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Creators:
Sheeler, Charles, 1883-1965
Dates:
circa 1840s-1966
bulk 1923-1965
Size:
4.9 Linear feet
Collection ID:
AAA.sheechar
Repository:
Archives of American Art

The papers of painter, photographer, lithographer and industrial designer Charles Sheeler measure 4.9 linear feet and date from circa 1840s to 1966, with the bulk of the material dating from 1923-1965. The collection documents Sheeler's family, personal life and career through financial and medical records, awards, correspondence, writings, an autobiography, journal and notebooks, scrapbooks, exhibition catalogs and announcements, printed materials, photographs, funeral records and artwork by Sheeler and others. The collection is particularly rich in Sheeler's writings, and also includes Sheeler's industrial designs and manufactured artwork. Notable photographs include Sheeler with Edward Weston, Edward Steichen, and John Marin.

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Creators:
Vever, Henri, 1854-1942
Dates:
1867-1932
Size:
2.5 Linear feet (circa 35 items)
Collection ID:
FSA.A1988.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The papers of Parisian jeweler and art collector Henri Vever (1854-1942) include six diaries; a ledger of his art acquisitions; original oil paintings by Vever; and photographs. The materials document Vever's circle of friends, patrons, and other art collectors in turn-of-the-century Paris.

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Creators:
National Museum of Natural History, Assistant Director for Exhibits
Dates:
circa 1984-1993
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 95-019
Repository:
Smithsonian Institution Archives

Lawrence O'Reilly was appointed Associate Director for Exhibits in 1984 and was placed in charge of the planning and production of exhibitions at the National Museum of Natural History (NMNH). The position of Associate Director for Exhibits was abolished in 1994. This accession consists of records documenting the planning for and production ...

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Creators:
Sage, Kay
Dates:
1925 - circa 1985
bulk 1950-1965
Size:
0.4 Linear Feet
Collection ID:
AAA.sagekay
Repository:
Archives of American Art

The scattered papers of surrealist painter Kay Sage measure 0.4 linear feet and date from 1925 to circa 1985, with the bulk of the material dating from 1950 to 1965. Information about Sage's life as an abstract and surrealist artist and her relationship with her husband, artist Yves Tanguy are found in this small collection of biographical materials, correspondence, printed material, and photographs.

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Creators:
Semmel, Joan, 1923-
Dates:
1949-2013
bulk 1960-2013
Size:
5.9 Linear feet
Collection ID:
AAA.semmjoan
Repository:
Archives of American Art

The papers of painter Joan Semmel measure 5.9 linear feet and span the dates of 1949-2013 with the bulk of the material dated circa 1960s-2013. The papers reflect her career and activities as a painter, writer, feminist, and educator through biographical materials, correspondence, interviews, writings, project files, teaching files, printed material, and photographic materials.

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Creators:
Perls, Frank
Dates:
circa 1920-1983
bulk 1949-1975
Size:
23.8 Linear feet
Collection ID:
AAA.perlfran
Repository:
Archives of American Art

The Frank Perls papers and Frank Perls Gallery records measure 23.8 linear feet and date from 1920-1983, with the bulk dating from 1949-1975. Personal papers include writings, military records, appointment calendars, and photographs. Gallery records date from its opening in 1939 until its closure in 1981 and consist of financial, sales, and legal records; exhibition files; exhibition catalogs and announcements; subject files that contain a variety of correspondence with artists, dealers, galleries, museums, and friends and family, as well as reference materials and photographs; and scrapbooks.

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Creators:
Alexander, John White, 1856-1915
Dates:
1775-1968
bulk 1870-1915
Size:
11.9 Linear feet
Collection ID:
AAA.alexjohn
Repository:
Archives of American Art

The papers of the painter, muralist, and illustrator John White Alexander measure 11.9 linear feet and date from 1775 to 1968, with the bulk of materials dating from 1870 to 1915. Papers document Alexander's artistic career and many connections to figures in the art world through biographical documentation, correspondence (some illustrated), writings, 14 sketchbooks, additonal artwork and loose sketches, scrapbooks, photographs, awards and medals, artifacts, and other records. Also found is a souvenir engraving of a Mark Twain self-portrait.

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Creators:
Smithsonian American Art Museum., Office of Design and Production
Dates:
1970-2000
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 01-108
Repository:
Smithsonian Institution Archives

This accession consists of records that document the design, production, and installation of permanent and temporary exhibitions at the Smithsonian American Art Museum and the Renwick Gallery. There are also records related to the renovation of the Alice Pike Barney Studio House. Materials include drawings, sketches, floor plans, correspondenc...

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Creators:
Schmidt, Katherine, 1898-1978
Dates:
circa 1921-1971
Size:
0.2 Linear feet
Collection ID:
AAA.schmkath
Repository:
Archives of American Art

The papers of painter and arts advocate Katherine Schmidt measure 0.2 linear feet and date from circa 1921 to 1971. Scattered correspondence, speeches, proposals, meeting minutes, and notes focus primarily on Schmidt's advocacy for federal and state government support of the arts. Printed materials includes exhibition catalogs, clippings, press releases documenting Schmidt's painting career and arts advocacy work. Photographs include portrait photos of Schmidt and photographs of Schmidt's drawings. There are two photographs taken by her first husband Yasuo Kuniyoshi of Schmidt with friends at a party.

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Creators:
Richenburg, Robert
Dates:
circa 1910s-2008
Size:
5.3 Linear feet
4.32 Gigabytes
Collection ID:
AAA.richrobe
Repository:
Archives of American Art

The Robert Richenburg papers, circa 1910s-2008, measure 5.3 linear feet and 4.32 GB. Biographical material, correspondence, subject files, writings, sound and video recordings, printed material, and photographs document the professional career and personal life of the educator and New York School painter and sculptor best known for his Abstract Expressionist paintings.

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