. in geology at the Missouri School of Mines and Metallurgy in 1961 and a Ph.D. in geology at …
This collection contains a variety of materials documenting the lives and careers of scientists from a wide range of fields, including mammalogy, ornithology, ichthyology, herpetology, botany, entomology, paleontology and geology. Also included are files on conservationists, taxidermists, historical figures, explorers, frontiersmen, and hunters. The files include biographies, news clippings, press …
This record unit documents the work of the assistant secretary for Museum Programs. The office directed the operations of the Conservation Analytical Laboratory, Office of Exhibits Central, Office of the Registrar, the Smithsonian Institution Archives, Smithsonian Institution Traveling Exhibition Service, and the Institution's functions under the National Museum Act of …
These records constitute the morgue files for the Science Service, and as such contain past articles, press releases and other materials produced by the Science Service. In addition are supplemental photographs, news clippings, scientific papers and articles, obituaries and related topical information. Files are categorized according to Library of Congress …
Holger Cahill papers
The papers of Holger Cahill (1887-1960) date from 1910 to 1993, with the bulk of the material dating from 1910-1960, and measure 15.8 linear feet. The collection offers researchers fairly comprehensive documentation of Cahill's directorship of the Works Progress/Projects Administration's (WPA) Federal Art Project (FAP) in addition to series documenting his work as a writer and art critic. Material includes correspondence, reports, artist files, scrapbooks, printed material, and photographs.